Hashtag

#blackandwhite

541 posts tagged with this hashtag.

Thomas Lendt
@tholen61@mastodon.social

Blick von ganz unten nach ganz oben

in einem Treppenhaus in Hamburg


Schwarzweiss-Foto eines Treppenhauses in einem älteren Haus in Hamburg. Vom Erdgeschoß nach oben gesehen. Der Handlauf ist aus Metall.
ALT text

Schwarzweiss-Foto eines Treppenhauses in einem älteren Haus in Hamburg. Vom Erdgeschoß nach oben gesehen. Der Handlauf ist aus Metall.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

The village of Pampaniera nestled in the Poqueira valley, with the villages of Bubion and Capileira visible in the distance.

Photo shot on Kentmere 100 and developed in Spur Acurol-N. This is an old favourite combination of mine. Acurol-N developer brings out the absolute best from this film and can produce truly...

More info: glass.photo/tapasinthesun/6gxG

A black and white photograph captures a picturesque Pampaneira clinging to the steep slopes of a valley. Traditional white buildings with red-tiled roofs cascade down the hillside, framed by lush greenery and a partly cloudy sky. The villages of Bubion and Capileira are visible in the distance. The scene evokes a sense of tranquillity and timeless beauty, with the afternoon light softly illuminating the landscape.
ALT text

A black and white photograph captures a picturesque Pampaneira clinging to the steep slopes of a valley. Traditional white buildings with red-tiled roofs cascade down the hillside, framed by lush greenery and a partly cloudy sky. The villages of Bubion and Capileira are visible in the distance. The scene evokes a sense of tranquillity and timeless beauty, with the afternoon light softly illuminating the landscape.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Busquístar nestled in rolling hills.

Breaking away from the summer tour for a short while, I wanted to share a few photos from my recent Birthday week in the Sierra Nevada. I was never happy with my results with HP5, but finally I have a winning combination: HP5 developed in 510-Pyro. The results can be sublime, and I...

More info: glass.photo/tapasinthesun/1hqd

A picturesque village is situated within a valley of gently sloping, tree-covered hills. The scene is bathed in bright afternoon light, creating a tranquil and expansive view. A few buildings with white walls and terracotta roofs are visible amongst the greenery.
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A picturesque village is situated within a valley of gently sloping, tree-covered hills. The scene is bathed in bright afternoon light, creating a tranquil and expansive view. A few buildings with white walls and terracotta roofs are visible amongst the greenery.

Michael Beecham
@michaelbeechamphoto@mastodon.social

This is one of my all-time favourite images. It was taken as we were sailing slowly into Isafjordur, in Iceland. Originally taken in colour (it does look rather lovely in colour!), I wondered what it might look like in monochrome.

I have to say that I like this version even more. There’s something about the clouds and the boat that just pulls everything together.

Just lovely.






This is a monochrome image of a boat, mountains and clouds in Isafjordur, in Iceland. The thin ribbon of clouds wrap themselves around the top of the mountains, giving them a feeling of being some kind of headband. The small boat, heading towards the viewer, pulls the eye down to the corner of the image.
ALT text

This is a monochrome image of a boat, mountains and clouds in Isafjordur, in Iceland. The thin ribbon of clouds wrap themselves around the top of the mountains, giving them a feeling of being some kind of headband. The small boat, heading towards the viewer, pulls the eye down to the corner of the image.

Michael Beecham
@michaelbeechamphoto@mastodon.social

This is one of my all-time favourite images. It was taken as we were sailing slowly into Isafjordur, in Iceland. Originally taken in colour (it does look rather lovely in colour!), I wondered what it might look like in monochrome.

I have to say that I like this version even more. There’s something about the clouds and the boat that just pulls everything together.

Just lovely.






This is a monochrome image of a boat, mountains and clouds in Isafjordur, in Iceland. The thin ribbon of clouds wrap themselves around the top of the mountains, giving them a feeling of being some kind of headband. The small boat, heading towards the viewer, pulls the eye down to the corner of the image.
ALT text

This is a monochrome image of a boat, mountains and clouds in Isafjordur, in Iceland. The thin ribbon of clouds wrap themselves around the top of the mountains, giving them a feeling of being some kind of headband. The small boat, heading towards the viewer, pulls the eye down to the corner of the image.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Embalse del Aguascebas

Photo GPS location: google.com/maps/place/37.9044,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A curved road runs alongside a tranquil Embalse del Aguascebas surrounded by lush green hills. A black railing borders the road, reflecting the calm waters. The scene is captured in monochrome, showcasing the serene landscape and nature's beauty.
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A curved road runs alongside a tranquil Embalse del Aguascebas surrounded by lush green hills. A black railing borders the road, reflecting the calm waters. The scene is captured in monochrome, showcasing the serene landscape and nature's beauty.

Thomas Lendt
@tholen61@mastodon.social

Blick von ganz unten nach ganz oben

in einem Treppenhaus in Hamburg


Schwarzweiss-Foto eines Treppenhauses in einem älteren Haus in Hamburg. Vom Erdgeschoß nach oben gesehen. Der Handlauf ist aus Metall.
ALT text

Schwarzweiss-Foto eines Treppenhauses in einem älteren Haus in Hamburg. Vom Erdgeschoß nach oben gesehen. Der Handlauf ist aus Metall.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a forest trail covered with fallen leaves and shining brightly in the sun. On each side, large trees filter the sun. Photographie noir et blanc d'un sentier en forêt couvert de feuilles tombées et brillant fortement au soleil. De chaque côté, de grands arbres filtrent le soleil.
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Black and white photograph of a forest trail covered with fallen leaves and shining brightly in the sun. On each side, large trees filter the sun. Photographie noir et blanc d'un sentier en forêt couvert de feuilles tombées et brillant fortement au soleil. De chaque côté, de grands arbres filtrent le soleil.

Kraksen
@kraks@pixelfed.de
Colourful, but black and white. These leaves were a lush green, lined with bright purple. But they too have gone.

📷 Minolta α-7
🔎 A 100/2.8 macro
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #MacroPhotography #AnalogPhotography
Black-and-white close-up photo of some thick, gnarly leaves with lots of texture. The edges of the leaves are bright, rendered almost white on this film, followed inward by a thin dark stripe and a middle-grey centre.
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Black-and-white close-up photo of some thick, gnarly leaves with lots of texture. The edges of the leaves are bright, rendered almost white on this film, followed inward by a thin dark stripe and a middle-grey centre.

Vincent de Waleffe
@Vindwa@pixelfed.fr
Chaussée des Géants, Irlande du Nord (avec un détail surprenant sur une colonne) / Giant's Causeway, Northern Ireland (with a striking close-up of one of the columns).
#cyclocamping 1998
#photography #nature #chausséedesgéants #giantscauseway #irlandedunord #northernireland #unesco #noiretblanc #blackandwhite #paysage #landscape #basaltcolumns #basalt
#FotoVorschlag 'Mineralien und Gesteine' 'Minerals and rocks'
En n&b, sur le site de la Chaussée des Géants en Irlande du Nord, un mur de colonnes basaltiques longé à gauche par un sentier sur lequel passent quelques touristes. Un personnage allongé est camouflé sur le haut du mur. / A black-and-white photograph taken at the Giant’s Causeway in Northern Ireland, showing a wall of basalt columns with a path running alongside it on the left, along which a few tourists are walking. A figure lying down is hidden at the top of the wall.
ALT text

En n&b, sur le site de la Chaussée des Géants en Irlande du Nord, un mur de colonnes basaltiques longé à gauche par un sentier sur lequel passent quelques touristes. Un personnage allongé est camouflé sur le haut du mur. / A black-and-white photograph taken at the Giant’s Causeway in Northern Ireland, showing a wall of basalt columns with a path running alongside it on the left, along which a few tourists are walking. A figure lying down is hidden at the top of the wall.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Historic Marvão nestled in Rolling Hills, viewed from the castle walls. This small, quiet medieval village has a population of only about 600 people.

Photo shot on Ilford Delta 100 and developed in Perceptol.

The Film and Developer Test: My film/developer trial using photos from my recent road trip (August 2026) in...

More info: glass.photo/tapasinthesun/2zwe

A black-and-white photograph shows a traditional Portuguese village, Marvão, situated amongst rolling hills. Stone walls frame the view, leading to a cluster of white buildings with red-tiled roofs and a church steeple in the distance, all bathed in morning light.
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A black-and-white photograph shows a traditional Portuguese village, Marvão, situated amongst rolling hills. Stone walls frame the view, leading to a cluster of white buildings with red-tiled roofs and a church steeple in the distance, all bathed in morning light.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Castelo de Marvão Stone Walls in Morning Light

An interesting fact: Because the castle sits on an arid rock, it features a massive, vaulted underground rainwater cistern. It is one of the largest in any Portuguese castle, capable of holding a six-month supply of water to survive long enemy sieges. Photo shot on...

More info: glass.photo/tapasinthesun/708U

A black-and-white photograph shows a stone fortress viewed through an arched opening, with rolling hills visible in the distance. The light suggests morning, illuminating the textured stone walls and creating a sense of history and solitude.
ALT text

A black-and-white photograph shows a stone fortress viewed through an arched opening, with rolling hills visible in the distance. The light suggests morning, illuminating the textured stone walls and creating a sense of history and solitude.

Vincent de Waleffe
@Vindwa@pixelfed.fr
Chaussée des Géants, Irlande du Nord (avec un détail surprenant sur une colonne) / Giant's Causeway, Northern Ireland (with a striking close-up of one of the columns).
#cyclocamping 1998
#photography #nature #chausséedesgéants #giantscauseway #irlandedunord #northernireland #unesco #noiretblanc #blackandwhite #paysage #landscape #basaltcolumns #basalt
#FotoVorschlag 'Mineralien und Gesteine' 'Minerals and rocks'
En n&b, sur le site de la Chaussée des Géants en Irlande du Nord, un mur de colonnes basaltiques longé à gauche par un sentier sur lequel passent quelques touristes. Un personnage allongé est camouflé sur le haut du mur. / A black-and-white photograph taken at the Giant’s Causeway in Northern Ireland, showing a wall of basalt columns with a path running alongside it on the left, along which a few tourists are walking. A figure lying down is hidden at the top of the wall.
ALT text

En n&b, sur le site de la Chaussée des Géants en Irlande du Nord, un mur de colonnes basaltiques longé à gauche par un sentier sur lequel passent quelques touristes. Un personnage allongé est camouflé sur le haut du mur. / A black-and-white photograph taken at the Giant’s Causeway in Northern Ireland, showing a wall of basalt columns with a path running alongside it on the left, along which a few tourists are walking. A figure lying down is hidden at the top of the wall.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Serene Curves: A Scenic Road by Embalse del Aguascebas

Photo GPS location: google.com/maps/place/38.0454,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Kentmere 100, Developer: 510-Pyro

Curved road along Embalse del Aguascebas, surrounded by dense trees and mountains. The scene is captured in black and white, showcasing a peaceful landscape with a guardrail and street lamps lining the edge of the road.
ALT text

Curved road along Embalse del Aguascebas, surrounded by dense trees and mountains. The scene is captured in black and white, showcasing a peaceful landscape with a guardrail and street lamps lining the edge of the road.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Serene Curves: A Scenic Road by Embalse del Aguascebas

Photo GPS location: google.com/maps/place/38.0454,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Kentmere 100, Developer: 510-Pyro

Curved road along Embalse del Aguascebas, surrounded by dense trees and mountains. The scene is captured in black and white, showcasing a peaceful landscape with a guardrail and street lamps lining the edge of the road.
ALT text

Curved road along Embalse del Aguascebas, surrounded by dense trees and mountains. The scene is captured in black and white, showcasing a peaceful landscape with a guardrail and street lamps lining the edge of the road.

Herr Schulz von nebenan 🏳️‍🌈 🌱
@HerrSchulzvonnebenan@troet.cafe

'Leere Straßen in Schwarzweiß'

Eckernförde

Zu sehen ist ein rechteckiges Hochkantfoto in Schwarz-Weiß von einer dörflich geprägten Kopfsteinpflasterstraße, die sich perspektivisch nach rechts hinten verjüngt. Links davon stehen kleine mehrstöckige Gebäude mit Ziegelmauerwerk und teilweise hohen Fenstern. Vor den Häusern sind Alltagsgegenstände wie Mülleimer und Sitzbänke zu erkennen. Auf der rechten Seite überhängen Baumkronen die Straße und werfen Schatten auf das Pflaster. Die Szene wirkt ruhig und zeigt keine Personen. Das Licht deutet auf einen sonnigen Tag hin, erkennbar an den deutlichen Schattenkontrasten zwischen beleuchteten und beschatteten Bereichen.
ALT text

Zu sehen ist ein rechteckiges Hochkantfoto in Schwarz-Weiß von einer dörflich geprägten Kopfsteinpflasterstraße, die sich perspektivisch nach rechts hinten verjüngt. Links davon stehen kleine mehrstöckige Gebäude mit Ziegelmauerwerk und teilweise hohen Fenstern. Vor den Häusern sind Alltagsgegenstände wie Mülleimer und Sitzbänke zu erkennen. Auf der rechten Seite überhängen Baumkronen die Straße und werfen Schatten auf das Pflaster. Die Szene wirkt ruhig und zeigt keine Personen. Das Licht deutet auf einen sonnigen Tag hin, erkennbar an den deutlichen Schattenkontrasten zwischen beleuchteten und beschatteten Bereichen.

Herr Schulz von nebenan 🏳️‍🌈 🌱
@HerrSchulzvonnebenan@troet.cafe

'Leere Straßen in Schwarzweiß'

Eckernförde

Zu sehen ist ein rechteckiges Hochkantfoto in Schwarz-Weiß von einer dörflich geprägten Kopfsteinpflasterstraße, die sich perspektivisch nach rechts hinten verjüngt. Links davon stehen kleine mehrstöckige Gebäude mit Ziegelmauerwerk und teilweise hohen Fenstern. Vor den Häusern sind Alltagsgegenstände wie Mülleimer und Sitzbänke zu erkennen. Auf der rechten Seite überhängen Baumkronen die Straße und werfen Schatten auf das Pflaster. Die Szene wirkt ruhig und zeigt keine Personen. Das Licht deutet auf einen sonnigen Tag hin, erkennbar an den deutlichen Schattenkontrasten zwischen beleuchteten und beschatteten Bereichen.
ALT text

Zu sehen ist ein rechteckiges Hochkantfoto in Schwarz-Weiß von einer dörflich geprägten Kopfsteinpflasterstraße, die sich perspektivisch nach rechts hinten verjüngt. Links davon stehen kleine mehrstöckige Gebäude mit Ziegelmauerwerk und teilweise hohen Fenstern. Vor den Häusern sind Alltagsgegenstände wie Mülleimer und Sitzbänke zu erkennen. Auf der rechten Seite überhängen Baumkronen die Straße und werfen Schatten auf das Pflaster. Die Szene wirkt ruhig und zeigt keine Personen. Das Licht deutet auf einen sonnigen Tag hin, erkennbar an den deutlichen Schattenkontrasten zwischen beleuchteten und beschatteten Bereichen.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.


Leere Straßen in Schwarzweiß
Calles vacías en blanco y negro

Descripción en

Esta foto la hice por la mañana del pasado 3 de septiembre en la zona antigua de Peñíscola, en la provincia de Castellón. Es una imagen en blanco y negro, en formato vertical, de una calle estrecha y empedrada que sube suavemente entre casas encaladas. El suelo es de adoquines irregulares y tiene en el centro una franja de piedras más alargadas que marca el trazado de la calle. Su superficie se ve ligeramente húmeda y brillante. Al fondo, la calle gira y sigue hacia arriba entre más edificios blancos. En primer plano, abajo a la derecha, hay una tapa de alcantarilla circular. En la esquina inferior izquierda se ve un barril de madera. A ambos lados se alinean fachadas blancas con muchos balcones de forja. Algunos tienen suelos de azulejos con dibujos de cuadros y otros llevan toldos o plantas. Hay farolas de hierro en las paredes, tuberías blancas que bajan por las fachadas y cables que cruzan de un lado a otro. En la parte izquierda hay rejas en las ventanas, un aparato de aire acondicionado en un balcón y una gran hoja de platanera que sobresale junto a la pared. Sobre la calle cuelga una gran estructura rectangular de luces decorativas con forma de flor, y en el centro se ve un cielo claro. Entre los carteles de los comercios se leen «Tattoo», «La Casa de las Toallas», «Galatea» y un cartel de un «Magic Museum» con el rostro de una persona. A la izquierda hay mesas y sillas apiladas junto a los locales, y la calle está sin gente. La luz de la mañana crea zonas de sombra y de claridad sobre las paredes.
ALT text

Esta foto la hice por la mañana del pasado 3 de septiembre en la zona antigua de Peñíscola, en la provincia de Castellón. Es una imagen en blanco y negro, en formato vertical, de una calle estrecha y empedrada que sube suavemente entre casas encaladas. El suelo es de adoquines irregulares y tiene en el centro una franja de piedras más alargadas que marca el trazado de la calle. Su superficie se ve ligeramente húmeda y brillante. Al fondo, la calle gira y sigue hacia arriba entre más edificios blancos. En primer plano, abajo a la derecha, hay una tapa de alcantarilla circular. En la esquina inferior izquierda se ve un barril de madera. A ambos lados se alinean fachadas blancas con muchos balcones de forja. Algunos tienen suelos de azulejos con dibujos de cuadros y otros llevan toldos o plantas. Hay farolas de hierro en las paredes, tuberías blancas que bajan por las fachadas y cables que cruzan de un lado a otro. En la parte izquierda hay rejas en las ventanas, un aparato de aire acondicionado en un balcón y una gran hoja de platanera que sobresale junto a la pared. Sobre la calle cuelga una gran estructura rectangular de luces decorativas con forma de flor, y en el centro se ve un cielo claro. Entre los carteles de los comercios se leen «Tattoo», «La Casa de las Toallas», «Galatea» y un cartel de un «Magic Museum» con el rostro de una persona. A la izquierda hay mesas y sillas apiladas junto a los locales, y la calle está sin gente. La luz de la mañana crea zonas de sombra y de claridad sobre las paredes.

Anja
@Anja2@norden.social

'Leere Straßen in Schwarzweiß' - aber mit viel Licht am Horizont


Eine schmale Straße führt in einer kleinen Kurve auf einen See zu. Am Himmel sind ordentlich Wolken, aus den der Regen fällt, aber auch viel Licht, das die Wasseroberfläche zum Funkeln bringt. Im Vordergrund rechts und links Gräser, Bäume und Büsche, im Hintergrund Hügel und Berge. A narrow road leads to a lake in a small curve. There are a lot of clouds in the sky, from which the rain falls, but also a lot of light, which makes the water surface sparkle. In the foreground right and left grasses, trees and bushes, in the background hills and mountains.
ALT text

Eine schmale Straße führt in einer kleinen Kurve auf einen See zu. Am Himmel sind ordentlich Wolken, aus den der Regen fällt, aber auch viel Licht, das die Wasseroberfläche zum Funkeln bringt. Im Vordergrund rechts und links Gräser, Bäume und Büsche, im Hintergrund Hügel und Berge. A narrow road leads to a lake in a small curve. There are a lot of clouds in the sky, from which the rain falls, but also a lot of light, which makes the water surface sparkle. In the foreground right and left grasses, trees and bushes, in the background hills and mountains.

Anja
@Anja2@norden.social

'Leere Straßen in Schwarzweiß' - aber mit viel Licht am Horizont


Eine schmale Straße führt in einer kleinen Kurve auf einen See zu. Am Himmel sind ordentlich Wolken, aus den der Regen fällt, aber auch viel Licht, das die Wasseroberfläche zum Funkeln bringt. Im Vordergrund rechts und links Gräser, Bäume und Büsche, im Hintergrund Hügel und Berge. A narrow road leads to a lake in a small curve. There are a lot of clouds in the sky, from which the rain falls, but also a lot of light, which makes the water surface sparkle. In the foreground right and left grasses, trees and bushes, in the background hills and mountains.
ALT text

Eine schmale Straße führt in einer kleinen Kurve auf einen See zu. Am Himmel sind ordentlich Wolken, aus den der Regen fällt, aber auch viel Licht, das die Wasseroberfläche zum Funkeln bringt. Im Vordergrund rechts und links Gräser, Bäume und Büsche, im Hintergrund Hügel und Berge. A narrow road leads to a lake in a small curve. There are a lot of clouds in the sky, from which the rain falls, but also a lot of light, which makes the water surface sparkle. In the foreground right and left grasses, trees and bushes, in the background hills and mountains.

Bluejay
@bluejay@ohai.social

“Leere Straßen in Schwarzweiß” (Empty streets in black and white)

Black and white photo of a Brooklyn street during a blizzard in February 2026. Leafless trees caked in snow tower over the white mounds of snow-covered parked cars, with a glimpse of a low brick apartment building in the background. The sky and distant street details dissolve into a blank wall of snowflakes. I took the photo while standing in the middle of the empty road, and cropped it such that only the right side of the street is showing, the trees and cars like an island pushing into a sea of white.
ALT text

Black and white photo of a Brooklyn street during a blizzard in February 2026. Leafless trees caked in snow tower over the white mounds of snow-covered parked cars, with a glimpse of a low brick apartment building in the background. The sky and distant street details dissolve into a blank wall of snowflakes. I took the photo while standing in the middle of the empty road, and cropped it such that only the right side of the street is showing, the trees and cars like an island pushing into a sea of white.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Road Across the Dam of Aguascebas Reservoir

Photo GPS location: google.com/maps/place/38.04683

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A black and white image of a winding road across the reservoir dam, featuring a sign for "Embalse del Aguascebas." The landscape is surrounded by trees, creating a serene, natural setting.
ALT text

A black and white image of a winding road across the reservoir dam, featuring a sign for "Embalse del Aguascebas." The landscape is surrounded by trees, creating a serene, natural setting.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.


Leere Straßen in Schwarzweiß
Calles vacías en blanco y negro

Descripción en

Esta foto la hice por la mañana del pasado 3 de septiembre en la zona antigua de Peñíscola, en la provincia de Castellón. Es una imagen en blanco y negro, en formato vertical, de una calle estrecha y empedrada que sube suavemente entre casas encaladas. El suelo es de adoquines irregulares y tiene en el centro una franja de piedras más alargadas que marca el trazado de la calle. Su superficie se ve ligeramente húmeda y brillante. Al fondo, la calle gira y sigue hacia arriba entre más edificios blancos. En primer plano, abajo a la derecha, hay una tapa de alcantarilla circular. En la esquina inferior izquierda se ve un barril de madera. A ambos lados se alinean fachadas blancas con muchos balcones de forja. Algunos tienen suelos de azulejos con dibujos de cuadros y otros llevan toldos o plantas. Hay farolas de hierro en las paredes, tuberías blancas que bajan por las fachadas y cables que cruzan de un lado a otro. En la parte izquierda hay rejas en las ventanas, un aparato de aire acondicionado en un balcón y una gran hoja de platanera que sobresale junto a la pared. Sobre la calle cuelga una gran estructura rectangular de luces decorativas con forma de flor, y en el centro se ve un cielo claro. Entre los carteles de los comercios se leen «Tattoo», «La Casa de las Toallas», «Galatea» y un cartel de un «Magic Museum» con el rostro de una persona. A la izquierda hay mesas y sillas apiladas junto a los locales, y la calle está sin gente. La luz de la mañana crea zonas de sombra y de claridad sobre las paredes.
ALT text

Esta foto la hice por la mañana del pasado 3 de septiembre en la zona antigua de Peñíscola, en la provincia de Castellón. Es una imagen en blanco y negro, en formato vertical, de una calle estrecha y empedrada que sube suavemente entre casas encaladas. El suelo es de adoquines irregulares y tiene en el centro una franja de piedras más alargadas que marca el trazado de la calle. Su superficie se ve ligeramente húmeda y brillante. Al fondo, la calle gira y sigue hacia arriba entre más edificios blancos. En primer plano, abajo a la derecha, hay una tapa de alcantarilla circular. En la esquina inferior izquierda se ve un barril de madera. A ambos lados se alinean fachadas blancas con muchos balcones de forja. Algunos tienen suelos de azulejos con dibujos de cuadros y otros llevan toldos o plantas. Hay farolas de hierro en las paredes, tuberías blancas que bajan por las fachadas y cables que cruzan de un lado a otro. En la parte izquierda hay rejas en las ventanas, un aparato de aire acondicionado en un balcón y una gran hoja de platanera que sobresale junto a la pared. Sobre la calle cuelga una gran estructura rectangular de luces decorativas con forma de flor, y en el centro se ve un cielo claro. Entre los carteles de los comercios se leen «Tattoo», «La Casa de las Toallas», «Galatea» y un cartel de un «Magic Museum» con el rostro de una persona. A la izquierda hay mesas y sillas apiladas junto a los locales, y la calle está sin gente. La luz de la mañana crea zonas de sombra y de claridad sobre las paredes.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.


Leere Straßen in Schwarzweiß
Calles vacías en blanco y negro

Descripción en

Esta foto la hice por la mañana del pasado 3 de septiembre en la zona antigua de Peñíscola, en la provincia de Castellón. Es una imagen en blanco y negro, en formato vertical, de una calle estrecha y empedrada que sube suavemente entre casas encaladas. El suelo es de adoquines irregulares y tiene en el centro una franja de piedras más alargadas que marca el trazado de la calle. Su superficie se ve ligeramente húmeda y brillante. Al fondo, la calle gira y sigue hacia arriba entre más edificios blancos. En primer plano, abajo a la derecha, hay una tapa de alcantarilla circular. En la esquina inferior izquierda se ve un barril de madera. A ambos lados se alinean fachadas blancas con muchos balcones de forja. Algunos tienen suelos de azulejos con dibujos de cuadros y otros llevan toldos o plantas. Hay farolas de hierro en las paredes, tuberías blancas que bajan por las fachadas y cables que cruzan de un lado a otro. En la parte izquierda hay rejas en las ventanas, un aparato de aire acondicionado en un balcón y una gran hoja de platanera que sobresale junto a la pared. Sobre la calle cuelga una gran estructura rectangular de luces decorativas con forma de flor, y en el centro se ve un cielo claro. Entre los carteles de los comercios se leen «Tattoo», «La Casa de las Toallas», «Galatea» y un cartel de un «Magic Museum» con el rostro de una persona. A la izquierda hay mesas y sillas apiladas junto a los locales, y la calle está sin gente. La luz de la mañana crea zonas de sombra y de claridad sobre las paredes.
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Esta foto la hice por la mañana del pasado 3 de septiembre en la zona antigua de Peñíscola, en la provincia de Castellón. Es una imagen en blanco y negro, en formato vertical, de una calle estrecha y empedrada que sube suavemente entre casas encaladas. El suelo es de adoquines irregulares y tiene en el centro una franja de piedras más alargadas que marca el trazado de la calle. Su superficie se ve ligeramente húmeda y brillante. Al fondo, la calle gira y sigue hacia arriba entre más edificios blancos. En primer plano, abajo a la derecha, hay una tapa de alcantarilla circular. En la esquina inferior izquierda se ve un barril de madera. A ambos lados se alinean fachadas blancas con muchos balcones de forja. Algunos tienen suelos de azulejos con dibujos de cuadros y otros llevan toldos o plantas. Hay farolas de hierro en las paredes, tuberías blancas que bajan por las fachadas y cables que cruzan de un lado a otro. En la parte izquierda hay rejas en las ventanas, un aparato de aire acondicionado en un balcón y una gran hoja de platanera que sobresale junto a la pared. Sobre la calle cuelga una gran estructura rectangular de luces decorativas con forma de flor, y en el centro se ve un cielo claro. Entre los carteles de los comercios se leen «Tattoo», «La Casa de las Toallas», «Galatea» y un cartel de un «Magic Museum» con el rostro de una persona. A la izquierda hay mesas y sillas apiladas junto a los locales, y la calle está sin gente. La luz de la mañana crea zonas de sombra y de claridad sobre las paredes.

Bluejay
@bluejay@ohai.social

“Leere Straßen in Schwarzweiß” (Empty streets in black and white)

Black and white photo of a Brooklyn street during a blizzard in February 2026. Leafless trees caked in snow tower over the white mounds of snow-covered parked cars, with a glimpse of a low brick apartment building in the background. The sky and distant street details dissolve into a blank wall of snowflakes. I took the photo while standing in the middle of the empty road, and cropped it such that only the right side of the street is showing, the trees and cars like an island pushing into a sea of white.
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Black and white photo of a Brooklyn street during a blizzard in February 2026. Leafless trees caked in snow tower over the white mounds of snow-covered parked cars, with a glimpse of a low brick apartment building in the background. The sky and distant street details dissolve into a blank wall of snowflakes. I took the photo while standing in the middle of the empty road, and cropped it such that only the right side of the street is showing, the trees and cars like an island pushing into a sea of white.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Stone staircase and the castle wall around the ancient Marvão fortress. The castle's western and northern sides feature near-vertical drops. Locals famously joke that the castle is so high "you can see the backs of the birds flying by".

Photo shot on Ilford Delta 100 and developed in Perceptol.

The Film and Developer...

More info: glass.photo/tapasinthesun/4Za1

A black-and-white photograph depicts a stone staircase leading upwards within the walls of an old fortress. The steps are worn and uneven, with a long shadow stretching across the ground, suggesting morning light. The scene evokes a sense of history and quiet solitude.
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A black-and-white photograph depicts a stone staircase leading upwards within the walls of an old fortress. The steps are worn and uneven, with a long shadow stretching across the ground, suggesting morning light. The scene evokes a sense of history and quiet solitude.

Bluejay
@bluejay@ohai.social

+

“In der Stadt” (In the city)

On a street in Brooklyn, NY. In a big city you have to coexist side by side with others who may be very different from you.

Black and white photo of some pigeons congregating on a sunny sidewalk. In the background is a feral cat with a striped tabby pattern, hanging out beside a chain link fence and some greenery. The cat can be openly seen and yet the pigeons aren’t alarmed, just as the cat calmly regards them without any particular interest.
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Black and white photo of some pigeons congregating on a sunny sidewalk. In the background is a feral cat with a striped tabby pattern, hanging out beside a chain link fence and some greenery. The cat can be openly seen and yet the pigeons aren’t alarmed, just as the cat calmly regards them without any particular interest.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Embalse del Aguascebas Amidst Forested Hills

Photo GPS location: google.com/maps/place/38.05125

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A serene black-and-white landscape view showcasing a tranquil reservoir surrounded by lush green hills and trees, with a wooden pier stretching out into the water. The hills rise gently, creating a peaceful, natural atmosphere.
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A serene black-and-white landscape view showcasing a tranquil reservoir surrounded by lush green hills and trees, with a wooden pier stretching out into the water. The hills rise gently, creating a peaceful, natural atmosphere.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Embalse del Aguascebas Amidst Forested Hills

Photo GPS location: google.com/maps/place/38.05125

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A serene black-and-white landscape view showcasing a tranquil reservoir surrounded by lush green hills and trees, with a wooden pier stretching out into the water. The hills rise gently, creating a peaceful, natural atmosphere.
ALT text

A serene black-and-white landscape view showcasing a tranquil reservoir surrounded by lush green hills and trees, with a wooden pier stretching out into the water. The hills rise gently, creating a peaceful, natural atmosphere.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
#FotoVorschlag + #MonochromeMonday
In der Stadt » In the city

#Brussels, #Belgium📍





#Bruxelles #Belgique #city #cityscape #urban #urbanphotography #architecture #Architektur #architecturephotography #modernist #shadowplay #lightandshadow #noir #monochrome #bnw #bw #blackandwhite #noiretblanc #blackandwhitephotography #photography #Fotografie #amateurphotography
A high-angle monochrome view looking down Rue Ravenstein in Brussels. The street is framed by the historic art deco Palais des Beaux-Arts on the left and a stark modernist office building on the right. Straight ahead is the Galerie Ravenstein with the gothic spire of Brussels Town Hall visible in the far distance under a moody sky.
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A high-angle monochrome view looking down Rue Ravenstein in Brussels. The street is framed by the historic art deco Palais des Beaux-Arts on the left and a stark modernist office building on the right. Straight ahead is the Galerie Ravenstein with the gothic spire of Brussels Town Hall visible in the far distance under a moody sky.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Inside the Historic Castelo de Marvão are the Albacar Ground and Gardens. The interior includes a former parade ground that has been beautifully converted into formal, manicured topiary gardens with views directly overlooking the outer ramparts.

Photo shot on Ilford Delta 100 and developed in Perceptol.

The Film and...

More info: glass.photo/tapasinthesun/4AhA

A black and white photograph shows a stone fortress overlooking the landscape, framed by trees and manicured gardens. A paved path leads towards the fortress entrance under bright morning light, creating strong shadows and highlighting the texture of the stone walls. The scene evokes a sense of tranquillity and timelessness.
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A black and white photograph shows a stone fortress overlooking the landscape, framed by trees and manicured gardens. A paved path leads towards the fortress entrance under bright morning light, creating strong shadows and highlighting the texture of the stone walls. The scene evokes a sense of tranquillity and timelessness.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Stone Archway and Cobblestone Courtyard, Castelo de Marvão. The fortress is fully accessible to travellers for a very small fee, allowing you to walk the entire perimeter of the stone ramparts for unrivalled 360-degree views stretching deep into Spain. I was so early that the castle was still closed, but I got lucky; a...

More info: glass.photo/tapasinthesun/43Gf

A black-and-white photograph shows a stone archway framing a courtyard with cobblestone paving. Beyond the arch, a low wall and distant hills are visible under bright morning light, creating strong shadows across the foreground. The scene evokes a sense of history and tranquillity.
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A black-and-white photograph shows a stone archway framing a courtyard with cobblestone paving. Beyond the arch, a low wall and distant hills are visible under bright morning light, creating strong shadows across the foreground. The scene evokes a sense of history and tranquillity.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
#FotoVorschlag + #MonochromeMonday
In der Stadt » In the city

#Brussels, #Belgium📍





#Bruxelles #Belgique #city #cityscape #urban #urbanphotography #architecture #Architektur #architecturephotography #modernist #shadowplay #lightandshadow #noir #monochrome #bnw #bw #blackandwhite #noiretblanc #blackandwhitephotography #photography #Fotografie #amateurphotography
A high-angle monochrome view looking down Rue Ravenstein in Brussels. The street is framed by the historic art deco Palais des Beaux-Arts on the left and a stark modernist office building on the right. Straight ahead is the Galerie Ravenstein with the gothic spire of Brussels Town Hall visible in the far distance under a moody sky.
ALT text

A high-angle monochrome view looking down Rue Ravenstein in Brussels. The street is framed by the historic art deco Palais des Beaux-Arts on the left and a stark modernist office building on the right. Straight ahead is the Galerie Ravenstein with the gothic spire of Brussels Town Hall visible in the far distance under a moody sky.

Bluejay
@bluejay@ohai.social

+

“In der Stadt” (In the city)

On a street in Brooklyn, NY. In a big city you have to coexist side by side with others who may be very different from you.

Black and white photo of some pigeons congregating on a sunny sidewalk. In the background is a feral cat with a striped tabby pattern, hanging out beside a chain link fence and some greenery. The cat can be openly seen and yet the pigeons aren’t alarmed, just as the cat calmly regards them without any particular interest.
ALT text

Black and white photo of some pigeons congregating on a sunny sidewalk. In the background is a feral cat with a striped tabby pattern, hanging out beside a chain link fence and some greenery. The cat can be openly seen and yet the pigeons aren’t alarmed, just as the cat calmly regards them without any particular interest.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Scenic view of Cazorla

Photo GPS location: google.com/maps/place/37.91893

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A panoramic view of a mountainous landscape featuring Cazorla nestled below. The terrain is predominantly rocky with sparse vegetation, showcasing a blend of natural beauty and human settlement under a clear sky in black and white tones.
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A panoramic view of a mountainous landscape featuring Cazorla nestled below. The terrain is predominantly rocky with sparse vegetation, showcasing a blend of natural beauty and human settlement under a clear sky in black and white tones.

Thomas Lendt
@tholen61@mastodon.social

noch ruhig am ganz frühen Morgen

im Gegenlicht der aufgehenden Sonne



Schwarzweiss-Foto einer Stockente in Ufernähe bei Gegenlicht der aufgehenden Sonne, daher nur in Silhouette zu sehen. Ente spiegelt sich nach unten auf der ruhigen Wasseroberfläche.
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Schwarzweiss-Foto einer Stockente in Ufernähe bei Gegenlicht der aufgehenden Sonne, daher nur in Silhouette zu sehen. Ente spiegelt sich nach unten auf der ruhigen Wasseroberfläche.

Thomas Lendt
@tholen61@mastodon.social

noch ruhig am ganz frühen Morgen

im Gegenlicht der aufgehenden Sonne



Schwarzweiss-Foto einer Stockente in Ufernähe bei Gegenlicht der aufgehenden Sonne, daher nur in Silhouette zu sehen. Ente spiegelt sich nach unten auf der ruhigen Wasseroberfläche.
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Schwarzweiss-Foto einer Stockente in Ufernähe bei Gegenlicht der aufgehenden Sonne, daher nur in Silhouette zu sehen. Ente spiegelt sich nach unten auf der ruhigen Wasseroberfläche.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Ancient stone archway and tower, Castelo de Marvão

Photo shot on Ilford Delta 100 and developed in Perceptol.

The Film and Developer Test: My film/developer trial using photos from my recent road trip (August 2026) in Spain and Portugal continues. This was my first time developing Delta 100 in Perceptol. With no...

More info: glass.photo/tapasinthesun/2T5X

A black-and-white photograph shows a stone archway and tower, part of an old fortification overlooking the landscape. The stonework is detailed with a rough texture and visible vegetation growing along the walls, captured on a clear morning.
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A black-and-white photograph shows a stone archway and tower, part of an old fortification overlooking the landscape. The stonework is detailed with a rough texture and visible vegetation growing along the walls, captured on a clear morning.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Torre de Menagem do Castelo de Marvão. The Keep was built during the reign of King Dinis; this robust square tower stands at the highest point of the fortress and served as the absolute last line of defence.

Photo shot on Ilford Delta 100 and developed in Perceptol.

The Film and Developer Test: My film/developer trial...

More info: glass.photo/tapasinthesun/4lyK

A black-and-white photograph shows a stone castle and the keep perched atop a rocky outcrop overlooking rolling hills and a distant landscape. The scene is bathed in bright morning light, highlighting the textures of the stone walls and the rugged terrain. A winding path along the castle wall leads along the cliff edge, adding depth to the composition.
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A black-and-white photograph shows a stone castle and the keep perched atop a rocky outcrop overlooking rolling hills and a distant landscape. The scene is bathed in bright morning light, highlighting the textures of the stone walls and the rugged terrain. A winding path along the castle wall leads along the cliff edge, adding depth to the composition.

Anemone Nemorosa
@SensitiveSyl@beige.party

the catch

Sainte-Anne River, Gaspésie. September 2026. Black and white photograph of four fishermen on the bank of a river, where it bends, with tall trees on its stony banks. A fisherman holds a rod, both feet in the water, the guide is knee-deep in the water, catching salmon with a net to release it, the other two take photos and give encouragement. A canoe is resting nearby on the shore. The sun was very strong and a bit low, illuminating the scene from behind, making the surface of the river water shine brightly and filtering through the trees. Photographie noir et blanc de quatre pêcheurs sur la rive d'une rivière, à l'endroit où elle fait un coude, avec de grands arbres sur ses rives pierreuses. Un pêcheur tient une canne, les deux pieds dans l'eau, le guide est dans l'eau jusqu'aux genoux, en train de capturer le saumon au filet pour le relâcher, les deux autres prennent des photos et donnent des encouragements. Un canot est accosté tout près sur la rive. Le soleil était très fort et un peu bas, éclairant la scène par l'arrière, faisant briller fortement la surface de l'eau de la rivière et filtrant à travers les arbres.
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Sainte-Anne River, Gaspésie. September 2026. Black and white photograph of four fishermen on the bank of a river, where it bends, with tall trees on its stony banks. A fisherman holds a rod, both feet in the water, the guide is knee-deep in the water, catching salmon with a net to release it, the other two take photos and give encouragement. A canoe is resting nearby on the shore. The sun was very strong and a bit low, illuminating the scene from behind, making the surface of the river water shine brightly and filtering through the trees. Photographie noir et blanc de quatre pêcheurs sur la rive d'une rivière, à l'endroit où elle fait un coude, avec de grands arbres sur ses rives pierreuses. Un pêcheur tient une canne, les deux pieds dans l'eau, le guide est dans l'eau jusqu'aux genoux, en train de capturer le saumon au filet pour le relâcher, les deux autres prennent des photos et donnent des encouragements. Un canot est accosté tout près sur la rive. Le soleil était très fort et un peu bas, éclairant la scène par l'arrière, faisant briller fortement la surface de l'eau de la rivière et filtrant à travers les arbres.

Anemone Nemorosa
@SensitiveSyl@beige.party

the catch

Sainte-Anne River, Gaspésie. September 2026. Black and white photograph of four fishermen on the bank of a river, where it bends, with tall trees on its stony banks. A fisherman holds a rod, both feet in the water, the guide is knee-deep in the water, catching salmon with a net to release it, the other two take photos and give encouragement. A canoe is resting nearby on the shore. The sun was very strong and a bit low, illuminating the scene from behind, making the surface of the river water shine brightly and filtering through the trees. Photographie noir et blanc de quatre pêcheurs sur la rive d'une rivière, à l'endroit où elle fait un coude, avec de grands arbres sur ses rives pierreuses. Un pêcheur tient une canne, les deux pieds dans l'eau, le guide est dans l'eau jusqu'aux genoux, en train de capturer le saumon au filet pour le relâcher, les deux autres prennent des photos et donnent des encouragements. Un canot est accosté tout près sur la rive. Le soleil était très fort et un peu bas, éclairant la scène par l'arrière, faisant briller fortement la surface de l'eau de la rivière et filtrant à travers les arbres.
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Sainte-Anne River, Gaspésie. September 2026. Black and white photograph of four fishermen on the bank of a river, where it bends, with tall trees on its stony banks. A fisherman holds a rod, both feet in the water, the guide is knee-deep in the water, catching salmon with a net to release it, the other two take photos and give encouragement. A canoe is resting nearby on the shore. The sun was very strong and a bit low, illuminating the scene from behind, making the surface of the river water shine brightly and filtering through the trees. Photographie noir et blanc de quatre pêcheurs sur la rive d'une rivière, à l'endroit où elle fait un coude, avec de grands arbres sur ses rives pierreuses. Un pêcheur tient une canne, les deux pieds dans l'eau, le guide est dans l'eau jusqu'aux genoux, en train de capturer le saumon au filet pour le relâcher, les deux autres prennent des photos et donnent des encouragements. Un canot est accosté tout près sur la rive. Le soleil était très fort et un peu bas, éclairant la scène par l'arrière, faisant briller fortement la surface de l'eau de la rivière et filtrant à travers les arbres.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Winding Mountain Road

Photo GPS location: google.com/maps/place/37.91893

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A winding road curves through a mountainous landscape, flanked by tall trees and dry, barren vegetation. The scene is captured in black and white, emphasizing the stark contrast between the road and the surrounding nature.
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A winding road curves through a mountainous landscape, flanked by tall trees and dry, barren vegetation. The scene is captured in black and white, emphasizing the stark contrast between the road and the surrounding nature.

Michael Beecham
@michaelbeechamphoto@mastodon.social

A few years ago, I shot a long-term project in a local woodland. I think it took a couple of years. I called it 'The Dark Wood'.

This was the principal photo from the project, and I lovingly called it 'Fangorn'. I guess, if you know you know.

Anyway, there's nothing I like more than wandering aimless around dark woodlands with my camera. The atmosphere can be intoxicating, if you let it get under your skin.






This is a dark and brooding woodland image. There is heavy fog, and much of the woodland is in shadow. There is light in the distance, revealing dark silhouettes around the viewer. There is a sense of unease. It's probably the kind of place you would expect to see in a horror movie or something.
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This is a dark and brooding woodland image. There is heavy fog, and much of the woodland is in shadow. There is light in the distance, revealing dark silhouettes around the viewer. There is a sense of unease. It's probably the kind of place you would expect to see in a horror movie or something.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Marvão Castle (Castelo de Marvão) is an architectural marvel originally founded in the late 9th century (around 876–877) by the Islamic military leader Ibn Marwan. Perched on an 843-meter-high quartzite ridge, it served as a highly strategic border sentinel guarding Portugal against Spanish invasions for centuries....

More info: glass.photo/tapasinthesun/3wE0

A black-and-white photograph shows a stone castle perched atop a rocky hill, surrounded by lush greenery. The castle's walls and towers are visible against a bright sky, creating a strong contrast of light and shadow. The scene evokes a sense of history and timelessness.
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A black-and-white photograph shows a stone castle perched atop a rocky hill, surrounded by lush greenery. The castle's walls and towers are visible against a bright sky, creating a strong contrast of light and shadow. The scene evokes a sense of history and timelessness.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Next stop on the tour was Marvão in Portugal.

Marvão is a breathtaking medieval village dramatically perched on a rugged quartzite crag over 800 meters above sea level in eastern Portugal's Alentejo region. Enclosed within remarkably preserved stone walls, this historic stronghold features a 13th-century castle,...

More info: glass.photo/tapasinthesun/2wtc

A black and white photograph shows a charming, historic village perched on a hilltop. Traditional buildings with tiled roofs cluster around a prominent tower, overlooking rolling hills and distant mountains under bright morning light. A stone wall runs along the foreground, adding to the picturesque scene.
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A black and white photograph shows a charming, historic village perched on a hilltop. Traditional buildings with tiled roofs cluster around a prominent tower, overlooking rolling hills and distant mountains under bright morning light. A stone wall runs along the foreground, adding to the picturesque scene.

Christian
@christianhajer@aleph.land


Reflection and shadow in one picture

The image features a black and white reflection of a building, showcasing a large, dark silhouette against the glass facade. The reflection creates an intriguing contrast with the light shining on the surface and some visible objects within the building's windows.
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The image features a black and white reflection of a building, showcasing a large, dark silhouette against the glass facade. The reflection creates an intriguing contrast with the light shining on the surface and some visible objects within the building's windows.

Christian
@christianhajer@aleph.land


Reflection and shadow in one picture

The image features a black and white reflection of a building, showcasing a large, dark silhouette against the glass facade. The reflection creates an intriguing contrast with the light shining on the surface and some visible objects within the building's windows.
ALT text

The image features a black and white reflection of a building, showcasing a large, dark silhouette against the glass facade. The reflection creates an intriguing contrast with the light shining on the surface and some visible objects within the building's windows.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: The Main Road through La Iruela

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A quiet street scene in a charming town, featuring narrow pathways, balconies with plants, a church in the background, and a pedestrian crossing, all captured in black and white.
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A quiet street scene in a charming town, featuring narrow pathways, balconies with plants, a church in the background, and a pedestrian crossing, all captured in black and white.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

A Close-up of the Entrance to Old Shepherd's Stone Hut in Beirã, Portugal

Photo shot on Ilford FP4 Plus and developed in Perceptol.

Tomorrow we start exploring Marvão. A pretty walled village with a fortress on a hill.

Photo GPS location: google.com/maps/place/39.42826

More info: glass.photo/tapasinthesun/1b9w

A black-and-white photograph shows a weathered stone structure with a thatched roof, possibly a shepherd’s hut. A simple wooden gate stands to the side, leading into a dark opening in the stone walls, set against rolling hills and sparse vegetation. The afternoon light casts long shadows across the ground, creating a sense of timelessness and solitude.
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A black-and-white photograph shows a weathered stone structure with a thatched roof, possibly a shepherd’s hut. A simple wooden gate stands to the side, leading into a dark opening in the stone walls, set against rolling hills and sparse vegetation. The afternoon light casts long shadows across the ground, creating a sense of timelessness and solitude.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

On the way, I came across this old traditional thatched shepherd's hut.

Photo shot on Ilford FP4 Plus and developed in Perceptol.

The Film and Developer Test:
This is a continuation of my film/developer trial using photos shot during my recent road trip (August 2026) in Spain and Portugal. This was my first film ever...

More info: glass.photo/tapasinthesun/7NSq

A stone shepherd’s hut with a large, conical thatched roof sits nestled amongst rocky terrain and scrubby vegetation. The scene is bathed in the bright, warm light of a mid-afternoon summer day, creating a sense of rustic tranquility. A simple wooden fence and scattered stones complete the rural setting.
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A stone shepherd’s hut with a large, conical thatched roof sits nestled amongst rocky terrain and scrubby vegetation. The scene is bathed in the bright, warm light of a mid-afternoon summer day, creating a sense of rustic tranquility. A simple wooden fence and scattered stones complete the rural setting.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Winding Street with Historic Castle Ruins in the distance

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A narrow cobblestone street lined with whitewashed buildings, featuring wrought iron balconies. In the background, a castle ruins stands atop a rocky hill, under a clear sky. The scene captures a charming historic town atmosphere in black and white.
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A narrow cobblestone street lined with whitewashed buildings, featuring wrought iron balconies. In the background, a castle ruins stands atop a rocky hill, under a clear sky. The scene captures a charming historic town atmosphere in black and white.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Winding Street with Historic Castle Ruins in the distance

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A narrow cobblestone street lined with whitewashed buildings, featuring wrought iron balconies. In the background, a castle ruins stands atop a rocky hill, under a clear sky. The scene captures a charming historic town atmosphere in black and white.
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A narrow cobblestone street lined with whitewashed buildings, featuring wrought iron balconies. In the background, a castle ruins stands atop a rocky hill, under a clear sky. The scene captures a charming historic town atmosphere in black and white.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Having explored Beirã, it’s time to walk back to the campsite. It’s about 5 km and a very pleasant walk along this rural track through the Alentejo landscape.

Photo shot on Ilford FP4 Plus and developed in Perceptol.

The Film and Developer Test:
This is a continuation of my film/developer trial using photos shot during...

More info: glass.photo/tapasinthesun/nfhW

A black-and-white photograph depicts a winding dirt road leading through a rural landscape in Beirã, Alentejo. Dense foliage and rocky embankments frame the road, which curves towards distant hills under a bright afternoon sky. The scene evokes a sense of tranquillity and timelessness.
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A black-and-white photograph depicts a winding dirt road leading through a rural landscape in Beirã, Alentejo. Dense foliage and rocky embankments frame the road, which curves towards distant hills under a bright afternoon sky. The scene evokes a sense of tranquillity and timelessness.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Historic Bell Tower in La Iruela Overlooking Scenic Landscape

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A stone tower with a bell and a cross, surrounded by trees, perched on a hillside with distant mountains in the background. The image is in black and white, highlighting the architectural details and natural scenery.
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A stone tower with a bell and a cross, surrounded by trees, perched on a hillside with distant mountains in the background. The image is in black and white, highlighting the architectural details and natural scenery.

Jeff
@jeff@pixel.rights.ninja
Black and white photography can be a lot of fun, and a cool way to focus on light and contrast.

#Photography #blackandwhite #blackandwhitephotography
Photo of tall buildings, one is brightly lit, others are in shade.
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Photo of tall buildings, one is brightly lit, others are in shade.

Photo of pedestrians along Spadina Avenue, sings for various Chinese businesses are visible.
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Photo of pedestrians along Spadina Avenue, sings for various Chinese businesses are visible.

Photo looking down an outdoor corridor, a bright rectangle of sunlight visible at the far end.
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Photo looking down an outdoor corridor, a bright rectangle of sunlight visible at the far end.

Photo through foliage, framing a large, concrete building.
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Photo through foliage, framing a large, concrete building.

Photo of a stone church nestled in amongst taller, modern buildings.
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Photo of a stone church nestled in amongst taller, modern buildings.

A photo of a glass cantilever structure with "OF TORONTO" written across it.
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A photo of a glass cantilever structure with "OF TORONTO" written across it.

Jeff
@jeff@pixel.rights.ninja
Black and white photography can be a lot of fun, and a cool way to focus on light and contrast.

#Photography #blackandwhite #blackandwhitephotography
Photo of tall buildings, one is brightly lit, others are in shade.
ALT text

Photo of tall buildings, one is brightly lit, others are in shade.

Photo of pedestrians along Spadina Avenue, sings for various Chinese businesses are visible.
ALT text

Photo of pedestrians along Spadina Avenue, sings for various Chinese businesses are visible.

Photo looking down an outdoor corridor, a bright rectangle of sunlight visible at the far end.
ALT text

Photo looking down an outdoor corridor, a bright rectangle of sunlight visible at the far end.

Photo through foliage, framing a large, concrete building.
ALT text

Photo through foliage, framing a large, concrete building.

Photo of a stone church nestled in amongst taller, modern buildings.
ALT text

Photo of a stone church nestled in amongst taller, modern buildings.

A photo of a glass cantilever structure with "OF TORONTO" written across it.
ALT text

A photo of a glass cantilever structure with "OF TORONTO" written across it.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Another Pretty Cobblestone Street in Beirã, Portugal

Photo shot on Ilford FP4 Plus and developed in Perceptol.

The Film and Developer Test:
This is a continuation of my film/developer trial using photos shot during my recent road trip (August 2026) in Spain and Portugal. This was my first film ever developed in...

More info: glass.photo/tapasinthesun/3kvu

A narrow, cobblestone street slopes downwards between weathered buildings in BeirãAlentejo, Portugal. The black and white photograph captures the textures of the stone walls, the uneven pavement, and a small patch of greenery at the base of one building. The midday sun casts strong shadows along the street, creating a sense of depth and quietude.
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A narrow, cobblestone street slopes downwards between weathered buildings in BeirãAlentejo, Portugal. The black and white photograph captures the textures of the stone walls, the uneven pavement, and a small patch of greenery at the base of one building. The midday sun casts strong shadows along the street, creating a sense of depth and quietude.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

The cobblestone side streets and white houses in Beirã were very picturesque.

Photo shot on Ilford FP4 Plus and developed in Perceptol.

The Film and Developer Test:
This is a continuation of my film/developer trial using photos shot during my recent road trip (August 2026) in Spain and Portugal. This was my first film...

More info: glass.photo/tapasinthesun/73q0

A black and white photograph depicts a narrow, cobbled street lined with traditional white houses in Beirã, Portugal. The late morning sunlight casts long shadows across the street, highlighting the texture of the cobblestones and the architectural details of the buildings. The scene evokes a sense of quiet charm and timelessness.
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A black and white photograph depicts a narrow, cobbled street lined with traditional white houses in Beirã, Portugal. The late morning sunlight casts long shadows across the street, highlighting the texture of the cobblestones and the architectural details of the buildings. The scene evokes a sense of quiet charm and timelessness.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Cobblestone Street in La Iruela

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A scenic narrow street in La Iruela featuring charming white buildings, lush greenery, and a rocky hillside in the background. The image is in black and white, adding a timeless feel to the serene atmosphere.
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A scenic narrow street in La Iruela featuring charming white buildings, lush greenery, and a rocky hillside in the background. The image is in black and white, adding a timeless feel to the serene atmosphere.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

While in Beirã, I also looked around the village. This is a street scene just across from the level crossing. I found several pleasing compositions, which I will share over the next few days.

Photo shot on Ilford FP4 and developed in Perceptol.

The Film and Developer Test:
This is a continuation of my film/developer...

More info: glass.photo/tapasinthesun/2WXc

A black and white photograph captures a narrow, cobbled street in a traditional Alentejo village. Two weathered buildings with tiled roofs and textured facades flank the street, leading to a distant view of more houses nestled down a slope. The scene is bathed in bright midday light, creating strong contrasts and a sense of quiet stillness.
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A black and white photograph captures a narrow, cobbled street in a traditional Alentejo village. Two weathered buildings with tiled roofs and textured facades flank the street, leading to a distant view of more houses nestled down a slope. The scene is bathed in bright midday light, creating strong contrasts and a sense of quiet stillness.

Kraksen
@kraks@pixelfed.de
More bricks for #TextureTuesday.

📷 Minolta α-7
🔎 A 50/1.4
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #AnalogPhotography
Black-and-white close-up photograph of a rough brick wall. The textures of the uneven bricks and mortar are accentuated by the light coming in from the side.
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Black-and-white close-up photograph of a rough brick wall. The textures of the uneven bricks and mortar are accentuated by the light coming in from the side.

Kay
@Vulpy@pixelfed.de
And now the group photo. Everyone kept a respectable distance.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A ploughed field fills the lower two thirds, its deep parallel furrows running from the foreground toward the horizon and converging near the center. Four leafless or sparsely leafed trees stand evenly spaced along the horizon line, each separated by broad gaps. Above them, a bright band near the horizon fades upward into a much darker sky, creating a strong tonal gradient.
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Square black-and-white photograph. A ploughed field fills the lower two thirds, its deep parallel furrows running from the foreground toward the horizon and converging near the center. Four leafless or sparsely leafed trees stand evenly spaced along the horizon line, each separated by broad gaps. Above them, a bright band near the horizon fades upward into a much darker sky, creating a strong tonal gradient.

Kay
@Vulpy@pixelfed.de
And now the group photo. Everyone kept a respectable distance.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A ploughed field fills the lower two thirds, its deep parallel furrows running from the foreground toward the horizon and converging near the center. Four leafless or sparsely leafed trees stand evenly spaced along the horizon line, each separated by broad gaps. Above them, a bright band near the horizon fades upward into a much darker sky, creating a strong tonal gradient.
ALT text

Square black-and-white photograph. A ploughed field fills the lower two thirds, its deep parallel furrows running from the foreground toward the horizon and converging near the center. Four leafless or sparsely leafed trees stand evenly spaced along the horizon line, each separated by broad gaps. Above them, a bright band near the horizon fades upward into a much darker sky, creating a strong tonal gradient.

Kay
@Vulpy@pixelfed.de
And now the group photo. Everyone kept a respectable distance.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A ploughed field fills the lower two thirds, its deep parallel furrows running from the foreground toward the horizon and converging near the center. Four leafless or sparsely leafed trees stand evenly spaced along the horizon line, each separated by broad gaps. Above them, a bright band near the horizon fades upward into a much darker sky, creating a strong tonal gradient.
ALT text

Square black-and-white photograph. A ploughed field fills the lower two thirds, its deep parallel furrows running from the foreground toward the horizon and converging near the center. Four leafless or sparsely leafed trees stand evenly spaced along the horizon line, each separated by broad gaps. Above them, a bright band near the horizon fades upward into a much darker sky, creating a strong tonal gradient.

Kay
@Vulpy@pixelfed.de
And now the group photo. Everyone kept a respectable distance.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A ploughed field fills the lower two thirds, its deep parallel furrows running from the foreground toward the horizon and converging near the center. Four leafless or sparsely leafed trees stand evenly spaced along the horizon line, each separated by broad gaps. Above them, a bright band near the horizon fades upward into a much darker sky, creating a strong tonal gradient.
ALT text

Square black-and-white photograph. A ploughed field fills the lower two thirds, its deep parallel furrows running from the foreground toward the horizon and converging near the center. Four leafless or sparsely leafed trees stand evenly spaced along the horizon line, each separated by broad gaps. Above them, a bright band near the horizon fades upward into a much darker sky, creating a strong tonal gradient.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

While in Beirã, I also looked around the village. This is a street scene just across from the level crossing. I found several pleasing compositions, which I will share over the next few days.

Photo shot on Ilford FP4 and developed in Perceptol.

The Film and Developer Test:
This is a continuation of my film/developer...

More info: glass.photo/tapasinthesun/2WXc

A black and white photograph captures a narrow, cobbled street in a traditional Alentejo village. Two weathered buildings with tiled roofs and textured facades flank the street, leading to a distant view of more houses nestled down a slope. The scene is bathed in bright midday light, creating strong contrasts and a sense of quiet stillness.
ALT text

A black and white photograph captures a narrow, cobbled street in a traditional Alentejo village. Two weathered buildings with tiled roofs and textured facades flank the street, leading to a distant view of more houses nestled down a slope. The scene is bathed in bright midday light, creating strong contrasts and a sense of quiet stillness.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

For me, Beirã was all about the abandoned railway station. This is the Level Crossing in the town.

Photo shot on Ilford FP4 and developed in Perceptol.

The Film and Developer Test:
This is a continuation of my film/developer trial using photos shot during my recent road trip (August 2026) in Spain and Portugal. This...

More info: glass.photo/tapasinthesun/3hLm

A black and white photograph captures a tranquil street and level crossing in Beirã, Alentejo, Portugal. The scene features traditional white buildings with tiled roofs, framed by overhead power lines and a small grassy area with signage. The midday sun casts strong shadows, creating a sense of stillness and timelessness.
ALT text

A black and white photograph captures a tranquil street and level crossing in Beirã, Alentejo, Portugal. The scene features traditional white buildings with tiled roofs, framed by overhead power lines and a small grassy area with signage. The midday sun casts strong shadows, creating a sense of stillness and timelessness.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: La Iruela Castle Ruins on a Stoney Outcrop Amidst Rolling Hills

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A black and white photograph of La Iruela castle ruins perched on a rocky hill, surrounded by lush greenery and mountainous terrain in the background. The structure features tall stone towers and remnants of walls, evoking a sense of historical significance.
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A black and white photograph of La Iruela castle ruins perched on a rocky hill, surrounded by lush greenery and mountainous terrain in the background. The structure features tall stone towers and remnants of walls, evoking a sense of historical significance.

Tomasz Susuł
@TomaszSusul@mastodon.social · Reply to Tomasz Susuł

I completely forgot about the Aletsch Glacier! @alexskunz reminded me, thanks!
So here it is. It's not taken from the exact location, unfortunately, but you can still see some changes. As with all glaciers, the most dramatic change is at the terminus. Aletsch is suffering the same fate as the others, but because it is the largest glacier in the Alps, its retreat is happening over a longer timescale.

A wide glacier flows through a mountain pass, its surface marked by prominent longitudinal ridges that curve toward the lower right of the frame. These icy paths are flanked by steep, craggy slopes composed of jagged rock and fragmented debris. The rough texture of the stone contrasts with the repetitive, linear patterns carved into the glacial bed. In the distance, snow-capped peaks rise against a heavy sky filled with textured clouds. A monochromatic palette defines the scene, highlighting the stark interplay of light and shadow across the rugged landscape.
ALT text

A wide glacier flows through a mountain pass, its surface marked by prominent longitudinal ridges that curve toward the lower right of the frame. These icy paths are flanked by steep, craggy slopes composed of jagged rock and fragmented debris. The rough texture of the stone contrasts with the repetitive, linear patterns carved into the glacial bed. In the distance, snow-capped peaks rise against a heavy sky filled with textured clouds. A monochromatic palette defines the scene, highlighting the stark interplay of light and shadow across the rugged landscape.

Kay
@Vulpy@pixelfed.de
Yesterday I finally made it to the row of trees at the edge of the field. I picked the introvert. The extroverts can have their group photo another day.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A lone tree stands exactly on the horizon in the centre of the frame, silhouetted against a pale, evenly graded sky. The lower half is a dark ploughed field, with deep parallel furrows running from the foreground toward the tree and converging near the horizon. The composition is strongly symmetrical, with the tree acting as the focal point and the field lines directing the eye toward it.
ALT text

Square black-and-white photograph. A lone tree stands exactly on the horizon in the centre of the frame, silhouetted against a pale, evenly graded sky. The lower half is a dark ploughed field, with deep parallel furrows running from the foreground toward the tree and converging near the horizon. The composition is strongly symmetrical, with the tree acting as the focal point and the field lines directing the eye toward it.

Tomasz Susuł
@TomaszSusul@mastodon.social · Reply to Tomasz Susuł

I completely forgot about the Aletsch Glacier! @alexskunz reminded me, thanks!
So here it is. It's not taken from the exact location, unfortunately, but you can still see some changes. As with all glaciers, the most dramatic change is at the terminus. Aletsch is suffering the same fate as the others, but because it is the largest glacier in the Alps, its retreat is happening over a longer timescale.

A wide glacier flows through a mountain pass, its surface marked by prominent longitudinal ridges that curve toward the lower right of the frame. These icy paths are flanked by steep, craggy slopes composed of jagged rock and fragmented debris. The rough texture of the stone contrasts with the repetitive, linear patterns carved into the glacial bed. In the distance, snow-capped peaks rise against a heavy sky filled with textured clouds. A monochromatic palette defines the scene, highlighting the stark interplay of light and shadow across the rugged landscape.
ALT text

A wide glacier flows through a mountain pass, its surface marked by prominent longitudinal ridges that curve toward the lower right of the frame. These icy paths are flanked by steep, craggy slopes composed of jagged rock and fragmented debris. The rough texture of the stone contrasts with the repetitive, linear patterns carved into the glacial bed. In the distance, snow-capped peaks rise against a heavy sky filled with textured clouds. A monochromatic palette defines the scene, highlighting the stark interplay of light and shadow across the rugged landscape.

Kay
@Vulpy@pixelfed.de
Yesterday I finally made it to the row of trees at the edge of the field. I picked the introvert. The extroverts can have their group photo another day.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A lone tree stands exactly on the horizon in the centre of the frame, silhouetted against a pale, evenly graded sky. The lower half is a dark ploughed field, with deep parallel furrows running from the foreground toward the tree and converging near the horizon. The composition is strongly symmetrical, with the tree acting as the focal point and the field lines directing the eye toward it.
ALT text

Square black-and-white photograph. A lone tree stands exactly on the horizon in the centre of the frame, silhouetted against a pale, evenly graded sky. The lower half is a dark ploughed field, with deep parallel furrows running from the foreground toward the tree and converging near the horizon. The composition is strongly symmetrical, with the tree acting as the focal point and the field lines directing the eye toward it.

Kay
@Vulpy@pixelfed.de
Yesterday I finally made it to the row of trees at the edge of the field. I picked the introvert. The extroverts can have their group photo another day.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A lone tree stands exactly on the horizon in the centre of the frame, silhouetted against a pale, evenly graded sky. The lower half is a dark ploughed field, with deep parallel furrows running from the foreground toward the tree and converging near the horizon. The composition is strongly symmetrical, with the tree acting as the focal point and the field lines directing the eye toward it.
ALT text

Square black-and-white photograph. A lone tree stands exactly on the horizon in the centre of the frame, silhouetted against a pale, evenly graded sky. The lower half is a dark ploughed field, with deep parallel furrows running from the foreground toward the tree and converging near the horizon. The composition is strongly symmetrical, with the tree acting as the focal point and the field lines directing the eye toward it.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Historic Beirã Train Station Building, now used as Rail Bike Marvão.

The disused railway tracks through the stunning Serra de São Mamede Natural Park now support nature tourism and rail-biking adventures, letting visitors cycle along the historic rails. This building serves as the HQ.

Photo shot on Ilford FP4 and...

More info: glass.photo/tapasinthesun/6C5x

A black and white photograph depicts a large, weathered wooden train station building in Beirã, Portugal. The structure features a covered platform and signage indicating its location, set against a backdrop of trees and a paved area. The morning light illuminates the building's facade, creating a sense of quiet history and rural charm.
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A black and white photograph depicts a large, weathered wooden train station building in Beirã, Portugal. The structure features a covered platform and signage indicating its location, set against a backdrop of trees and a paved area. The morning light illuminates the building's facade, creating a sense of quiet history and rural charm.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Historic Train Station in Beirã, Portugal

The century-old main station building has been lovingly restored into Train Spot Guesthouse, offering accommodation for up to 22 guests across the main lodge and on-site apartments while preserving its historic charm.

Photo shot on Ilford FP4 and developed in Perceptol.

The...

More info: glass.photo/tapasinthesun/7N05

A black and white photograph shows a grand, two-story train station building with intricate architectural details. Several cars are parked in front of the station, and a paved road curves away into the distance under bright midday sunlight. The scene evokes a sense of timelessness and quiet observation.
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A black and white photograph shows a grand, two-story train station building with intricate architectural details. Several cars are parked in front of the station, and a paved road curves away into the distance under bright midday sunlight. The scene evokes a sense of timelessness and quiet observation.

Bluejay
@bluejay@ohai.social

Black and white photo of the interior of Union Station, Kansas City. Tiny, distant figures walk along the wide corridor of a stone hall with soaring paneled ceilings. Wall-mounted lamps, and sunlight streaming through arched windows, are reflected on the polished floor. The scene is framed by a huge archway in the foreground, topped by an elaborate carved lunette. Below this is suspended a giant round clock with Roman numerals, its hands showing 3:55. Underneath the arch is a freestanding sign that says “Union Station” with information on membership.
ALT text

Black and white photo of the interior of Union Station, Kansas City. Tiny, distant figures walk along the wide corridor of a stone hall with soaring paneled ceilings. Wall-mounted lamps, and sunlight streaming through arched windows, are reflected on the polished floor. The scene is framed by a huge archway in the foreground, topped by an elaborate carved lunette. Below this is suspended a giant round clock with Roman numerals, its hands showing 3:55. Underneath the arch is a freestanding sign that says “Union Station” with information on membership.

Gica
@gica19@mastoart.social

📍 Fuentesecas. Zamora.

Descripción en

Esta foto la hice la tarde del 12 de agosto de 2026, justo antes del eclipse total de sol, en la Iglesia de San Esteban de Fuentesecas, en Zamora. Es una imagen en blanco y negro que muestra el lateral del templo, con sus muros de mampostería y un pórtico de entrada que sobresale de la fachada. En primer plano, a la izquierda, se levanta un contrafuerte o machón de sillares irregulares. Los bloques más claros reciben la luz y destacan sobre el resto de la piedra, que está más oscura y desgastada. Desde ese volumen arranca un tejado de teja árabe en pendiente que cubre el pórtico. Bajo él se ven dos columnas de fuste liso con capiteles sencillos, apoyadas sobre basas de piedra. En la sombra del pórtico, junto a las columnas, hay una persona sentada que se distingue con dificultad. Detrás del pórtico se alza el cuerpo principal de la iglesia, con muros de piedra de aspecto antiguo y una pequeña ventana estrecha. Más arriba aparece un volumen más alto, rematado por un tejado a cuatro aguas con una bola y una cruz en el vértice. A la derecha hay una dependencia más baja, también de piedra y con cubierta de teja, que tiene una ventana pequeña con reja y algunos elementos metálicos adosados al muro. El templo está rodeado de hierba seca y alta, con un camino de tierra y hierba pisada que lleva hasta la entrada. A la derecha, al fondo, se abre el paisaje de campos de cereal ondulados, con unos pocos árboles y casas en la lejanía y una torre eléctrica en el horizonte. El cielo está despejado y con luz difusa, y la luz de la tarde resalta la textura de la piedra y de la hierba.
ALT text

Esta foto la hice la tarde del 12 de agosto de 2026, justo antes del eclipse total de sol, en la Iglesia de San Esteban de Fuentesecas, en Zamora. Es una imagen en blanco y negro que muestra el lateral del templo, con sus muros de mampostería y un pórtico de entrada que sobresale de la fachada. En primer plano, a la izquierda, se levanta un contrafuerte o machón de sillares irregulares. Los bloques más claros reciben la luz y destacan sobre el resto de la piedra, que está más oscura y desgastada. Desde ese volumen arranca un tejado de teja árabe en pendiente que cubre el pórtico. Bajo él se ven dos columnas de fuste liso con capiteles sencillos, apoyadas sobre basas de piedra. En la sombra del pórtico, junto a las columnas, hay una persona sentada que se distingue con dificultad. Detrás del pórtico se alza el cuerpo principal de la iglesia, con muros de piedra de aspecto antiguo y una pequeña ventana estrecha. Más arriba aparece un volumen más alto, rematado por un tejado a cuatro aguas con una bola y una cruz en el vértice. A la derecha hay una dependencia más baja, también de piedra y con cubierta de teja, que tiene una ventana pequeña con reja y algunos elementos metálicos adosados al muro. El templo está rodeado de hierba seca y alta, con un camino de tierra y hierba pisada que lleva hasta la entrada. A la derecha, al fondo, se abre el paisaje de campos de cereal ondulados, con unos pocos árboles y casas en la lejanía y una torre eléctrica en el horizonte. El cielo está despejado y con luz difusa, y la luz de la tarde resalta la textura de la piedra y de la hierba.

Gica
@gica19@mastoart.social

📍 Fuentesecas. Zamora.

Descripción en

Esta foto la hice la tarde del 12 de agosto de 2026, justo antes del eclipse total de sol, en la Iglesia de San Esteban de Fuentesecas, en Zamora. Es una imagen en blanco y negro que muestra el lateral del templo, con sus muros de mampostería y un pórtico de entrada que sobresale de la fachada. En primer plano, a la izquierda, se levanta un contrafuerte o machón de sillares irregulares. Los bloques más claros reciben la luz y destacan sobre el resto de la piedra, que está más oscura y desgastada. Desde ese volumen arranca un tejado de teja árabe en pendiente que cubre el pórtico. Bajo él se ven dos columnas de fuste liso con capiteles sencillos, apoyadas sobre basas de piedra. En la sombra del pórtico, junto a las columnas, hay una persona sentada que se distingue con dificultad. Detrás del pórtico se alza el cuerpo principal de la iglesia, con muros de piedra de aspecto antiguo y una pequeña ventana estrecha. Más arriba aparece un volumen más alto, rematado por un tejado a cuatro aguas con una bola y una cruz en el vértice. A la derecha hay una dependencia más baja, también de piedra y con cubierta de teja, que tiene una ventana pequeña con reja y algunos elementos metálicos adosados al muro. El templo está rodeado de hierba seca y alta, con un camino de tierra y hierba pisada que lleva hasta la entrada. A la derecha, al fondo, se abre el paisaje de campos de cereal ondulados, con unos pocos árboles y casas en la lejanía y una torre eléctrica en el horizonte. El cielo está despejado y con luz difusa, y la luz de la tarde resalta la textura de la piedra y de la hierba.
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Esta foto la hice la tarde del 12 de agosto de 2026, justo antes del eclipse total de sol, en la Iglesia de San Esteban de Fuentesecas, en Zamora. Es una imagen en blanco y negro que muestra el lateral del templo, con sus muros de mampostería y un pórtico de entrada que sobresale de la fachada. En primer plano, a la izquierda, se levanta un contrafuerte o machón de sillares irregulares. Los bloques más claros reciben la luz y destacan sobre el resto de la piedra, que está más oscura y desgastada. Desde ese volumen arranca un tejado de teja árabe en pendiente que cubre el pórtico. Bajo él se ven dos columnas de fuste liso con capiteles sencillos, apoyadas sobre basas de piedra. En la sombra del pórtico, junto a las columnas, hay una persona sentada que se distingue con dificultad. Detrás del pórtico se alza el cuerpo principal de la iglesia, con muros de piedra de aspecto antiguo y una pequeña ventana estrecha. Más arriba aparece un volumen más alto, rematado por un tejado a cuatro aguas con una bola y una cruz en el vértice. A la derecha hay una dependencia más baja, también de piedra y con cubierta de teja, que tiene una ventana pequeña con reja y algunos elementos metálicos adosados al muro. El templo está rodeado de hierba seca y alta, con un camino de tierra y hierba pisada que lleva hasta la entrada. A la derecha, al fondo, se abre el paisaje de campos de cereal ondulados, con unos pocos árboles y casas en la lejanía y una torre eléctrica en el horizonte. El cielo está despejado y con luz difusa, y la luz de la tarde resalta la textura de la piedra y de la hierba.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: La Iruela Castle Ruins on Rocky Outcrop

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A historic stone castle ruins perched on a rocky outcrop, surrounded by mountains. The structure features battlements and a tall tower, with greenery framing the scene, emphasizing its ancient and scenic beauty in a black and white format.
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A historic stone castle ruins perched on a rocky outcrop, surrounded by mountains. The structure features battlements and a tall tower, with greenery framing the scene, emphasizing its ancient and scenic beauty in a black and white format.

Thomas Lendt
@tholen61@mastodon.social

Bitte Platz nehmen im Wartebereich

der ehemaligen Werk- und Produktionshalle, die heute Ausstellungsfläche für Kunstgegenstände ist.



Schwarzweiss-Foto eines Warte- bzw. Aufenthaltsbereiches, der aus drei weißen Kunststoffstühlen besteht. Der Boden besteht aus Plastersteinen und die hinter den Stühlen befindliche Wand trägt nur noch Reste von Putz und besteht aus Mauersteinen. Die viele Jahrzehnte alte Wand ist im Urzustand des Alters-Verfalls oder Reparatur oder Pflege zwischendurch. Da sich der Stuhlbereich in einer ehemaligen Werk- und Produktionshalle befindet, ist der Zustand angemessen.
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Schwarzweiss-Foto eines Warte- bzw. Aufenthaltsbereiches, der aus drei weißen Kunststoffstühlen besteht. Der Boden besteht aus Plastersteinen und die hinter den Stühlen befindliche Wand trägt nur noch Reste von Putz und besteht aus Mauersteinen. Die viele Jahrzehnte alte Wand ist im Urzustand des Alters-Verfalls oder Reparatur oder Pflege zwischendurch. Da sich der Stuhlbereich in einer ehemaligen Werk- und Produktionshalle befindet, ist der Zustand angemessen.

Thomas Lendt
@tholen61@mastodon.social

Bitte Platz nehmen im Wartebereich

der ehemaligen Werk- und Produktionshalle, die heute Ausstellungsfläche für Kunstgegenstände ist.



Schwarzweiss-Foto eines Warte- bzw. Aufenthaltsbereiches, der aus drei weißen Kunststoffstühlen besteht. Der Boden besteht aus Plastersteinen und die hinter den Stühlen befindliche Wand trägt nur noch Reste von Putz und besteht aus Mauersteinen. Die viele Jahrzehnte alte Wand ist im Urzustand des Alters-Verfalls oder Reparatur oder Pflege zwischendurch. Da sich der Stuhlbereich in einer ehemaligen Werk- und Produktionshalle befindet, ist der Zustand angemessen.
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Schwarzweiss-Foto eines Warte- bzw. Aufenthaltsbereiches, der aus drei weißen Kunststoffstühlen besteht. Der Boden besteht aus Plastersteinen und die hinter den Stühlen befindliche Wand trägt nur noch Reste von Putz und besteht aus Mauersteinen. Die viele Jahrzehnte alte Wand ist im Urzustand des Alters-Verfalls oder Reparatur oder Pflege zwischendurch. Da sich der Stuhlbereich in einer ehemaligen Werk- und Produktionshalle befindet, ist der Zustand angemessen.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Historic Customs Office in the Abandoned Beirã Railway Station, Portugal.

Built during the 19th-century expansion of the Ramal de Cáceres railway line connecting Portugal and Spain, the station features classic period details and serves as a monument to the region's rich transportation history.

Photo shot on Ilford...

More info: glass.photo/tapasinthesun/6l3p

A black and white photograph depicts the facade of a historic customs house in the Beirã Railway Station, Portugal. The building features ornate stone pillars, decorative panels, and a tiled roof, with a railway track running along the front. The scene is bathed in bright midday light.
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A black and white photograph depicts the facade of a historic customs house in the Beirã Railway Station, Portugal. The building features ornate stone pillars, decorative panels, and a tiled roof, with a railway track running along the front. The scene is bathed in bright midday light.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Abandoned Railway Tracks and Historic Railway station (on the left) in Beirã, Portugal.

The abandoned Beirã Train Station in Marvão, Portugal, is a 19th-century historic railway landmark classified as Portuguese Architectural Heritage that has been wonderfully repurposed into a family-run guesthouse and a centre for...

More info: glass.photo/tapasinthesun/1Vj7

A black and white photograph depicts a long, disused railway line stretching towards two historic buildings under a bright midday sun. The tracks are overgrown with vegetation, leading the eye to a building with a covered platform and another further down the line, both characteristic of older European architecture. The scene evokes a sense of stillness and forgotten history.
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A black and white photograph depicts a long, disused railway line stretching towards two historic buildings under a bright midday sun. The tracks are overgrown with vegetation, leading the eye to a building with a covered platform and another further down the line, both characteristic of older European architecture. The scene evokes a sense of stillness and forgotten history.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.


Descripción en

Es una fotografía vertical en blanco y negro de la muralla de Peñíscola sobre el mar. Una persona diminuta practica paddle surf en el agua tranquila. La imagen se divide en dos mitades. A la izquierda dominan la piedra y la arquitectura, con muros, roca y vegetación. A la derecha hay un mar liso y un cielo muy despejado. Ese contraste entre masa y vacío da a la foto una sensación de calma y espacio. La muralla es un bastión de sillería, con los sillares bien marcados por la luz lateral de la mañana. Ocupa el lado izquierdo y aporta peso visual. La muralla se apoya sobre una roca estratificada y agrietada, que cae hacia el mar con texturas muy definidas. Un pino mediterráneo de copa oscura y una palmera asoman por encima del muro. Sus siluetas destacan contra el cielo claro. Detrás de los árboles se ve una pequeña garita o torreta de vigilancia con cúpula, de estilo defensivo. Y en primer plano hay losas de hormigón que descienden en diagonal hacia el mar, con escalones. Esas líneas llevan la vista hacia el horizonte. A la derecha se amontonan bloques de roca del rompeolas. En el mar, un poco a la derecha del centro, una figura minúscula rema de pie sobre su tabla. Es el único punto de interés humano y da escala a la escena. Cerca hay otra forma pequeña que es una embarcación. La luz baja de la mañana crea un buen contraste. Los muros iluminados se ven claros y las sombras de los árboles y del espigón son profundas. El mar refleja un brillo suave y el horizonte queda alto y limpio, con una ligera franja de bruma. El blanco y negro resalta las texturas de la piedra y las líneas geométricas del espigón. El resultado es tranquilo y minimalista, con el contraste entre el patrimonio defensivo y el ocio moderno en el mar.
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Es una fotografía vertical en blanco y negro de la muralla de Peñíscola sobre el mar. Una persona diminuta practica paddle surf en el agua tranquila. La imagen se divide en dos mitades. A la izquierda dominan la piedra y la arquitectura, con muros, roca y vegetación. A la derecha hay un mar liso y un cielo muy despejado. Ese contraste entre masa y vacío da a la foto una sensación de calma y espacio. La muralla es un bastión de sillería, con los sillares bien marcados por la luz lateral de la mañana. Ocupa el lado izquierdo y aporta peso visual. La muralla se apoya sobre una roca estratificada y agrietada, que cae hacia el mar con texturas muy definidas. Un pino mediterráneo de copa oscura y una palmera asoman por encima del muro. Sus siluetas destacan contra el cielo claro. Detrás de los árboles se ve una pequeña garita o torreta de vigilancia con cúpula, de estilo defensivo. Y en primer plano hay losas de hormigón que descienden en diagonal hacia el mar, con escalones. Esas líneas llevan la vista hacia el horizonte. A la derecha se amontonan bloques de roca del rompeolas. En el mar, un poco a la derecha del centro, una figura minúscula rema de pie sobre su tabla. Es el único punto de interés humano y da escala a la escena. Cerca hay otra forma pequeña que es una embarcación. La luz baja de la mañana crea un buen contraste. Los muros iluminados se ven claros y las sombras de los árboles y del espigón son profundas. El mar refleja un brillo suave y el horizonte queda alto y limpio, con una ligera franja de bruma. El blanco y negro resalta las texturas de la piedra y las líneas geométricas del espigón. El resultado es tranquilo y minimalista, con el contraste entre el patrimonio defensivo y el ocio moderno en el mar.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Narrow Street with Stone Steps in La Iruela and Rocky Background

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A narrow stone street lined with old buildings, leading up to a staircase. The background features rocky hills under a clear sky, creating a serene atmosphere in a historic setting. Black and white photography enhances the timeless charm of the scene.
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A narrow stone street lined with old buildings, leading up to a staircase. The background features rocky hills under a clear sky, creating a serene atmosphere in a historic setting. Black and white photography enhances the timeless charm of the scene.

Thomas Lendt
@tholen61@mastodon.social

Platz für Gedanken

auf dem hölzernen Fußweg in die Ostsee Richtung kleinem Außenhafen zum Sonnenaufgang bei leicht vernebeltem Umfeld


Schwarzweiss-Foto eines Holzsteges in die Ostsee,dessen Ende im Frühnebel und Gegenlicht der dahinter aufgehenden Sonne verschwimmt.
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Schwarzweiss-Foto eines Holzsteges in die Ostsee,dessen Ende im Frühnebel und Gegenlicht der dahinter aufgehenden Sonne verschwimmt.

Vincent de Waleffe
@Vindwa@pixelfed.fr
Liège, rue Fosse aux Raines - été/summer 1989.
#photography #blackandwhite #noiretblanc #streetphotography #photoderue #liège #belgium #belgique #wallonie #children #enfants #wall #mur
Scène de rue en n&b: un enfant escalade un mur de briques sombres pendant qu'un autre semble faire le guet pendant que passent 2 autres / Black-and-white street scene: a child is climbing a dark brick wall whilst another appears to be keeping watch as two others walk past.
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Scène de rue en n&b: un enfant escalade un mur de briques sombres pendant qu'un autre semble faire le guet pendant que passent 2 autres / Black-and-white street scene: a child is climbing a dark brick wall whilst another appears to be keeping watch as two others walk past.

Thomas Lendt
@tholen61@mastodon.social

Platz für Gedanken

auf dem hölzernen Fußweg in die Ostsee Richtung kleinem Außenhafen zum Sonnenaufgang bei leicht vernebeltem Umfeld


Schwarzweiss-Foto eines Holzsteges in die Ostsee,dessen Ende im Frühnebel und Gegenlicht der dahinter aufgehenden Sonne verschwimmt.
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Schwarzweiss-Foto eines Holzsteges in die Ostsee,dessen Ende im Frühnebel und Gegenlicht der dahinter aufgehenden Sonne verschwimmt.

Christian
@christianhajer@aleph.land

Copy my own style with a retro scifi element.

A black and white image made with ai showing a dinosaur figure reflected in a puddle, alongside a tall tower structure. The reflection creates a surreal effect, capturing both elements in a mirrored view.
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A black and white image made with ai showing a dinosaur figure reflected in a puddle, alongside a tall tower structure. The reflection creates a surreal effect, capturing both elements in a mirrored view.

Christian
@christianhajer@aleph.land

Copy my own style with a retro scifi element.

A black and white image made with ai showing a dinosaur figure reflected in a puddle, alongside a tall tower structure. The reflection creates a surreal effect, capturing both elements in a mirrored view.
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A black and white image made with ai showing a dinosaur figure reflected in a puddle, alongside a tall tower structure. The reflection creates a surreal effect, capturing both elements in a mirrored view.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Narrow Cobblestone Street in Béjar.

The old part of the town, known as the casco histórico, dates back conceptually to pre-Roman times, but the actual layout and historic buildings you see today primarily date back to the 12th, 13th, and 14th centuries.

Photo shot on Ilford FP4 and developed in Berspeed.

The...

More info: glass.photo/tapasinthesun/18Po

A black-and-white photograph depicts a narrow, cobblestone street ascending between tall buildings in Béjar, Spain. Afternoon light casts long shadows along the pavement, highlighting the texture of the stone buildings and their balconies. The scene evokes a sense of quiet history and timelessness.
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A black-and-white photograph depicts a narrow, cobblestone street ascending between tall buildings in Béjar, Spain. Afternoon light casts long shadows along the pavement, highlighting the texture of the stone buildings and their balconies. The scene evokes a sense of quiet history and timelessness.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Iglesia de San Juan Bautista, a historic Catholic parish church in Béjar, Spain.

The oldest parts of the church date to the 13th century, though the building has undergone significant alterations over the centuries. It features a large apse made of good ashlar stone (finely dressed stonework) with plain, straight...

More info: glass.photo/tapasinthesun/7gaW

A black-and-white photograph shows the imposing stone church in Béjar, Spain, set against a clear blue sky. People are seated at outdoor cafes on the paved square in front of the church, and a few pedestrians stroll past. The afternoon light casts strong shadows across the square.
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A black-and-white photograph shows the imposing stone church in Béjar, Spain, set against a clear blue sky. People are seated at outdoor cafes on the paved square in front of the church, and a few pedestrians stroll past. The afternoon light casts strong shadows across the square.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Narrow Alleyway with Iruela Castle Ruins in the Background

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

Narrow street between whitewashed buildings, leading to a distant castle on a hill. The scene is bright under a clear sky, creating a contrast between light and shadow on the cobblestone path.
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Narrow street between whitewashed buildings, leading to a distant castle on a hill. The scene is bright under a clear sky, creating a contrast between light and shadow on the cobblestone path.

Kraksen
@kraks@pixelfed.de
#FensterFreitag at the City Hall.

📷 Minolta α-7
🔎 Sigma 35/1.4
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #AnalogPhotography
A high-contrast, black-and-white photograph of a room with a very high ceiling and a narrow but very tall window at the end. At the centre of the room, dramatically lit by the tall window, is a wooden table with five chairs on either side of it. The walls and ceiling are covered in elaborate murals and the floor is tiled in a black-and-white pattern, but the room is otherwise empty. It almost has an air of holiness to it, like a secular cathedral. (The acoustics loudly supported this impression.)
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A high-contrast, black-and-white photograph of a room with a very high ceiling and a narrow but very tall window at the end. At the centre of the room, dramatically lit by the tall window, is a wooden table with five chairs on either side of it. The walls and ceiling are covered in elaborate murals and the floor is tiled in a black-and-white pattern, but the room is otherwise empty. It almost has an air of holiness to it, like a secular cathedral. (The acoustics loudly supported this impression.)

Samuel Hess
@hess_photo@pixelfed.social
Simmenfälle bei Lenk im Simmental.

#NikonZ6 #NikonZ #NIKON Z 6 | 18.5 mm | f/8 | 10.00 | ISO 100 | 29.09.2022

#hess_photography #Photography #Fotografie #Landscapephotography #Landschaftsfotografie #BernerOberland #Langzeitbelichtung #Monochrom #Schwarzweiss #Wasserfall #blackandwhite #WaterfallWednesday
Schwarz-Weiss-Aufnahme eines kaskadierenden Wasserfalls in dramatischer Nahansicht. Das Wasser stürzt über dunkle, schroffe Felsformationen in die Tiefe und teilt sich dabei in mehrere sprudelnde Arme. Durch eine Langzeitbelichtung erscheint das fliessende Wasser weich, fast wie weisser Schleier oder Nebel, was einen starken Kontrast zu den nassen, dunklen Felsen bildet. Am oberen Bildrand sind schemenhaft Nadelbäume und Felswände zu erkennen.
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Schwarz-Weiss-Aufnahme eines kaskadierenden Wasserfalls in dramatischer Nahansicht. Das Wasser stürzt über dunkle, schroffe Felsformationen in die Tiefe und teilt sich dabei in mehrere sprudelnde Arme. Durch eine Langzeitbelichtung erscheint das fliessende Wasser weich, fast wie weisser Schleier oder Nebel, was einen starken Kontrast zu den nassen, dunklen Felsen bildet. Am oberen Bildrand sind schemenhaft Nadelbäume und Felswände zu erkennen.

Samuel Hess
@hess_photo@pixelfed.social
Simmenfälle bei Lenk im Simmental.

#NikonZ6 #NikonZ #NIKON Z 6 | 18.5 mm | f/8 | 10.00 | ISO 100 | 29.09.2022

#hess_photography #Photography #Fotografie #Landscapephotography #Landschaftsfotografie #BernerOberland #Langzeitbelichtung #Monochrom #Schwarzweiss #Wasserfall #blackandwhite #WaterfallWednesday
Schwarz-Weiss-Aufnahme eines kaskadierenden Wasserfalls in dramatischer Nahansicht. Das Wasser stürzt über dunkle, schroffe Felsformationen in die Tiefe und teilt sich dabei in mehrere sprudelnde Arme. Durch eine Langzeitbelichtung erscheint das fliessende Wasser weich, fast wie weisser Schleier oder Nebel, was einen starken Kontrast zu den nassen, dunklen Felsen bildet. Am oberen Bildrand sind schemenhaft Nadelbäume und Felswände zu erkennen.
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Schwarz-Weiss-Aufnahme eines kaskadierenden Wasserfalls in dramatischer Nahansicht. Das Wasser stürzt über dunkle, schroffe Felsformationen in die Tiefe und teilt sich dabei in mehrere sprudelnde Arme. Durch eine Langzeitbelichtung erscheint das fliessende Wasser weich, fast wie weisser Schleier oder Nebel, was einen starken Kontrast zu den nassen, dunklen Felsen bildet. Am oberen Bildrand sind schemenhaft Nadelbäume und Felswände zu erkennen.

𝕋𝕠𝕞
@tombzz@mastodon.social

A black-and-white analogue photograph of the seashore beneath a vast sky filled with sweeping clouds. The composition unfolds in three layers: a spectacle of clouds above the horizon, a dark band of sea with two people at the water’s edge, and pale sand marked by footprints in the foreground. The sky fills most of the frame. Bright clouds stretch diagonally, separating into delicate strands and weaving into broad, feathery streaks. Their soft edges dissolve into the deep, almost black expanse above. Visible grain enhances the image’s texture, while the rich tonal range, from luminous white through subtle greys to dense black, gives the sky remarkable depth. On the right, two small figures with walking poles stand facing the sea. The calm water and straight horizon balance the movement of the clouds. Footprints lead the eye deeper into the photograph, towards the people and the open space. There is both stillness and grandeur in this view. The two people seem tiny beneath the immense sky, yet their presence lends the landscape an intimate quality. An ordinary moment by the sea takes on the quiet power of an almost solemn encounter with nature.
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A black-and-white analogue photograph of the seashore beneath a vast sky filled with sweeping clouds. The composition unfolds in three layers: a spectacle of clouds above the horizon, a dark band of sea with two people at the water’s edge, and pale sand marked by footprints in the foreground. The sky fills most of the frame. Bright clouds stretch diagonally, separating into delicate strands and weaving into broad, feathery streaks. Their soft edges dissolve into the deep, almost black expanse above. Visible grain enhances the image’s texture, while the rich tonal range, from luminous white through subtle greys to dense black, gives the sky remarkable depth. On the right, two small figures with walking poles stand facing the sea. The calm water and straight horizon balance the movement of the clouds. Footprints lead the eye deeper into the photograph, towards the people and the open space. There is both stillness and grandeur in this view. The two people seem tiny beneath the immense sky, yet their presence lends the landscape an intimate quality. An ordinary moment by the sea takes on the quiet power of an almost solemn encounter with nature.

𝕋𝕠𝕞
@tombzz@mastodon.social

A black-and-white analogue photograph of the seashore beneath a vast sky filled with sweeping clouds. The composition unfolds in three layers: a spectacle of clouds above the horizon, a dark band of sea with two people at the water’s edge, and pale sand marked by footprints in the foreground. The sky fills most of the frame. Bright clouds stretch diagonally, separating into delicate strands and weaving into broad, feathery streaks. Their soft edges dissolve into the deep, almost black expanse above. Visible grain enhances the image’s texture, while the rich tonal range, from luminous white through subtle greys to dense black, gives the sky remarkable depth. On the right, two small figures with walking poles stand facing the sea. The calm water and straight horizon balance the movement of the clouds. Footprints lead the eye deeper into the photograph, towards the people and the open space. There is both stillness and grandeur in this view. The two people seem tiny beneath the immense sky, yet their presence lends the landscape an intimate quality. An ordinary moment by the sea takes on the quiet power of an almost solemn encounter with nature.
ALT text

A black-and-white analogue photograph of the seashore beneath a vast sky filled with sweeping clouds. The composition unfolds in three layers: a spectacle of clouds above the horizon, a dark band of sea with two people at the water’s edge, and pale sand marked by footprints in the foreground. The sky fills most of the frame. Bright clouds stretch diagonally, separating into delicate strands and weaving into broad, feathery streaks. Their soft edges dissolve into the deep, almost black expanse above. Visible grain enhances the image’s texture, while the rich tonal range, from luminous white through subtle greys to dense black, gives the sky remarkable depth. On the right, two small figures with walking poles stand facing the sea. The calm water and straight horizon balance the movement of the clouds. Footprints lead the eye deeper into the photograph, towards the people and the open space. There is both stillness and grandeur in this view. The two people seem tiny beneath the immense sky, yet their presence lends the landscape an intimate quality. An ordinary moment by the sea takes on the quiet power of an almost solemn encounter with nature.

Samuel Hess
@hess_photo@pixelfed.social
'Zahlen: Zwei' #FotoVorschlag

#NikonD5300 #NIKON D5300 | 19 mm | f/10 | 1/400 | ISO 100 | 17.12.2015

#hess_photography #Photography #Fotografie #Landscapephotography #Landschaftsfotografie #Schwarzweiss #blackandwhite #trees #Thunersee
Eine Schwarz-Weiss-Aufnahme zeigt zwei nebeneinanderstehende, entlaubte Bäume an einer Uferpromenade vor dichter Nebelkulisse. Die knorrigen Äste und Zweige der Bäume sind zurückgeschnitten und heben sich silhouettenhaft vom fast mehligen, hellen Hintergrund ab. Unter jedem Baum steht eine Parkbank mit Blick aufs Wasser, das sich nahtlos im Dunst verliert. Ein schlichtes Geländer trennt die kleine Promenade vom Gewässer, im Vordergrund verläuft ein asphaltierter Weg. Das Bild zeichnet sich durch feine Graustufen, eine symmetrische Komposition und eine ruhige, melancholische Atmosphäre aus.
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Eine Schwarz-Weiss-Aufnahme zeigt zwei nebeneinanderstehende, entlaubte Bäume an einer Uferpromenade vor dichter Nebelkulisse. Die knorrigen Äste und Zweige der Bäume sind zurückgeschnitten und heben sich silhouettenhaft vom fast mehligen, hellen Hintergrund ab. Unter jedem Baum steht eine Parkbank mit Blick aufs Wasser, das sich nahtlos im Dunst verliert. Ein schlichtes Geländer trennt die kleine Promenade vom Gewässer, im Vordergrund verläuft ein asphaltierter Weg. Das Bild zeichnet sich durch feine Graustufen, eine symmetrische Komposition und eine ruhige, melancholische Atmosphäre aus.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

A narrow cobblestone street in Béjar.

The old part of the town, known as the casco histórico, dates conceptually to pre-Roman times, but the layout and historic buildings you see today primarily date to the 12th, 13th, and 14th centuries.

Photo shot on Ilford FP4 and developed in Berspeed.

The Film and...

More info: glass.photo/tapasinthesun/4WQf

A black and white photograph captures a narrow, cobbled street lined with old stone buildings in Béjar, Spain. The afternoon light casts long shadows down the street, highlighting the textures of the buildings and pavement, creating a sense of quiet history.
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A black and white photograph captures a narrow, cobbled street lined with old stone buildings in Béjar, Spain. The afternoon light casts long shadows down the street, highlighting the textures of the buildings and pavement, creating a sense of quiet history.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

After looking at the abandoned textile mill buildings in Béjar, we’ll now take a quick look at the town itself, starting with the Medieval Town Wall.

The defensive fortifications trace back to Arabic sources and early repopulation efforts from the 10th and 11th centuries, with substantial expansions and reinforcements...

More info: glass.photo/tapasinthesun/4L8K

A black and white photograph depicts weathered stone town walls with arched entrances and stairways, set against a clear sky. The scene conveys a sense of history and resilience, with the stone walls showing signs of age and erosion. The afternoon light highlights the textures of the stonework.
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A black and white photograph depicts weathered stone town walls with arched entrances and stairways, set against a clear sky. The scene conveys a sense of history and resilience, with the stone walls showing signs of age and erosion. The afternoon light highlights the textures of the stonework.

Michael Beecham
@michaelbeechamphoto@mastodon.social

A few years ago, I shot a long-term project in a local woodland. I think it took a couple of years. I called it 'The Dark Wood'.

This was the principal photo from the project, and I lovingly called it 'Fangorn'. I guess, if you know you know.

Anyway, there's nothing I like more than wandering aimless around dark woodlands with my camera. The atmosphere can be intoxicating, if you let it get under your skin.






This is a dark and brooding woodland image. There is heavy fog, and much of the woodland is in shadow. There is light in the distance, revealing dark silhouettes around the viewer. There is a sense of unease. It's probably the kind of place you would expect to see in a horror movie or something.
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This is a dark and brooding woodland image. There is heavy fog, and much of the woodland is in shadow. There is light in the distance, revealing dark silhouettes around the viewer. There is a sense of unease. It's probably the kind of place you would expect to see in a horror movie or something.

Samuel Hess
@hess_photo@pixelfed.social
'Zahlen: Zwei' #FotoVorschlag

#NikonD5300 #NIKON D5300 | 19 mm | f/10 | 1/400 | ISO 100 | 17.12.2015

#hess_photography #Photography #Fotografie #Landscapephotography #Landschaftsfotografie #Schwarzweiss #blackandwhite #trees #Thunersee
Eine Schwarz-Weiss-Aufnahme zeigt zwei nebeneinanderstehende, entlaubte Bäume an einer Uferpromenade vor dichter Nebelkulisse. Die knorrigen Äste und Zweige der Bäume sind zurückgeschnitten und heben sich silhouettenhaft vom fast mehligen, hellen Hintergrund ab. Unter jedem Baum steht eine Parkbank mit Blick aufs Wasser, das sich nahtlos im Dunst verliert. Ein schlichtes Geländer trennt die kleine Promenade vom Gewässer, im Vordergrund verläuft ein asphaltierter Weg. Das Bild zeichnet sich durch feine Graustufen, eine symmetrische Komposition und eine ruhige, melancholische Atmosphäre aus.
ALT text

Eine Schwarz-Weiss-Aufnahme zeigt zwei nebeneinanderstehende, entlaubte Bäume an einer Uferpromenade vor dichter Nebelkulisse. Die knorrigen Äste und Zweige der Bäume sind zurückgeschnitten und heben sich silhouettenhaft vom fast mehligen, hellen Hintergrund ab. Unter jedem Baum steht eine Parkbank mit Blick aufs Wasser, das sich nahtlos im Dunst verliert. Ein schlichtes Geländer trennt die kleine Promenade vom Gewässer, im Vordergrund verläuft ein asphaltierter Weg. Das Bild zeichnet sich durch feine Graustufen, eine symmetrische Komposition und eine ruhige, melancholische Atmosphäre aus.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Narrow Street in La Iruela

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A narrow uphill alleyway lined with traditional, whitewashed buildings, featuring barred windows and cobblestone pavement, illuminated by sunlight casting shadows.
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A narrow uphill alleyway lined with traditional, whitewashed buildings, featuring barred windows and cobblestone pavement, illuminated by sunlight casting shadows.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white macro photograph of grass leaves, long and narrow, normally very straight but curled up under the effect of drought, forming spirals and vortices, shining in the sun. Other similar plants can be seen behind, blurred in the background. Photographie macro en noir et blanc de feuilles de graminées, longues et étroites, normalement très droites mais recroquevillées sous l'effet de la sécheresse, formant des spirales et des tourbillons, brillant au soleil. D'autres plantes semblables se devinent derrière, floues en arrière-plan.
ALT text

Black and white macro photograph of grass leaves, long and narrow, normally very straight but curled up under the effect of drought, forming spirals and vortices, shining in the sun. Other similar plants can be seen behind, blurred in the background. Photographie macro en noir et blanc de feuilles de graminées, longues et étroites, normalement très droites mais recroquevillées sous l'effet de la sécheresse, formant des spirales et des tourbillons, brillant au soleil. D'autres plantes semblables se devinent derrière, floues en arrière-plan.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white macro photograph of grass leaves, long and narrow, normally very straight but curled up under the effect of drought, forming spirals and vortices, shining in the sun. Other similar plants can be seen behind, blurred in the background. Photographie macro en noir et blanc de feuilles de graminées, longues et étroites, normalement très droites mais recroquevillées sous l'effet de la sécheresse, formant des spirales et des tourbillons, brillant au soleil. D'autres plantes semblables se devinent derrière, floues en arrière-plan.
ALT text

Black and white macro photograph of grass leaves, long and narrow, normally very straight but curled up under the effect of drought, forming spirals and vortices, shining in the sun. Other similar plants can be seen behind, blurred in the background. Photographie macro en noir et blanc de feuilles de graminées, longues et étroites, normalement très droites mais recroquevillées sous l'effet de la sécheresse, formant des spirales et des tourbillons, brillant au soleil. D'autres plantes semblables se devinent derrière, floues en arrière-plan.

Gica
@gica19@mastoart.social

📍 Béjar. Salamanca.


Vom Weg abgekommen
Apartarse del camino

Descripción en

La foto es un paisaje fluvial en blanco y negro. Muestra el agua del río Cuerpo de Hombre al pasar por una pequeña cascada, vista desde la Ruta de las Fábricas de Béjar, apartándose un poco del camino. La ruta la hicimos en febrero del 2023, un invierno frío. En primer plano hay una superficie de piedra o cemento oscuro, con textura granulada y pequeños puntos claros. Parece húmeda o mojada. Sobre ella cuelgan desde arriba, en diagonal, ramas finas y desnudas. Esas ramas enmarcan la escena y dan profundidad. La foto está hecha con larga exposición. El agua se ve sedosa y fluye en curvas suaves de blanco espumoso. Baja por una rampa lisa a la izquierda y se agita hacia la derecha, donde salta en pequeños escalones de piedra redondeados. Al fondo, un segundo chorro cae desde una abertura o arco entre las rocas. Arriba, la ribera está llena de vegetación seca, ramas entrecruzadas, rocas y un muro de piedra cubierto de musgo. La luz de la mañana es suave y da un contraste medio. Las sombras profundas del agua contrastan con las zonas de espuma brillantes. El blanco y negro resalta las texturas y el contraste entre el movimiento del agua y la quietud de las ramas y las rocas.
ALT text

La foto es un paisaje fluvial en blanco y negro. Muestra el agua del río Cuerpo de Hombre al pasar por una pequeña cascada, vista desde la Ruta de las Fábricas de Béjar, apartándose un poco del camino. La ruta la hicimos en febrero del 2023, un invierno frío. En primer plano hay una superficie de piedra o cemento oscuro, con textura granulada y pequeños puntos claros. Parece húmeda o mojada. Sobre ella cuelgan desde arriba, en diagonal, ramas finas y desnudas. Esas ramas enmarcan la escena y dan profundidad. La foto está hecha con larga exposición. El agua se ve sedosa y fluye en curvas suaves de blanco espumoso. Baja por una rampa lisa a la izquierda y se agita hacia la derecha, donde salta en pequeños escalones de piedra redondeados. Al fondo, un segundo chorro cae desde una abertura o arco entre las rocas. Arriba, la ribera está llena de vegetación seca, ramas entrecruzadas, rocas y un muro de piedra cubierto de musgo. La luz de la mañana es suave y da un contraste medio. Las sombras profundas del agua contrastan con las zonas de espuma brillantes. El blanco y negro resalta las texturas y el contraste entre el movimiento del agua y la quietud de las ramas y las rocas.

Carlotta Colombi
@charlie_here@mastodon.social

Engadin - October 1st (part 1)

So, as I worked the last weekend for the Swiss elections, I took today and tomorrow off. Today, I walked from Silvaplana - Sils-Maria and return, with a typical morning autumn fog 🤩📸😍. So, B&W was the best choice. These are edited shots. I hope properly edited 😬😅😁. Shots were taken with the Sony RX1R III 🤩📸😍.


@photography@a.gup.pe
@landscape
@photography@newsmast.community

Vincent de Waleffe
@Vindwa@pixelfed.fr
Liège, rue Fosse aux Raines - été/summer 1989.
#photography #blackandwhite #noiretblanc #streetphotography #photoderue #liège #belgium #belgique #wallonie #children #enfants #wall #mur
Scène de rue en n&b: un enfant escalade un mur de briques sombres pendant qu'un autre semble faire le guet pendant que passent 2 autres / Black-and-white street scene: a child is climbing a dark brick wall whilst another appears to be keeping watch as two others walk past.
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Scène de rue en n&b: un enfant escalade un mur de briques sombres pendant qu'un autre semble faire le guet pendant que passent 2 autres / Black-and-white street scene: a child is climbing a dark brick wall whilst another appears to be keeping watch as two others walk past.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Narrow Cobblestone Street in Miranda del Castañar at Night.

At night, the village turns into a quiet, shadowy labyrinth. The narrow cobblestone alleys, 15th-century castle walls, and grand stone mansions featuring noble coats of arms feel completely timeless without daytime tourists.

Photo shot on Bergger...

More info: glass.photo/tapasinthesun/64tg

A dimly lit, narrow street winds through the historic village of Miranda del Castañar, its stone walls rising on either side. The rough cobblestone pavement leads into the darkness, illuminated by a single street lamp at the far end. The scene evokes a sense of quiet solitude and old-world charm.
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A dimly lit, narrow street winds through the historic village of Miranda del Castañar, its stone walls rising on either side. The rough cobblestone pavement leads into the darkness, illuminated by a single street lamp at the far end. The scene evokes a sense of quiet solitude and old-world charm.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Narrow Cobblestone Street in Miranda del Castañar at Night.

At night, the village turns into a quiet, shadowy labyrinth. The narrow cobblestone alleys, 15th-century castle walls, and grand stone mansions featuring noble coats of arms feel completely timeless without daytime tourists.

Photo shot on Bergger...

More info: glass.photo/tapasinthesun/64tg

A dimly lit, narrow street winds through the historic village of Miranda del Castañar, its stone walls rising on either side. The rough cobblestone pavement leads into the darkness, illuminated by a single street lamp at the far end. The scene evokes a sense of quiet solitude and old-world charm.
ALT text

A dimly lit, narrow street winds through the historic village of Miranda del Castañar, its stone walls rising on either side. The rough cobblestone pavement leads into the darkness, illuminated by a single street lamp at the far end. The scene evokes a sense of quiet solitude and old-world charm.

Carsten Karstensen 📷
@MEK90@norden.social

Heute das Oktober-Kalenderblatt "enthüllt". Eines meiner Lieblingsbilder aus dem letzten Jahr. Es passt irgendwie zum heutigen .

Ob die junge Dame auf Godot oder auf die nächste Bahn gewartet hat, werden wir wohl nie erfahren. 🤔

Eine junge Frau steht auf einem Bahnsteig und blickt auf ihr Handy. Direkt vor ihr fährt eine U-Bahn ins Bild. Durch eine längere Belichtungszeit ist die Bahn verschwommen dargestellt.
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Eine junge Frau steht auf einem Bahnsteig und blickt auf ihr Handy. Direkt vor ihr fährt eine U-Bahn ins Bild. Durch eine längere Belichtungszeit ist die Bahn verschwommen dargestellt.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: The Main Road through La Iruela

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A street lined with buildings, featuring a sign for Cruzcampo beer. The scene is captured in black and white, showcasing a clear sky above, with trees providing shade along the path. A few vehicles are parked on the side of the road.
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A street lined with buildings, featuring a sign for Cruzcampo beer. The scene is captured in black and white, showcasing a clear sky above, with trees providing shade along the path. A few vehicles are parked on the side of the road.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Textile Mill Buildings Amidst Lush Hills in Béjar, Spain.

Today, the old textile mills of Béjar form a hauntingly picturesque post-industrial landscape, where many centuries-old stone structures and tall brick chimneys stand abandoned and reclaimed by nature, while a few have found new life as cultural...

More info: glass.photo/tapasinthesun/6IkQ

A black and white photograph depicts an old Textile Mill nestled within a dense, hilly landscape. A tall chimney rises from the building's roofline, contrasting with the surrounding greenery and a glimpse of another structure partially obscured by foliage. The afternoon light illuminates the scene, creating a sense of quiet history and natural beauty.
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A black and white photograph depicts an old Textile Mill nestled within a dense, hilly landscape. A tall chimney rises from the building's roofline, contrasting with the surrounding greenery and a glimpse of another structure partially obscured by foliage. The afternoon light illuminates the scene, creating a sense of quiet history and natural beauty.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.


Descripción en

Es una fotografía vertical en blanco y negro de la muralla de Peñíscola sobre el mar. Una persona diminuta practica paddle surf en el agua tranquila. La imagen se divide en dos mitades. A la izquierda dominan la piedra y la arquitectura, con muros, roca y vegetación. A la derecha hay un mar liso y un cielo muy despejado. Ese contraste entre masa y vacío da a la foto una sensación de calma y espacio. La muralla es un bastión de sillería, con los sillares bien marcados por la luz lateral de la mañana. Ocupa el lado izquierdo y aporta peso visual. La muralla se apoya sobre una roca estratificada y agrietada, que cae hacia el mar con texturas muy definidas. Un pino mediterráneo de copa oscura y una palmera asoman por encima del muro. Sus siluetas destacan contra el cielo claro. Detrás de los árboles se ve una pequeña garita o torreta de vigilancia con cúpula, de estilo defensivo. Y en primer plano hay losas de hormigón que descienden en diagonal hacia el mar, con escalones. Esas líneas llevan la vista hacia el horizonte. A la derecha se amontonan bloques de roca del rompeolas. En el mar, un poco a la derecha del centro, una figura minúscula rema de pie sobre su tabla. Es el único punto de interés humano y da escala a la escena. Cerca hay otra forma pequeña que es una embarcación. La luz baja de la mañana crea un buen contraste. Los muros iluminados se ven claros y las sombras de los árboles y del espigón son profundas. El mar refleja un brillo suave y el horizonte queda alto y limpio, con una ligera franja de bruma. El blanco y negro resalta las texturas de la piedra y las líneas geométricas del espigón. El resultado es tranquilo y minimalista, con el contraste entre el patrimonio defensivo y el ocio moderno en el mar.
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Es una fotografía vertical en blanco y negro de la muralla de Peñíscola sobre el mar. Una persona diminuta practica paddle surf en el agua tranquila. La imagen se divide en dos mitades. A la izquierda dominan la piedra y la arquitectura, con muros, roca y vegetación. A la derecha hay un mar liso y un cielo muy despejado. Ese contraste entre masa y vacío da a la foto una sensación de calma y espacio. La muralla es un bastión de sillería, con los sillares bien marcados por la luz lateral de la mañana. Ocupa el lado izquierdo y aporta peso visual. La muralla se apoya sobre una roca estratificada y agrietada, que cae hacia el mar con texturas muy definidas. Un pino mediterráneo de copa oscura y una palmera asoman por encima del muro. Sus siluetas destacan contra el cielo claro. Detrás de los árboles se ve una pequeña garita o torreta de vigilancia con cúpula, de estilo defensivo. Y en primer plano hay losas de hormigón que descienden en diagonal hacia el mar, con escalones. Esas líneas llevan la vista hacia el horizonte. A la derecha se amontonan bloques de roca del rompeolas. En el mar, un poco a la derecha del centro, una figura minúscula rema de pie sobre su tabla. Es el único punto de interés humano y da escala a la escena. Cerca hay otra forma pequeña que es una embarcación. La luz baja de la mañana crea un buen contraste. Los muros iluminados se ven claros y las sombras de los árboles y del espigón son profundas. El mar refleja un brillo suave y el horizonte queda alto y limpio, con una ligera franja de bruma. El blanco y negro resalta las texturas de la piedra y las líneas geométricas del espigón. El resultado es tranquilo y minimalista, con el contraste entre el patrimonio defensivo y el ocio moderno en el mar.

Samuel Hess
@hess_photo@pixelfed.social
Simmenfälle bei Lenk im Simmental.

#NikonZ6 #NikonZ #NIKON Z 6 | 18.5 mm | f/8 | 10.00 | ISO 100 | 29.09.2022

#hess_photography #Photography #Fotografie #Landscapephotography #Landschaftsfotografie #BernerOberland #Langzeitbelichtung #Monochrom #Schwarzweiss #Wasserfall #blackandwhite #WaterfallWednesday
Schwarz-Weiss-Aufnahme eines kaskadierenden Wasserfalls in dramatischer Nahansicht. Das Wasser stürzt über dunkle, schroffe Felsformationen in die Tiefe und teilt sich dabei in mehrere sprudelnde Arme. Durch eine Langzeitbelichtung erscheint das fliessende Wasser weich, fast wie weisser Schleier oder Nebel, was einen starken Kontrast zu den nassen, dunklen Felsen bildet. Am oberen Bildrand sind schemenhaft Nadelbäume und Felswände zu erkennen.
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Schwarz-Weiss-Aufnahme eines kaskadierenden Wasserfalls in dramatischer Nahansicht. Das Wasser stürzt über dunkle, schroffe Felsformationen in die Tiefe und teilt sich dabei in mehrere sprudelnde Arme. Durch eine Langzeitbelichtung erscheint das fliessende Wasser weich, fast wie weisser Schleier oder Nebel, was einen starken Kontrast zu den nassen, dunklen Felsen bildet. Am oberen Bildrand sind schemenhaft Nadelbäume und Felswände zu erkennen.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Narrow Street with Whitewashed Buildings in La Iruela

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A quiet, narrow street lined with white buildings and potted plants, bathed in sunlight. A tree and decorative foliage frame the scene, creating a serene atmosphere in a quaint neighborhood. The path slopes gently upward, leading to more houses in the distance.
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A quiet, narrow street lined with white buildings and potted plants, bathed in sunlight. A tree and decorative foliage frame the scene, creating a serene atmosphere in a quaint neighborhood. The path slopes gently upward, leading to more houses in the distance.

Gica
@gica19@mastoart.social

📍 Béjar. Salamanca.


Vom Weg abgekommen
Apartarse del camino

Descripción en

La foto es un paisaje fluvial en blanco y negro. Muestra el agua del río Cuerpo de Hombre al pasar por una pequeña cascada, vista desde la Ruta de las Fábricas de Béjar, apartándose un poco del camino. La ruta la hicimos en febrero del 2023, un invierno frío. En primer plano hay una superficie de piedra o cemento oscuro, con textura granulada y pequeños puntos claros. Parece húmeda o mojada. Sobre ella cuelgan desde arriba, en diagonal, ramas finas y desnudas. Esas ramas enmarcan la escena y dan profundidad. La foto está hecha con larga exposición. El agua se ve sedosa y fluye en curvas suaves de blanco espumoso. Baja por una rampa lisa a la izquierda y se agita hacia la derecha, donde salta en pequeños escalones de piedra redondeados. Al fondo, un segundo chorro cae desde una abertura o arco entre las rocas. Arriba, la ribera está llena de vegetación seca, ramas entrecruzadas, rocas y un muro de piedra cubierto de musgo. La luz de la mañana es suave y da un contraste medio. Las sombras profundas del agua contrastan con las zonas de espuma brillantes. El blanco y negro resalta las texturas y el contraste entre el movimiento del agua y la quietud de las ramas y las rocas.
ALT text

La foto es un paisaje fluvial en blanco y negro. Muestra el agua del río Cuerpo de Hombre al pasar por una pequeña cascada, vista desde la Ruta de las Fábricas de Béjar, apartándose un poco del camino. La ruta la hicimos en febrero del 2023, un invierno frío. En primer plano hay una superficie de piedra o cemento oscuro, con textura granulada y pequeños puntos claros. Parece húmeda o mojada. Sobre ella cuelgan desde arriba, en diagonal, ramas finas y desnudas. Esas ramas enmarcan la escena y dan profundidad. La foto está hecha con larga exposición. El agua se ve sedosa y fluye en curvas suaves de blanco espumoso. Baja por una rampa lisa a la izquierda y se agita hacia la derecha, donde salta en pequeños escalones de piedra redondeados. Al fondo, un segundo chorro cae desde una abertura o arco entre las rocas. Arriba, la ribera está llena de vegetación seca, ramas entrecruzadas, rocas y un muro de piedra cubierto de musgo. La luz de la mañana es suave y da un contraste medio. Las sombras profundas del agua contrastan con las zonas de espuma brillantes. El blanco y negro resalta las texturas y el contraste entre el movimiento del agua y la quietud de las ramas y las rocas.

Anemone Nemorosa
@SensitiveSyl@beige.party

Photograph of the twisted trunk of a large eastern cedar in the middle of the forest, two small spruce trees very close on each side with their lower branches bare and lit by the sun. Other conifers and their needles filter light in the background. Photographie du tronc tordu d'un grand cèdre de l'Est au milieu de la forêt, deux petites épinettes très près de chaque côté avec leurs branches inférieures dénudées et éclairées par le soleil. D'autres conifères et leurs aiguilles filtrent la lumière en arrière-plan.
ALT text

Photograph of the twisted trunk of a large eastern cedar in the middle of the forest, two small spruce trees very close on each side with their lower branches bare and lit by the sun. Other conifers and their needles filter light in the background. Photographie du tronc tordu d'un grand cèdre de l'Est au milieu de la forêt, deux petites épinettes très près de chaque côté avec leurs branches inférieures dénudées et éclairées par le soleil. D'autres conifères et leurs aiguilles filtrent la lumière en arrière-plan.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Abandoned Textile Mill Building in Béjar, Spain.

Béjar is renowned for its rich industrial heritage. Once dubbed the “Spanish Manchester” due to its thriving textile and wool industries, the town’s textile mills originated as early proto-industrial and dyeing facilities in the late 16th and 17th centuries....

More info: glass.photo/tapasinthesun/6OVh

A weathered, single-story building with arched windows sits nestled amongst overgrown vegetation and tall grasses. A brick chimney extends from the roof, while a path leads away from the structure under a clear sky. The scene evokes a sense of quiet abandonment and timelessness.
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A weathered, single-story building with arched windows sits nestled amongst overgrown vegetation and tall grasses. A brick chimney extends from the roof, while a path leads away from the structure under a clear sky. The scene evokes a sense of quiet abandonment and timelessness.

Anemone Nemorosa
@SensitiveSyl@beige.party

Photograph of the twisted trunk of a large eastern cedar in the middle of the forest, two small spruce trees very close on each side with their lower branches bare and lit by the sun. Other conifers and their needles filter light in the background. Photographie du tronc tordu d'un grand cèdre de l'Est au milieu de la forêt, deux petites épinettes très près de chaque côté avec leurs branches inférieures dénudées et éclairées par le soleil. D'autres conifères et leurs aiguilles filtrent la lumière en arrière-plan.
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Photograph of the twisted trunk of a large eastern cedar in the middle of the forest, two small spruce trees very close on each side with their lower branches bare and lit by the sun. Other conifers and their needles filter light in the background. Photographie du tronc tordu d'un grand cèdre de l'Est au milieu de la forêt, deux petites épinettes très près de chaque côté avec leurs branches inférieures dénudées et éclairées par le soleil. D'autres conifères et leurs aiguilles filtrent la lumière en arrière-plan.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
#TextureTuesday





#texture #textures #beach #sand #wetsand #sandripples #pattern #highcontrast #monochrome #bnw #bw #blackandwhite #noiretblanc #blackandwhitephotography #nature #Natur #naturephotography #photography #Fotografie #amateurphotography
A high-contrast monochrome photo of wet sand ripples at a beach. Detailed ridges and grooves cut through the wet sand and the beach extends toward a distant horizon.
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A high-contrast monochrome photo of wet sand ripples at a beach. Detailed ridges and grooves cut through the wet sand and the beach extends toward a distant horizon.

Kraksen
@kraks@pixelfed.de
I'm not too big on insect photos, but I stumbled upon this one and had to give it a try for #Bienstag.

📷 Minolta α-7
🔎 A 100/2.8 macro
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #MacroPhotography #AnalogPhotography
Close-up black-and-white photo of a bumblebee sitting in the middle of a sunflower. The yellow sunflower petals are rendered as a bright, almost velvety framing for the flower's dark and textured centre where the bee sits.
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Close-up black-and-white photo of a bumblebee sitting in the middle of a sunflower. The yellow sunflower petals are rendered as a bright, almost velvety framing for the flower's dark and textured centre where the bee sits.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
#TextureTuesday





#texture #textures #beach #sand #wetsand #sandripples #pattern #highcontrast #monochrome #bnw #bw #blackandwhite #noiretblanc #blackandwhitephotography #nature #Natur #naturephotography #photography #Fotografie #amateurphotography
A high-contrast monochrome photo of wet sand ripples at a beach. Detailed ridges and grooves cut through the wet sand and the beach extends toward a distant horizon.
ALT text

A high-contrast monochrome photo of wet sand ripples at a beach. Detailed ridges and grooves cut through the wet sand and the beach extends toward a distant horizon.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Narrow Street in La Iruela

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A narrow street lined with charming white-washed houses and balconies adorned with plants, leading upward towards a background of pine trees. The scene captures a tranquil, picturesque urban environment in black and white.
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A narrow street lined with charming white-washed houses and balconies adorned with plants, leading upward towards a background of pine trees. The scene captures a tranquil, picturesque urban environment in black and white.

Gica
@gica19@mastoart.social

📍 Cangas. Pontevedra.


Uhren
Relojes

Descripción en

Es una fotografía vertical en blanco y negro de O Reló, el pequeño quiosco-reloj de Cangas (Pontevedra). Ocupa el centro de la composición y se recorta contra un cielo dramático de nubes densas. La base es un cuerpo octogonal blanco, apoyado sobre una plataforma de piedra con escalones. Cada cara tiene paneles rectangulares y un emblema marinero en relieve: un timón o salvavidas cruzado con anclas y remos. Se ven dos de esos emblemas, uno en tono oscuro y otro más claro. Entre ellos hay una placa con forma de cartela, con un pequeño instrumento circular en el centro, quizá un barómetro o un termómetro. Debajo, en la esquina derecha, se distingue una placa conmemorativa pequeña. Sobre el fuste hay unos rectángulos ornamentados, vacíos o reservados para rótulos, y una rejilla de ventilación. La parte superior se abre como una flor o una corola, con lóbulos curvados que vuelan hacia fuera. Bajo ellos hay paneles de forja con volutas y círculos. Encima se levanta un pequeño cuerpo con relojes en sus caras. Solo se ven dos de ellos, con números romanos. Lo rematan cuatro pináculos curvos con adornos florales. Del remate sale una aguja con una veleta. Tiene los puntos cardinales, de los que se leen la N y la S, y un gallo en lo alto. Alrededor hay plátanos de sombra podados de forma escultural, con ramas retorcidas y sin hojas, además de álamos altos y desnudos a la derecha. La foto está hecha en febrero del 2022 en un viaje que hicimos a Galicia. Se ven farolas de estilo clásico, una carretera y edificios al fondo, junto con una caseta de madera. A la izquierda, un hombre mayor está sentado en un banco con una bolsa a sus pies. Al lado, una mujer con jersey estampado y un hombre con gorra, de espaldas, están de pie junto a un carrito de la compra. Como es mediodía, la luz es alta y dura. Las sombras caen cortas sobre la piedra y el blanco del monumento resalta con fuerza frente a las nubes oscuras. El contraste elevado da un aire gráfico y casi escultórico a la imagen.
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Es una fotografía vertical en blanco y negro de O Reló, el pequeño quiosco-reloj de Cangas (Pontevedra). Ocupa el centro de la composición y se recorta contra un cielo dramático de nubes densas. La base es un cuerpo octogonal blanco, apoyado sobre una plataforma de piedra con escalones. Cada cara tiene paneles rectangulares y un emblema marinero en relieve: un timón o salvavidas cruzado con anclas y remos. Se ven dos de esos emblemas, uno en tono oscuro y otro más claro. Entre ellos hay una placa con forma de cartela, con un pequeño instrumento circular en el centro, quizá un barómetro o un termómetro. Debajo, en la esquina derecha, se distingue una placa conmemorativa pequeña. Sobre el fuste hay unos rectángulos ornamentados, vacíos o reservados para rótulos, y una rejilla de ventilación. La parte superior se abre como una flor o una corola, con lóbulos curvados que vuelan hacia fuera. Bajo ellos hay paneles de forja con volutas y círculos. Encima se levanta un pequeño cuerpo con relojes en sus caras. Solo se ven dos de ellos, con números romanos. Lo rematan cuatro pináculos curvos con adornos florales. Del remate sale una aguja con una veleta. Tiene los puntos cardinales, de los que se leen la N y la S, y un gallo en lo alto. Alrededor hay plátanos de sombra podados de forma escultural, con ramas retorcidas y sin hojas, además de álamos altos y desnudos a la derecha. La foto está hecha en febrero del 2022 en un viaje que hicimos a Galicia. Se ven farolas de estilo clásico, una carretera y edificios al fondo, junto con una caseta de madera. A la izquierda, un hombre mayor está sentado en un banco con una bolsa a sus pies. Al lado, una mujer con jersey estampado y un hombre con gorra, de espaldas, están de pie junto a un carrito de la compra. Como es mediodía, la luz es alta y dura. Las sombras caen cortas sobre la piedra y el blanco del monumento resalta con fuerza frente a las nubes oscuras. El contraste elevado da un aire gráfico y casi escultórico a la imagen.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white macro photograph of a small grass flower spike, with some seeds near the centre along the stem, and spidery threads at the tip, glowing in the sun. Another similar spike is blurred in the background, with a few points of light, acting as bokeh. Photographie macro en noir et blanc d'un petit épi de graminée, avec quelques graines près du centre le long de la tige, et des fils d'araignée à l'extrémité, lumineux au soleil. Un autre épi semblable est flou en arrière-plan, avec quelques points de lumière, comme bokeh.
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Black and white macro photograph of a small grass flower spike, with some seeds near the centre along the stem, and spidery threads at the tip, glowing in the sun. Another similar spike is blurred in the background, with a few points of light, acting as bokeh. Photographie macro en noir et blanc d'un petit épi de graminée, avec quelques graines près du centre le long de la tige, et des fils d'araignée à l'extrémité, lumineux au soleil. Un autre épi semblable est flou en arrière-plan, avec quelques points de lumière, comme bokeh.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white macro photograph of a small grass flower spike, with some seeds near the centre along the stem, and spidery threads at the tip, glowing in the sun. Another similar spike is blurred in the background, with a few points of light, acting as bokeh. Photographie macro en noir et blanc d'un petit épi de graminée, avec quelques graines près du centre le long de la tige, et des fils d'araignée à l'extrémité, lumineux au soleil. Un autre épi semblable est flou en arrière-plan, avec quelques points de lumière, comme bokeh.
ALT text

Black and white macro photograph of a small grass flower spike, with some seeds near the centre along the stem, and spidery threads at the tip, glowing in the sun. Another similar spike is blurred in the background, with a few points of light, acting as bokeh. Photographie macro en noir et blanc d'un petit épi de graminée, avec quelques graines près du centre le long de la tige, et des fils d'araignée à l'extrémité, lumineux au soleil. Un autre épi semblable est flou en arrière-plan, avec quelques points de lumière, comme bokeh.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Cobblestone Street in Miranda del Castañar at Night.

Miranda del Castañar at night offers a magical, medieval atmosphere with quiet cobblestone streets, dim lampposts, and historic stone facades glowing under warm lights.

The Film and Developer Test:
This is a continuation of my film/developer trial using...

More info: glass.photo/tapasinthesun/7CBA

A black and white photograph depicts a narrow, cobblestone street in Miranda del Castañar, Spain. The scene is lit by warm light from lanterns and windows along the street, creating a moody atmosphere with deep shadows. The aged stone buildings line both sides of the street, leading to a vanishing point in the distance.
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A black and white photograph depicts a narrow, cobblestone street in Miranda del Castañar, Spain. The scene is lit by warm light from lanterns and windows along the street, creating a moody atmosphere with deep shadows. The aged stone buildings line both sides of the street, leading to a vanishing point in the distance.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Abandoned textile mill building by the river in Béjar.

Béjar is famous for its rich industrial heritage; the town was once known as the "Spanish Manchester" due to its booming textile and wool industries driven by the pristine waters of the Cuerpo de Hombre River. The mills are meticulously lined up along a steep,...

More info: glass.photo/tapasinthesun/1qEq

A weathered, three-story building with multiple windows sits nestled amongst lush greenery in a rural setting. The afternoon light casts long shadows across the stone facade, creating a sense of quiet solitude and timelessness. A low wall and gate suggest a private property or estate.
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A weathered, three-story building with multiple windows sits nestled amongst lush greenery in a rural setting. The afternoon light casts long shadows across the stone facade, creating a sense of quiet solitude and timelessness. A low wall and gate suggest a private property or estate.

ngelingeli
@Umamakengine@det.social

'Typisch für meinen Wohnort'

Die Altstadt von Altea mit ihren engen und steilen Gassen.

Vom Beifahrersitz eines Autos sieht man ganz im Vordergrund einen Scheibenwischer, dahinter eine schmale Altstadtgasse, links und rechts sehr nah weisse Häuser mit verdunkelten Fenstern und vergitterten Türen.
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Vom Beifahrersitz eines Autos sieht man ganz im Vordergrund einen Scheibenwischer, dahinter eine schmale Altstadtgasse, links und rechts sehr nah weisse Häuser mit verdunkelten Fenstern und vergitterten Türen.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Street Scene, La Iruela

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A quaint street scene featuring a white building with a decorative lamp, air conditioning unit, and greenery visible from the window. The walkway is lined with trees, creating a serene atmosphere in a sunny outdoor setting.
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A quaint street scene featuring a white building with a decorative lamp, air conditioning unit, and greenery visible from the window. The walkway is lined with trees, creating a serene atmosphere in a sunny outdoor setting.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Narrow Streets in La Iruela

Photo GPS location: google.com/maps/place/37.92096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Kentmere 100, Developer: 510-Pyro

A narrow, winding street in La Iruela, flanked by charming buildings with balconies adorned with greenery. Sunlight casts gentle shadows, highlighting the cobblestone path and tranquil atmosphere.
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A narrow, winding street in La Iruela, flanked by charming buildings with balconies adorned with greenery. Sunlight casts gentle shadows, highlighting the cobblestone path and tranquil atmosphere.

Holger
@homawida@troet.cafe

Zum 'See oder Teich' habe ich euch dieses Foto mitgebracht.

Es zeigt einen Bildausschnitt von "meinem" See.

Man sieht zwischen Bäume und Sträucher auf einen kleinen See. Im Hintergrund stehen Bäume am leicht nebeligen Ufer. Diese spiegeln sich auf der Wasseroberfläche. Das Foto ist in Schwarzweiß.
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Man sieht zwischen Bäume und Sträucher auf einen kleinen See. Im Hintergrund stehen Bäume am leicht nebeligen Ufer. Diese spiegeln sich auf der Wasseroberfläche. Das Foto ist in Schwarzweiß.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Iruela Castle Ruins Overlooking Olive Groves

Photo GPS location: google.com/maps/place/37.91895

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black-and-white image of Iruela castle ruins perched atop a rocky cliff, surrounded by vast, rolling hills of olive trees in the background, showcasing the beauty of a rural landscape.
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A black-and-white image of Iruela castle ruins perched atop a rocky cliff, surrounded by vast, rolling hills of olive trees in the background, showcasing the beauty of a rural landscape.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.

Descripción en

La imagen es una fotografía en blanco y negro tomada desde lo alto de las murallas del casco antiguo del Peñón de Peñíscola, con vistas hacia el puerto y la bahía. En el lado izquierdo domina la composición una garita de vigilancia (guardilla) de piedra, con su característica forma cilíndrica rematada por una cúpula semiesférica y un pináculo en la punta. Se aprecian pequeñas troneras o aberturas rectangulares en su cuerpo, típicas de estas construcciones defensivas costeras. Bajo ella se extienden los muros y baluartes de la fortificación, con sillares de piedra bien visibles gracias al contraste que aporta el blanco y negro, además de una escalinata y una zona con barandillas metálicas que desciende hacia el paseo de la muralla. Más abajo, ocupando la franja central de la imagen, se extiende la lámina de agua tranquila del puerto pesquero y deportivo de Peñíscola. Se distinguen varias embarcaciones amarradas, entre ellas una de mayor tamaño en primer término sobre el agua, así como una grúa portuaria y otras estructuras propias de la actividad marinera. La suavidad del agua, casi sin oleaje, sugiere condiciones de calma matutina, coherente con la luz suave y difusa que baña toda la escena. Al fondo se aprecia la línea de costa que se curva hacia la derecha, con una zona de playa y, más allá, un promontorio o colina con vegetación que se adentra en el mar, correspondiente a la costa hacia el norte del municipio. El cielo aparece casi despejado, con algunas nubes ligeras concentradas en la parte derecha del encuadre, y una tonalidad uniforme propia de una mañana clara sin fuertes contrastes lumínicos, lo que refuerza la atmósfera serena y atemporal que transmite el revelado en blanco y negro.
ALT text

La imagen es una fotografía en blanco y negro tomada desde lo alto de las murallas del casco antiguo del Peñón de Peñíscola, con vistas hacia el puerto y la bahía. En el lado izquierdo domina la composición una garita de vigilancia (guardilla) de piedra, con su característica forma cilíndrica rematada por una cúpula semiesférica y un pináculo en la punta. Se aprecian pequeñas troneras o aberturas rectangulares en su cuerpo, típicas de estas construcciones defensivas costeras. Bajo ella se extienden los muros y baluartes de la fortificación, con sillares de piedra bien visibles gracias al contraste que aporta el blanco y negro, además de una escalinata y una zona con barandillas metálicas que desciende hacia el paseo de la muralla. Más abajo, ocupando la franja central de la imagen, se extiende la lámina de agua tranquila del puerto pesquero y deportivo de Peñíscola. Se distinguen varias embarcaciones amarradas, entre ellas una de mayor tamaño en primer término sobre el agua, así como una grúa portuaria y otras estructuras propias de la actividad marinera. La suavidad del agua, casi sin oleaje, sugiere condiciones de calma matutina, coherente con la luz suave y difusa que baña toda la escena. Al fondo se aprecia la línea de costa que se curva hacia la derecha, con una zona de playa y, más allá, un promontorio o colina con vegetación que se adentra en el mar, correspondiente a la costa hacia el norte del municipio. El cielo aparece casi despejado, con algunas nubes ligeras concentradas en la parte derecha del encuadre, y una tonalidad uniforme propia de una mañana clara sin fuertes contrastes lumínicos, lo que refuerza la atmósfera serena y atemporal que transmite el revelado en blanco y negro.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Iruela Castle, Nestled Amidst Olive Groves. I climb mountains to get these photos so you don't have to!

Photo GPS location: google.com/maps/place/37.91551

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black and white landscape featuring Iruela castle ruins surrounded by rolling hills and olive groves. The view captures the expansive scenery and intricate patterns of the land, emphasizing the contrast between the ruins and the natural environment.
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A black and white landscape featuring Iruela castle ruins surrounded by rolling hills and olive groves. The view captures the expansive scenery and intricate patterns of the land, emphasizing the contrast between the ruins and the natural environment.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.

Descripción en

La imagen es una fotografía en blanco y negro tomada desde lo alto de las murallas del casco antiguo del Peñón de Peñíscola, con vistas hacia el puerto y la bahía. En el lado izquierdo domina la composición una garita de vigilancia (guardilla) de piedra, con su característica forma cilíndrica rematada por una cúpula semiesférica y un pináculo en la punta. Se aprecian pequeñas troneras o aberturas rectangulares en su cuerpo, típicas de estas construcciones defensivas costeras. Bajo ella se extienden los muros y baluartes de la fortificación, con sillares de piedra bien visibles gracias al contraste que aporta el blanco y negro, además de una escalinata y una zona con barandillas metálicas que desciende hacia el paseo de la muralla. Más abajo, ocupando la franja central de la imagen, se extiende la lámina de agua tranquila del puerto pesquero y deportivo de Peñíscola. Se distinguen varias embarcaciones amarradas, entre ellas una de mayor tamaño en primer término sobre el agua, así como una grúa portuaria y otras estructuras propias de la actividad marinera. La suavidad del agua, casi sin oleaje, sugiere condiciones de calma matutina, coherente con la luz suave y difusa que baña toda la escena. Al fondo se aprecia la línea de costa que se curva hacia la derecha, con una zona de playa y, más allá, un promontorio o colina con vegetación que se adentra en el mar, correspondiente a la costa hacia el norte del municipio. El cielo aparece casi despejado, con algunas nubes ligeras concentradas en la parte derecha del encuadre, y una tonalidad uniforme propia de una mañana clara sin fuertes contrastes lumínicos, lo que refuerza la atmósfera serena y atemporal que transmite el revelado en blanco y negro.
ALT text

La imagen es una fotografía en blanco y negro tomada desde lo alto de las murallas del casco antiguo del Peñón de Peñíscola, con vistas hacia el puerto y la bahía. En el lado izquierdo domina la composición una garita de vigilancia (guardilla) de piedra, con su característica forma cilíndrica rematada por una cúpula semiesférica y un pináculo en la punta. Se aprecian pequeñas troneras o aberturas rectangulares en su cuerpo, típicas de estas construcciones defensivas costeras. Bajo ella se extienden los muros y baluartes de la fortificación, con sillares de piedra bien visibles gracias al contraste que aporta el blanco y negro, además de una escalinata y una zona con barandillas metálicas que desciende hacia el paseo de la muralla. Más abajo, ocupando la franja central de la imagen, se extiende la lámina de agua tranquila del puerto pesquero y deportivo de Peñíscola. Se distinguen varias embarcaciones amarradas, entre ellas una de mayor tamaño en primer término sobre el agua, así como una grúa portuaria y otras estructuras propias de la actividad marinera. La suavidad del agua, casi sin oleaje, sugiere condiciones de calma matutina, coherente con la luz suave y difusa que baña toda la escena. Al fondo se aprecia la línea de costa que se curva hacia la derecha, con una zona de playa y, más allá, un promontorio o colina con vegetación que se adentra en el mar, correspondiente a la costa hacia el norte del municipio. El cielo aparece casi despejado, con algunas nubes ligeras concentradas en la parte derecha del encuadre, y una tonalidad uniforme propia de una mañana clara sin fuertes contrastes lumínicos, lo que refuerza la atmósfera serena y atemporal que transmite el revelado en blanco y negro.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Serene Black and White Mountain Landscape, Parque Natural de las Sierras de Cazorla, Segura y Las Villas

Photo GPS location: google.com/maps/place/37.91566

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black and white landscape showcasing rugged cliffs and mountains under a clear sky, surrounded by lush trees and distant valleys, capturing the beauty of nature's terrain.
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A black and white landscape showcasing rugged cliffs and mountains under a clear sky, surrounded by lush trees and distant valleys, capturing the beauty of nature's terrain.

goTo_devNull
@goTo_devNull@mastodon.social

This year has been a **HUGE** downward adjustment since hurting my back at the beginning of the year. Had to cut back volume, load, and intensity, and completely revamp how I approach working out.

Life's a roller coaster of ups and downs, so you just gotta roll with it and ACCEPT change; **especially** aging.

On the bright side, I finally found a basic combination my body agrees with, so motivation slowly returning.



Black and white portrait format photo taken after today's morning workout. A half cage power rack fills most of the photo. Two separate pairs of J-cups are attached at 71cm and 110cm heights. A 5cm strongman axle bar rests on the 110cm J-cups. Three resistance bands hang on the right, attached with large fixed eye bolts and carabiners at the bottom and middle of the rack. A long sheet hangs from a third pair of eye bolts and carabiner near the top right of the rack. Two sets of pullup hooks hang from the pullup bar at the top of the rack. A pair of fixed weight steel clubs stand in the center of the rack on the floor. A second pair of adjustable weight steel clubs stand outside the first pair. Both pairs are approximately 52cm in length. A small 104cm wide area rug lays directly in front of the steel clubs. In the background, a digital wall clock shows a date and time of Friday September 25 11:15, 17C temperature, and 69% humidity is directly above the axle bar offset left of center. A decorative cutout wall sticker with trees and perched birds starts from the floorboard and extends to just above the axle bar.
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Black and white portrait format photo taken after today's morning workout. A half cage power rack fills most of the photo. Two separate pairs of J-cups are attached at 71cm and 110cm heights. A 5cm strongman axle bar rests on the 110cm J-cups. Three resistance bands hang on the right, attached with large fixed eye bolts and carabiners at the bottom and middle of the rack. A long sheet hangs from a third pair of eye bolts and carabiner near the top right of the rack. Two sets of pullup hooks hang from the pullup bar at the top of the rack. A pair of fixed weight steel clubs stand in the center of the rack on the floor. A second pair of adjustable weight steel clubs stand outside the first pair. Both pairs are approximately 52cm in length. A small 104cm wide area rug lays directly in front of the steel clubs. In the background, a digital wall clock shows a date and time of Friday September 25 11:15, 17C temperature, and 69% humidity is directly above the axle bar offset left of center. A decorative cutout wall sticker with trees and perched birds starts from the floorboard and extends to just above the axle bar.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Iruela Castle Ruins Surrounded by Olive Groves

Photo GPS location: google.com/maps/place/37.91966

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

Aerial view of a Iruela castle ruin surrounded by lush olive groves and rolling hills, captured in black and white. The landscape highlights the contrast between the ancient stone structure and the vibrant greenery.
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Aerial view of a Iruela castle ruin surrounded by lush olive groves and rolling hills, captured in black and white. The landscape highlights the contrast between the ancient stone structure and the vibrant greenery.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Ermita de la Virgen de la Cabeza - through the trees

Photo GPS location: google.com/maps/place/37.91598

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A scenic black-and-white image of Ermita de la Virgen de la Cabeza surrounded by trees and mountains. The architecture features a tiled roof and a white facade, nestled in a natural landscape, conveying a sense of tranquility and history.
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A scenic black-and-white image of Ermita de la Virgen de la Cabeza surrounded by trees and mountains. The architecture features a tiled roof and a white facade, nestled in a natural landscape, conveying a sense of tranquility and history.

Joe Gstettner
@joegste@mastodon.social

Children lying in their beds
Just remember what your mother said
Don't you worry, don't you cry
Little black flowers grow in the sky
In the sky

(Chris Issak - Black Flowers)

Camera: Olympus PEN F
Edit: cropped to square, otherwise SOOC

Picture of a plant, which has bloomed and has now some kind of hairy threads. There are several of those flower heads with those extensions. Photo is taken from the floor against the sky. Background are some blurry clouds and leafs of plants around.
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Picture of a plant, which has bloomed and has now some kind of hairy threads. There are several of those flower heads with those extensions. Photo is taken from the floor against the sky. Background are some blurry clouds and leafs of plants around.

Joe Gstettner
@joegste@mastodon.social

Children lying in their beds
Just remember what your mother said
Don't you worry, don't you cry
Little black flowers grow in the sky
In the sky

(Chris Issak - Black Flowers)

Camera: Olympus PEN F
Edit: cropped to square, otherwise SOOC

Picture of a plant, which has bloomed and has now some kind of hairy threads. There are several of those flower heads with those extensions. Photo is taken from the floor against the sky. Background are some blurry clouds and leafs of plants around.
ALT text

Picture of a plant, which has bloomed and has now some kind of hairy threads. There are several of those flower heads with those extensions. Photo is taken from the floor against the sky. Background are some blurry clouds and leafs of plants around.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Ermita de la Virgen de la Cabeza

Photo GPS location: google.com/maps/place/37.91598

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

Ermita de la Virgen de la Cabeza with a tiled roof and open arches is set against a mountainous landscape in black and white. The scene includes a pathway leading to the structure, capturing a serene and timeless atmosphere.
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Ermita de la Virgen de la Cabeza with a tiled roof and open arches is set against a mountainous landscape in black and white. The scene includes a pathway leading to the structure, capturing a serene and timeless atmosphere.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Ermita de la Virgen de la Cabeza

Photo GPS location: google.com/maps/place/37.91598

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

Ermita de la Virgen de la Cabeza featuring a chapel with a bell tower, adobe-style roof, and intricate tile work, set against a clear sky. The surrounding area is paved with minimal decorative posts, adding to the serene and architectural ambiance.
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Ermita de la Virgen de la Cabeza featuring a chapel with a bell tower, adobe-style roof, and intricate tile work, set against a clear sky. The surrounding area is paved with minimal decorative posts, adding to the serene and architectural ambiance.

Gica
@gica19@mastoart.social

📍 Cuenca.


Descripción en

La imagen es una fotografía en blanco y negro de las Hoces del Júcar, en la Serranía de Cuenca, tomada desde el Mirador de Mangana durante la tarde. El encuadre está dominado por un profundo cañón fluvial excavado en roca calcárea, con paredes verticales que descienden abruptamente hacia el cauce oculto entre la vegetación. A la izquierda, una gran ladera montañosa cubierta de una densa masa de pinares cubre casi toda la pendiente hasta la cresta, que se recorta contra un cielo despejado y luminoso, típico de las tardes claras de esta zona de Cuenca. Los acantilados calizos, con sus estratos horizontales visibles y erosionados, forman paredones escarpados que bajan hasta el fondo del valle, donde se acumula una vegetación frondosa de coníferas y arbustos. En la parte derecha de la composición, entre la arboleda, asoma una construcción encalada con una torre de aspecto religioso, posiblemente vinculada a algún antiguo convento o ermita típica de la comarca conquense, que introduce un contraste de líneas verticales y tonos claros frente a la masa rocosa y vegetal del entorno. La luz de tarde genera un cielo casi blanco, sin nubes marcadas, que aporta gran luminosidad de fondo y resalta por contraste las texturas rugosas de la roca y la espesura del bosque. El tratamiento en blanco y negro acentúa los volúmenes geológicos de la hoz, subrayando la profundidad del cañón y la escala monumental del paisaje natural que caracteriza a este tramo del río Júcar en su recorrido por la Serranía de Cuenca.
ALT text

La imagen es una fotografía en blanco y negro de las Hoces del Júcar, en la Serranía de Cuenca, tomada desde el Mirador de Mangana durante la tarde. El encuadre está dominado por un profundo cañón fluvial excavado en roca calcárea, con paredes verticales que descienden abruptamente hacia el cauce oculto entre la vegetación. A la izquierda, una gran ladera montañosa cubierta de una densa masa de pinares cubre casi toda la pendiente hasta la cresta, que se recorta contra un cielo despejado y luminoso, típico de las tardes claras de esta zona de Cuenca. Los acantilados calizos, con sus estratos horizontales visibles y erosionados, forman paredones escarpados que bajan hasta el fondo del valle, donde se acumula una vegetación frondosa de coníferas y arbustos. En la parte derecha de la composición, entre la arboleda, asoma una construcción encalada con una torre de aspecto religioso, posiblemente vinculada a algún antiguo convento o ermita típica de la comarca conquense, que introduce un contraste de líneas verticales y tonos claros frente a la masa rocosa y vegetal del entorno. La luz de tarde genera un cielo casi blanco, sin nubes marcadas, que aporta gran luminosidad de fondo y resalta por contraste las texturas rugosas de la roca y la espesura del bosque. El tratamiento en blanco y negro acentúa los volúmenes geológicos de la hoz, subrayando la profundidad del cañón y la escala monumental del paisaje natural que caracteriza a este tramo del río Júcar en su recorrido por la Serranía de Cuenca.

xsv (mode: mixed)
@tffmh@chaos.social

Last Light.

Analog black-and-white photograph of the setting sun just above a distant tree line. A dark field fills the lower half of the frame, while a pale sky with thin clouds dominates above. The sun forms a pronounced diffraction starburst, with a separate soft, aperture-shaped flare ghost below and to the left caused by internal reflections in the lens. (Zeiss Opton Biogon 21 mm f/4.5, ca. 1954; Ilford Delta 3200 @ EI 6400; developed in Ilfotec DD-X 1+4; camera scanned with VALOI Easy35; converted in FilmLab; tonal adjustments) This roll spent far too long in the camera before development. Delta 3200 at EI 6400, ten months of latent-image storage and a few processing artefacts made recovery difficult. Some frames turned into something unexpectedly: graphic? CC BY 4.0
ALT text

Analog black-and-white photograph of the setting sun just above a distant tree line. A dark field fills the lower half of the frame, while a pale sky with thin clouds dominates above. The sun forms a pronounced diffraction starburst, with a separate soft, aperture-shaped flare ghost below and to the left caused by internal reflections in the lens. (Zeiss Opton Biogon 21 mm f/4.5, ca. 1954; Ilford Delta 3200 @ EI 6400; developed in Ilfotec DD-X 1+4; camera scanned with VALOI Easy35; converted in FilmLab; tonal adjustments) This roll spent far too long in the camera before development. Delta 3200 at EI 6400, ten months of latent-image storage and a few processing artefacts made recovery difficult. Some frames turned into something unexpectedly: graphic? CC BY 4.0

xsv (mode: mixed)
@tffmh@chaos.social

Last Light.

Analog black-and-white photograph of the setting sun just above a distant tree line. A dark field fills the lower half of the frame, while a pale sky with thin clouds dominates above. The sun forms a pronounced diffraction starburst, with a separate soft, aperture-shaped flare ghost below and to the left caused by internal reflections in the lens. (Zeiss Opton Biogon 21 mm f/4.5, ca. 1954; Ilford Delta 3200 @ EI 6400; developed in Ilfotec DD-X 1+4; camera scanned with VALOI Easy35; converted in FilmLab; tonal adjustments) This roll spent far too long in the camera before development. Delta 3200 at EI 6400, ten months of latent-image storage and a few processing artefacts made recovery difficult. Some frames turned into something unexpectedly: graphic? CC BY 4.0
ALT text

Analog black-and-white photograph of the setting sun just above a distant tree line. A dark field fills the lower half of the frame, while a pale sky with thin clouds dominates above. The sun forms a pronounced diffraction starburst, with a separate soft, aperture-shaped flare ghost below and to the left caused by internal reflections in the lens. (Zeiss Opton Biogon 21 mm f/4.5, ca. 1954; Ilford Delta 3200 @ EI 6400; developed in Ilfotec DD-X 1+4; camera scanned with VALOI Easy35; converted in FilmLab; tonal adjustments) This roll spent far too long in the camera before development. Delta 3200 at EI 6400, ten months of latent-image storage and a few processing artefacts made recovery difficult. Some frames turned into something unexpectedly: graphic? CC BY 4.0

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Parque Natural de las Sierras de Cazorla, Segura y Las Villas - Serene Black and White Mountain Landscape

Photo GPS location: google.com/maps/place/37.92876

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black and white landscape photograph showcasing a mountainous region, featuring layers of hills covered with dense trees, under a cloudy sky. The image conveys depth and the natural beauty of the scenery.
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A black and white landscape photograph showcasing a mountainous region, featuring layers of hills covered with dense trees, under a cloudy sky. The image conveys depth and the natural beauty of the scenery.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Dramatic Mountain Ridge in Parque Natural de las Sierras de Cazorla, Segura y Las Villas

Photo GPS location: google.com/maps/place/37.92858

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A dramatic black and white landscape featuring steep cliffs and lush vegetation against a cloudy sky, showcasing the natural beauty of mountainous terrain.
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A dramatic black and white landscape featuring steep cliffs and lush vegetation against a cloudy sky, showcasing the natural beauty of mountainous terrain.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of the base of a large eastern cedar tree growing on rock, with peeling bark, twigs and grass between its large superficial roots. The oblique sunlight illuminates the trunk and filters through the rest of the cedar forest, blurred behind. Photographie noir et blanc de la base du tronc d'un grand cèdre de l'est poussant sur la roche, avec une écorce s'écaillant, des brindilles et des herbes au sol entre ses grosses racines en surface. La lumière oblique du soleil éclaire le tronc et filtre à travers le reste de la forêt de cèdres, flous derrière.
ALT text

Black and white photograph of the base of a large eastern cedar tree growing on rock, with peeling bark, twigs and grass between its large superficial roots. The oblique sunlight illuminates the trunk and filters through the rest of the cedar forest, blurred behind. Photographie noir et blanc de la base du tronc d'un grand cèdre de l'est poussant sur la roche, avec une écorce s'écaillant, des brindilles et des herbes au sol entre ses grosses racines en surface. La lumière oblique du soleil éclaire le tronc et filtre à travers le reste de la forêt de cèdres, flous derrière.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of the base of a large eastern cedar tree growing on rock, with peeling bark, twigs and grass between its large superficial roots. The oblique sunlight illuminates the trunk and filters through the rest of the cedar forest, blurred behind. Photographie noir et blanc de la base du tronc d'un grand cèdre de l'est poussant sur la roche, avec une écorce s'écaillant, des brindilles et des herbes au sol entre ses grosses racines en surface. La lumière oblique du soleil éclaire le tronc et filtre à travers le reste de la forêt de cèdres, flous derrière.
ALT text

Black and white photograph of the base of a large eastern cedar tree growing on rock, with peeling bark, twigs and grass between its large superficial roots. The oblique sunlight illuminates the trunk and filters through the rest of the cedar forest, blurred behind. Photographie noir et blanc de la base du tronc d'un grand cèdre de l'est poussant sur la roche, avec une écorce s'écaillant, des brindilles et des herbes au sol entre ses grosses racines en surface. La lumière oblique du soleil éclaire le tronc et filtre à travers le reste de la forêt de cèdres, flous derrière.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of the base of a large eastern cedar tree growing on rock, with peeling bark, twigs and grass between its large superficial roots. The oblique sunlight illuminates the trunk and filters through the rest of the cedar forest, blurred behind. Photographie noir et blanc de la base du tronc d'un grand cèdre de l'est poussant sur la roche, avec une écorce s'écaillant, des brindilles et des herbes au sol entre ses grosses racines en surface. La lumière oblique du soleil éclaire le tronc et filtre à travers le reste de la forêt de cèdres, flous derrière.
ALT text

Black and white photograph of the base of a large eastern cedar tree growing on rock, with peeling bark, twigs and grass between its large superficial roots. The oblique sunlight illuminates the trunk and filters through the rest of the cedar forest, blurred behind. Photographie noir et blanc de la base du tronc d'un grand cèdre de l'est poussant sur la roche, avec une écorce s'écaillant, des brindilles et des herbes au sol entre ses grosses racines en surface. La lumière oblique du soleil éclaire le tronc et filtre à travers le reste de la forêt de cèdres, flous derrière.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Majestic Rock Formation Against a Stormy Sky - by now it was raining and I was getting wet!

Photo GPS location: google.com/maps/place/37.92798

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A dramatic black and white landscape featuring rugged rocks and a solitary tree atop a boulder, set against a backdrop of rolling hills and a cloudy sky. The scene captures the raw beauty of nature's textures and contrasts.
ALT text

A dramatic black and white landscape featuring rugged rocks and a solitary tree atop a boulder, set against a backdrop of rolling hills and a cloudy sky. The scene captures the raw beauty of nature's textures and contrasts.

Eric
@EricMartin@mastodon.social

'Muster / Pattern'

Three patterns can be discerned in this black and white photograph of a portion of the side of a building. Firstly, the repeating pattern of the cement blocks that make up the wall above the foundation. Secondly, the repeating pattern of crossbars that make up the fire escape below second floor windows. Lastly, the shadow cast by overhead light of the fire escape.
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Three patterns can be discerned in this black and white photograph of a portion of the side of a building. Firstly, the repeating pattern of the cement blocks that make up the wall above the foundation. Secondly, the repeating pattern of crossbars that make up the fire escape below second floor windows. Lastly, the shadow cast by overhead light of the fire escape.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Before the Storm - a Dramatic Rock Formation in Parque Natural de las Sierras de Cazorla, Segura y Las Villas

Photo GPS location: google.com/maps/place/37.92796

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f5.6, 1/30 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A dramatic black-and-white landscape featuring a steep, rocky cliff with rugged terrain and sparse vegetation, surrounded by rolling hills and a cloudy sky in the background.
ALT text

A dramatic black-and-white landscape featuring a steep, rocky cliff with rugged terrain and sparse vegetation, surrounded by rolling hills and a cloudy sky in the background.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Before the Storm - a Dramatic Rock Formation in Parque Natural de las Sierras de Cazorla, Segura y Las Villas

Photo GPS location: google.com/maps/place/37.92786

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f5.6, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A dramatic black and white landscape featuring a rugged cliff surrounded by dense greenery, with rolling hills in the background and a cloudy sky above, creating a moody and serene atmosphere.
ALT text

A dramatic black and white landscape featuring a rugged cliff surrounded by dense greenery, with rolling hills in the background and a cloudy sky above, creating a moody and serene atmosphere.

Gica
@gica19@mastoart.social

📍 Cuenca.


Descripción en

La imagen es una fotografía en blanco y negro de las Hoces del Júcar, en la Serranía de Cuenca, tomada desde el Mirador de Mangana durante la tarde. El encuadre está dominado por un profundo cañón fluvial excavado en roca calcárea, con paredes verticales que descienden abruptamente hacia el cauce oculto entre la vegetación. A la izquierda, una gran ladera montañosa cubierta de una densa masa de pinares cubre casi toda la pendiente hasta la cresta, que se recorta contra un cielo despejado y luminoso, típico de las tardes claras de esta zona de Cuenca. Los acantilados calizos, con sus estratos horizontales visibles y erosionados, forman paredones escarpados que bajan hasta el fondo del valle, donde se acumula una vegetación frondosa de coníferas y arbustos. En la parte derecha de la composición, entre la arboleda, asoma una construcción encalada con una torre de aspecto religioso, posiblemente vinculada a algún antiguo convento o ermita típica de la comarca conquense, que introduce un contraste de líneas verticales y tonos claros frente a la masa rocosa y vegetal del entorno. La luz de tarde genera un cielo casi blanco, sin nubes marcadas, que aporta gran luminosidad de fondo y resalta por contraste las texturas rugosas de la roca y la espesura del bosque. El tratamiento en blanco y negro acentúa los volúmenes geológicos de la hoz, subrayando la profundidad del cañón y la escala monumental del paisaje natural que caracteriza a este tramo del río Júcar en su recorrido por la Serranía de Cuenca.
ALT text

La imagen es una fotografía en blanco y negro de las Hoces del Júcar, en la Serranía de Cuenca, tomada desde el Mirador de Mangana durante la tarde. El encuadre está dominado por un profundo cañón fluvial excavado en roca calcárea, con paredes verticales que descienden abruptamente hacia el cauce oculto entre la vegetación. A la izquierda, una gran ladera montañosa cubierta de una densa masa de pinares cubre casi toda la pendiente hasta la cresta, que se recorta contra un cielo despejado y luminoso, típico de las tardes claras de esta zona de Cuenca. Los acantilados calizos, con sus estratos horizontales visibles y erosionados, forman paredones escarpados que bajan hasta el fondo del valle, donde se acumula una vegetación frondosa de coníferas y arbustos. En la parte derecha de la composición, entre la arboleda, asoma una construcción encalada con una torre de aspecto religioso, posiblemente vinculada a algún antiguo convento o ermita típica de la comarca conquense, que introduce un contraste de líneas verticales y tonos claros frente a la masa rocosa y vegetal del entorno. La luz de tarde genera un cielo casi blanco, sin nubes marcadas, que aporta gran luminosidad de fondo y resalta por contraste las texturas rugosas de la roca y la espesura del bosque. El tratamiento en blanco y negro acentúa los volúmenes geológicos de la hoz, subrayando la profundidad del cañón y la escala monumental del paisaje natural que caracteriza a este tramo del río Júcar en su recorrido por la Serranía de Cuenca.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Abandoned Graffiti-Covered Electric Power Station

Photo GPS location: google.com/maps/place/37.93056

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A weathered, graffiti-covered building surrounded by trees, featuring large windows. The structure's exterior displays various colorful tags and street art, set against a backdrop of dappled sunlight on the ground.
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A weathered, graffiti-covered building surrounded by trees, featuring large windows. The structure's exterior displays various colorful tags and street art, set against a backdrop of dappled sunlight on the ground.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: A small stream

Photo GPS location: google.com/maps/place/37.93046

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A serene black-and-white image of a flowing stream, surrounded by rocks and trees. The water gently cascades over stones, creating a tranquil atmosphere in a natural setting.
ALT text

A serene black-and-white image of a flowing stream, surrounded by rocks and trees. The water gently cascades over stones, creating a tranquil atmosphere in a natural setting.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: A small stream

Photo GPS location: google.com/maps/place/37.93046

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A serene black-and-white image of a flowing stream, surrounded by rocks and trees. The water gently cascades over stones, creating a tranquil atmosphere in a natural setting.
ALT text

A serene black-and-white image of a flowing stream, surrounded by rocks and trees. The water gently cascades over stones, creating a tranquil atmosphere in a natural setting.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a maple tree, taken looking upwards near its two trunks on the right side, showing its abundant foliage filtered by the sun. Its multitude of small cut leaves fill the image on the left and project their shadow on its two trunks. Thin branches run through the foliage. Photographie noir et blanc d’un érable, prise en regardant vers le haut près de ses deux troncs du côté droit, montrant son abondant feuillage filtré par le soleil. Sa multitude de petites feuilles découpées remplissent l’image à gauche et projettent leur ombre sur ses deux troncs. De fines branches traversent le feuillage.
ALT text

Black and white photograph of a maple tree, taken looking upwards near its two trunks on the right side, showing its abundant foliage filtered by the sun. Its multitude of small cut leaves fill the image on the left and project their shadow on its two trunks. Thin branches run through the foliage. Photographie noir et blanc d’un érable, prise en regardant vers le haut près de ses deux troncs du côté droit, montrant son abondant feuillage filtré par le soleil. Sa multitude de petites feuilles découpées remplissent l’image à gauche et projettent leur ombre sur ses deux troncs. De fines branches traversent le feuillage.

Bluejay
@bluejay@ohai.social

“Objekte die mit ‘H’ beginnen oder so aussehen” (Things that start with or look like “H”)

I’ve been saving this to share for “Looks Like H” Day, and of course it comes around while I’m away on a trip! So I’m breaking internet silence to post this photo of shadows in the Sculpture Gallery of the Glass House, in New Canaan, Connecticut.

Black and white photo of the interior of a museum gallery, viewed from an upper walkway and looking down at a lower level, where a wide doorway in a wall leads to a room of sculpted urns and vases arranged on a tiled floor. Sunlight filtered through the beams of the gallery’s (unseen) glass ceiling casts long striped shadows on the white brick walls, including several shadows that look like slanted and elongated capital H’s. Photographed many years ago at the Glass House series of structures created by architect Philip Johnson, now a National Trust Historic Site in New Canaan, CT.
ALT text

Black and white photo of the interior of a museum gallery, viewed from an upper walkway and looking down at a lower level, where a wide doorway in a wall leads to a room of sculpted urns and vases arranged on a tiled floor. Sunlight filtered through the beams of the gallery’s (unseen) glass ceiling casts long striped shadows on the white brick walls, including several shadows that look like slanted and elongated capital H’s. Photographed many years ago at the Glass House series of structures created by architect Philip Johnson, now a National Trust Historic Site in New Canaan, CT.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a maple tree, taken looking upwards near its two trunks on the right side, showing its abundant foliage filtered by the sun. Its multitude of small cut leaves fill the image on the left and project their shadow on its two trunks. Thin branches run through the foliage. Photographie noir et blanc d’un érable, prise en regardant vers le haut près de ses deux troncs du côté droit, montrant son abondant feuillage filtré par le soleil. Sa multitude de petites feuilles découpées remplissent l’image à gauche et projettent leur ombre sur ses deux troncs. De fines branches traversent le feuillage.
ALT text

Black and white photograph of a maple tree, taken looking upwards near its two trunks on the right side, showing its abundant foliage filtered by the sun. Its multitude of small cut leaves fill the image on the left and project their shadow on its two trunks. Thin branches run through the foliage. Photographie noir et blanc d’un érable, prise en regardant vers le haut près de ses deux troncs du côté droit, montrant son abondant feuillage filtré par le soleil. Sa multitude de petites feuilles découpées remplissent l’image à gauche et projettent leur ombre sur ses deux troncs. De fines branches traversent le feuillage.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: A Twisted Tree Across a Forest Path

Photo GPS location: google.com/maps/place/37.9306,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f5.6, 1/30 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A winding path through a dense forest, featuring leaning trees and rocky terrain. The scene is captured in black and white, emphasizing the natural elements and tranquil atmosphere of the woodland.
ALT text

A winding path through a dense forest, featuring leaning trees and rocky terrain. The scene is captured in black and white, emphasizing the natural elements and tranquil atmosphere of the woodland.

Wilfried Strang
@Strangphotography@mastodon.social

This is why I love black and white street photography.
No distractions. Just the player, the table and that moment of concentration.
📍 Thailand
Explore more on my website
Black and White Photography in Southeast Asia – Night Street Photography & Urban Contrast
strangphotography.com/black-an

Wilfried Strang
@Strangphotography@mastodon.social

This is why I love black and white street photography.
No distractions. Just the player, the table and that moment of concentration.
📍 Thailand
Explore more on my website
Black and White Photography in Southeast Asia – Night Street Photography & Urban Contrast
strangphotography.com/black-an

Anja
@Anja2@norden.social

Vier leere Stühle mit Beinen aus Metall und Flächen aus weißem Plastik stehen auf Kiesboden vor einer alten gemauerten Wand, mittig eine Art Träger. Der Putz bröckelt von den Steinen, verschieden Texturen und Strukturen machen die Wand zu einer Art Kunstwerk. Das Bild ist schwarz-weiß. Four empty chairs with legs made of metal and areas of white plastic stand on gravel floor in front of an old brick wall, in the middle a kind of beam. The plaster crumbles from the stones, different textures and structures make the wall a kind of work of art. The picture is black and white.
ALT text

Vier leere Stühle mit Beinen aus Metall und Flächen aus weißem Plastik stehen auf Kiesboden vor einer alten gemauerten Wand, mittig eine Art Träger. Der Putz bröckelt von den Steinen, verschieden Texturen und Strukturen machen die Wand zu einer Art Kunstwerk. Das Bild ist schwarz-weiß. Four empty chairs with legs made of metal and areas of white plastic stand on gravel floor in front of an old brick wall, in the middle a kind of beam. The plaster crumbles from the stones, different textures and structures make the wall a kind of work of art. The picture is black and white.

Anja
@Anja2@norden.social

Vier leere Stühle mit Beinen aus Metall und Flächen aus weißem Plastik stehen auf Kiesboden vor einer alten gemauerten Wand, mittig eine Art Träger. Der Putz bröckelt von den Steinen, verschieden Texturen und Strukturen machen die Wand zu einer Art Kunstwerk. Das Bild ist schwarz-weiß. Four empty chairs with legs made of metal and areas of white plastic stand on gravel floor in front of an old brick wall, in the middle a kind of beam. The plaster crumbles from the stones, different textures and structures make the wall a kind of work of art. The picture is black and white.
ALT text

Vier leere Stühle mit Beinen aus Metall und Flächen aus weißem Plastik stehen auf Kiesboden vor einer alten gemauerten Wand, mittig eine Art Träger. Der Putz bröckelt von den Steinen, verschieden Texturen und Strukturen machen die Wand zu einer Art Kunstwerk. Das Bild ist schwarz-weiß. Four empty chairs with legs made of metal and areas of white plastic stand on gravel floor in front of an old brick wall, in the middle a kind of beam. The plaster crumbles from the stones, different textures and structures make the wall a kind of work of art. The picture is black and white.

Kraksen
@kraks@pixelfed.de
A combined #MacroMonday and #MonochromeMonday. A lamp found in the city council hall.

📷 Minolta α-7
🔎 A 100/2.8 macro
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #AnalogPhotography
Black-and-white close-up photo of a table lamp on a working desk. The lamp is in metal, with a patina reminiscent of old bronze (which it probably was, but you can't tell on black-and-white film). With a narrow depth of field, only the side edge of the lampshade is in focus, with everything else – including the desk underneath it – fading into a nondescript blur.
ALT text

Black-and-white close-up photo of a table lamp on a working desk. The lamp is in metal, with a patina reminiscent of old bronze (which it probably was, but you can't tell on black-and-white film). With a narrow depth of field, only the side edge of the lampshade is in focus, with everything else – including the desk underneath it – fading into a nondescript blur.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a cut coniferous tree fallen on its side in the forest, showing the round edge of the trunk and the branches around it, like a star. The sun filters into the forest and the dead branches, illuminating the scene and giving a charged effect to the photo. Photographie noir et blanc d'un conifère coupé et tombé sur le côté dans la forêt, montrant la tranche ronde du tronc et les branches partant tout autour en étoile. Le soleil filtre dans la forêt et les branches mortes, pour illuminer la scène, donnant un effet chargé à la photo.
ALT text

Black and white photograph of a cut coniferous tree fallen on its side in the forest, showing the round edge of the trunk and the branches around it, like a star. The sun filters into the forest and the dead branches, illuminating the scene and giving a charged effect to the photo. Photographie noir et blanc d'un conifère coupé et tombé sur le côté dans la forêt, montrant la tranche ronde du tronc et les branches partant tout autour en étoile. Le soleil filtre dans la forêt et les branches mortes, pour illuminer la scène, donnant un effet chargé à la photo.

Kay
@Vulpy@pixelfed.de
It’s a rather chaotic image for my taste. But when I zoomed in and spotted the car’s headlights, I knew I had to find a way to bring them out. So often, I only see the picture after I’ve taken it. I ended up cropping away about 90% of the original to get this composition. Had I recognised the opportunity at the time, I’d have had plenty of time to pull a longer lens out of my backpack and wait for the car to drive into the shadows.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A narrow road bordered by stone walls winds through a grassy mountain valley, curving from the lower centre through several bends towards the upper left. A small car travels along the road in the lower quarter of the image, its headlights forming a bright spot against the dark terrain. Bands of sunlight reveal uneven ground and rough grass, while the foreground and much of the right-hand slope remain in deep shadow. Rocky outcrops catch the light along the upper edge, and small pale sheep are scattered across the distant hillside.
ALT text

Square black-and-white photograph. A narrow road bordered by stone walls winds through a grassy mountain valley, curving from the lower centre through several bends towards the upper left. A small car travels along the road in the lower quarter of the image, its headlights forming a bright spot against the dark terrain. Bands of sunlight reveal uneven ground and rough grass, while the foreground and much of the right-hand slope remain in deep shadow. Rocky outcrops catch the light along the upper edge, and small pale sheep are scattered across the distant hillside.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.

Descripción en

La imagen es una fotografía en blanco y negro de la Playa Sur de Peñíscola, tomada por la tarde, con una composición minimalista centrada en el mar. En la parte superior domina un cielo cubierto de nubes densas y texturizadas, con algunos claros que dejan pasar la luz vespertina, típica de esa hora del día en la costa mediterránea. Justo en el centro-superior de la imagen, una gaviota aparece congelada en pleno vuelo, con las alas extendidas en un ángulo dinámico que sugiere movimiento —una de ellas ligeramente desenfocada, lo que aporta sensación de aleteo real—. Más abajo, sobre la línea del horizonte, se distingue un velero fondeado con el mástil erguido y las velas recogidas, aparentemente en calma sobre las aguas de la bahía. El barco queda pequeño en el encuadre, reforzando la amplitud del paisaje marino que lo rodea. El mar ocupa la mitad inferior de la fotografía, con un oleaje suave que genera pequeñas líneas de espuma horizontales al romper cerca de la orilla desde donde se toma la instantánea. El tratamiento en blanco y negro acentúa los contrastes entre el gris plomizo del cielo, el tono oscuro y uniforme del agua, y el blanco luminoso del casco del velero, creando una atmósfera serena, casi melancólica, característica de la fotografía costera de tarde nublada. En conjunto, la imagen transmite calma y quietud, con la gaviota como único elemento de movimiento en una escena dominada por la horizontalidad del mar y el cielo.
ALT text

La imagen es una fotografía en blanco y negro de la Playa Sur de Peñíscola, tomada por la tarde, con una composición minimalista centrada en el mar. En la parte superior domina un cielo cubierto de nubes densas y texturizadas, con algunos claros que dejan pasar la luz vespertina, típica de esa hora del día en la costa mediterránea. Justo en el centro-superior de la imagen, una gaviota aparece congelada en pleno vuelo, con las alas extendidas en un ángulo dinámico que sugiere movimiento —una de ellas ligeramente desenfocada, lo que aporta sensación de aleteo real—. Más abajo, sobre la línea del horizonte, se distingue un velero fondeado con el mástil erguido y las velas recogidas, aparentemente en calma sobre las aguas de la bahía. El barco queda pequeño en el encuadre, reforzando la amplitud del paisaje marino que lo rodea. El mar ocupa la mitad inferior de la fotografía, con un oleaje suave que genera pequeñas líneas de espuma horizontales al romper cerca de la orilla desde donde se toma la instantánea. El tratamiento en blanco y negro acentúa los contrastes entre el gris plomizo del cielo, el tono oscuro y uniforme del agua, y el blanco luminoso del casco del velero, creando una atmósfera serena, casi melancólica, característica de la fotografía costera de tarde nublada. En conjunto, la imagen transmite calma y quietud, con la gaviota como único elemento de movimiento en una escena dominada por la horizontalidad del mar y el cielo.

Kay
@Vulpy@pixelfed.de
It’s a rather chaotic image for my taste. But when I zoomed in and spotted the car’s headlights, I knew I had to find a way to bring them out. So often, I only see the picture after I’ve taken it. I ended up cropping away about 90% of the original to get this composition. Had I recognised the opportunity at the time, I’d have had plenty of time to pull a longer lens out of my backpack and wait for the car to drive into the shadows.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A narrow road bordered by stone walls winds through a grassy mountain valley, curving from the lower centre through several bends towards the upper left. A small car travels along the road in the lower quarter of the image, its headlights forming a bright spot against the dark terrain. Bands of sunlight reveal uneven ground and rough grass, while the foreground and much of the right-hand slope remain in deep shadow. Rocky outcrops catch the light along the upper edge, and small pale sheep are scattered across the distant hillside.
ALT text

Square black-and-white photograph. A narrow road bordered by stone walls winds through a grassy mountain valley, curving from the lower centre through several bends towards the upper left. A small car travels along the road in the lower quarter of the image, its headlights forming a bright spot against the dark terrain. Bands of sunlight reveal uneven ground and rough grass, while the foreground and much of the right-hand slope remain in deep shadow. Rocky outcrops catch the light along the upper edge, and small pale sheep are scattered across the distant hillside.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a cut coniferous tree fallen on its side in the forest, showing the round edge of the trunk and the branches around it, like a star. The sun filters into the forest and the dead branches, illuminating the scene and giving a charged effect to the photo. Photographie noir et blanc d'un conifère coupé et tombé sur le côté dans la forêt, montrant la tranche ronde du tronc et les branches partant tout autour en étoile. Le soleil filtre dans la forêt et les branches mortes, pour illuminer la scène, donnant un effet chargé à la photo.
ALT text

Black and white photograph of a cut coniferous tree fallen on its side in the forest, showing the round edge of the trunk and the branches around it, like a star. The sun filters into the forest and the dead branches, illuminating the scene and giving a charged effect to the photo. Photographie noir et blanc d'un conifère coupé et tombé sur le côté dans la forêt, montrant la tranche ronde du tronc et les branches partant tout autour en étoile. Le soleil filtre dans la forêt et les branches mortes, pour illuminer la scène, donnant un effet chargé à la photo.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a cut coniferous tree fallen on its side in the forest, showing the round edge of the trunk and the branches around it, like a star. The sun filters into the forest and the dead branches, illuminating the scene and giving a charged effect to the photo. Photographie noir et blanc d'un conifère coupé et tombé sur le côté dans la forêt, montrant la tranche ronde du tronc et les branches partant tout autour en étoile. Le soleil filtre dans la forêt et les branches mortes, pour illuminer la scène, donnant un effet chargé à la photo.
ALT text

Black and white photograph of a cut coniferous tree fallen on its side in the forest, showing the round edge of the trunk and the branches around it, like a star. The sun filters into the forest and the dead branches, illuminating the scene and giving a charged effect to the photo. Photographie noir et blanc d'un conifère coupé et tombé sur le côté dans la forêt, montrant la tranche ronde du tronc et les branches partant tout autour en étoile. Le soleil filtre dans la forêt et les branches mortes, pour illuminer la scène, donnant un effet chargé à la photo.

Kraksen
@kraks@pixelfed.de
A combined #MacroMonday and #MonochromeMonday. A lamp found in the city council hall.

📷 Minolta α-7
🔎 A 100/2.8 macro
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #AnalogPhotography
Black-and-white close-up photo of a table lamp on a working desk. The lamp is in metal, with a patina reminiscent of old bronze (which it probably was, but you can't tell on black-and-white film). With a narrow depth of field, only the side edge of the lampshade is in focus, with everything else – including the desk underneath it – fading into a nondescript blur.
ALT text

Black-and-white close-up photo of a table lamp on a working desk. The lamp is in metal, with a patina reminiscent of old bronze (which it probably was, but you can't tell on black-and-white film). With a narrow depth of field, only the side edge of the lampshade is in focus, with everything else – including the desk underneath it – fading into a nondescript blur.

Anemone Nemorosa
@SensitiveSyl@pixelfed.social
Marina, St-Jean-Port-Joli II/III. September 2026.


#sea #seascape #boat #boating #sailing #harbor #quebec #monochrome #blackandwhite #photography
Black and white photograph of a marina sheltered along a stone pier, showing eighteen small sailboats anchored along a wooden dock, with a sandbar in the foreground, crossed by a cable held afloat by spherical floats. Photographie noir et blanc d'une marina à l'abri le long d'une jetée en pierres, montrant dix-huit petits voiliers ancrés le long d'un quai en bois, avec à l'avant-plan un banc de sable, parcouru par un câble tenu à flot par des flotteurs sphériques.
ALT text

Black and white photograph of a marina sheltered along a stone pier, showing eighteen small sailboats anchored along a wooden dock, with a sandbar in the foreground, crossed by a cable held afloat by spherical floats. Photographie noir et blanc d'une marina à l'abri le long d'une jetée en pierres, montrant dix-huit petits voiliers ancrés le long d'un quai en bois, avec à l'avant-plan un banc de sable, parcouru par un câble tenu à flot par des flotteurs sphériques.

Anemone Nemorosa
@SensitiveSyl@beige.party

Lac aux Américains, Gaspésie National Park. September 2026.

Black and white photograph of a lake surrounded by high mountains covered with forest, in the fog. In the foreground on the left, a floating wooden dock juts out onto the water. Two hikers are there, a man and a woman, with backpacks. The sun not far behind the fog creates a strong contrast in the sky, and some rays make the water shine. Photographie noir et blanc d'un lac entouré de hautes montagnes couvertes de forêt, dans le brouillard. En avant-plan à gauche, un quai en bois flottant s'avance sur l'eau. Deux randonneurs s'y trouvent, un homme et une femme, avec des sacs à dos. Le soleil pas très loin derrière le brouillard crée un fort contraste dans le ciel, et quelques rayons font briller l'eau.
ALT text

Black and white photograph of a lake surrounded by high mountains covered with forest, in the fog. In the foreground on the left, a floating wooden dock juts out onto the water. Two hikers are there, a man and a woman, with backpacks. The sun not far behind the fog creates a strong contrast in the sky, and some rays make the water shine. Photographie noir et blanc d'un lac entouré de hautes montagnes couvertes de forêt, dans le brouillard. En avant-plan à gauche, un quai en bois flottant s'avance sur l'eau. Deux randonneurs s'y trouvent, un homme et une femme, avec des sacs à dos. Le soleil pas très loin derrière le brouillard crée un fort contraste dans le ciel, et quelques rayons font briller l'eau.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Abandoned Building - this was next to an abandoned Power Station

Photo GPS location: google.com/maps/place/37.9306,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

Dilapidated stone buildings with weathered walls and a rustic roof, surrounded by a rocky path and lush greenery in the background, set against a mountainous landscape, captured in black and white.
ALT text

Dilapidated stone buildings with weathered walls and a rustic roof, surrounded by a rocky path and lush greenery in the background, set against a mountainous landscape, captured in black and white.

Anemone Nemorosa
@SensitiveSyl@pixelfed.social
Marina, St-Jean-Port-Joli II/III. September 2026.


#sea #seascape #boat #boating #sailing #harbor #quebec #monochrome #blackandwhite #photography
Black and white photograph of a marina sheltered along a stone pier, showing eighteen small sailboats anchored along a wooden dock, with a sandbar in the foreground, crossed by a cable held afloat by spherical floats. Photographie noir et blanc d'une marina à l'abri le long d'une jetée en pierres, montrant dix-huit petits voiliers ancrés le long d'un quai en bois, avec à l'avant-plan un banc de sable, parcouru par un câble tenu à flot par des flotteurs sphériques.
ALT text

Black and white photograph of a marina sheltered along a stone pier, showing eighteen small sailboats anchored along a wooden dock, with a sandbar in the foreground, crossed by a cable held afloat by spherical floats. Photographie noir et blanc d'une marina à l'abri le long d'une jetée en pierres, montrant dix-huit petits voiliers ancrés le long d'un quai en bois, avec à l'avant-plan un banc de sable, parcouru par un câble tenu à flot par des flotteurs sphériques.

Gica
@gica19@mastoart.social

📍 Peñíscola. Castellón.

Descripción en

La imagen es una fotografía en blanco y negro de la Playa Sur de Peñíscola, tomada por la tarde, con una composición minimalista centrada en el mar. En la parte superior domina un cielo cubierto de nubes densas y texturizadas, con algunos claros que dejan pasar la luz vespertina, típica de esa hora del día en la costa mediterránea. Justo en el centro-superior de la imagen, una gaviota aparece congelada en pleno vuelo, con las alas extendidas en un ángulo dinámico que sugiere movimiento —una de ellas ligeramente desenfocada, lo que aporta sensación de aleteo real—. Más abajo, sobre la línea del horizonte, se distingue un velero fondeado con el mástil erguido y las velas recogidas, aparentemente en calma sobre las aguas de la bahía. El barco queda pequeño en el encuadre, reforzando la amplitud del paisaje marino que lo rodea. El mar ocupa la mitad inferior de la fotografía, con un oleaje suave que genera pequeñas líneas de espuma horizontales al romper cerca de la orilla desde donde se toma la instantánea. El tratamiento en blanco y negro acentúa los contrastes entre el gris plomizo del cielo, el tono oscuro y uniforme del agua, y el blanco luminoso del casco del velero, creando una atmósfera serena, casi melancólica, característica de la fotografía costera de tarde nublada. En conjunto, la imagen transmite calma y quietud, con la gaviota como único elemento de movimiento en una escena dominada por la horizontalidad del mar y el cielo.
ALT text

La imagen es una fotografía en blanco y negro de la Playa Sur de Peñíscola, tomada por la tarde, con una composición minimalista centrada en el mar. En la parte superior domina un cielo cubierto de nubes densas y texturizadas, con algunos claros que dejan pasar la luz vespertina, típica de esa hora del día en la costa mediterránea. Justo en el centro-superior de la imagen, una gaviota aparece congelada en pleno vuelo, con las alas extendidas en un ángulo dinámico que sugiere movimiento —una de ellas ligeramente desenfocada, lo que aporta sensación de aleteo real—. Más abajo, sobre la línea del horizonte, se distingue un velero fondeado con el mástil erguido y las velas recogidas, aparentemente en calma sobre las aguas de la bahía. El barco queda pequeño en el encuadre, reforzando la amplitud del paisaje marino que lo rodea. El mar ocupa la mitad inferior de la fotografía, con un oleaje suave que genera pequeñas líneas de espuma horizontales al romper cerca de la orilla desde donde se toma la instantánea. El tratamiento en blanco y negro acentúa los contrastes entre el gris plomizo del cielo, el tono oscuro y uniforme del agua, y el blanco luminoso del casco del velero, creando una atmósfera serena, casi melancólica, característica de la fotografía costera de tarde nublada. En conjunto, la imagen transmite calma y quietud, con la gaviota como único elemento de movimiento en una escena dominada por la horizontalidad del mar y el cielo.

Anemone Nemorosa
@SensitiveSyl@beige.party

Lac aux Américains, Gaspésie National Park. September 2026.

Black and white photograph of a lake surrounded by high mountains covered with forest, in the fog. In the foreground on the left, a floating wooden dock juts out onto the water. Two hikers are there, a man and a woman, with backpacks. The sun not far behind the fog creates a strong contrast in the sky, and some rays make the water shine. Photographie noir et blanc d'un lac entouré de hautes montagnes couvertes de forêt, dans le brouillard. En avant-plan à gauche, un quai en bois flottant s'avance sur l'eau. Deux randonneurs s'y trouvent, un homme et une femme, avec des sacs à dos. Le soleil pas très loin derrière le brouillard crée un fort contraste dans le ciel, et quelques rayons font briller l'eau.
ALT text

Black and white photograph of a lake surrounded by high mountains covered with forest, in the fog. In the foreground on the left, a floating wooden dock juts out onto the water. Two hikers are there, a man and a woman, with backpacks. The sun not far behind the fog creates a strong contrast in the sky, and some rays make the water shine. Photographie noir et blanc d'un lac entouré de hautes montagnes couvertes de forêt, dans le brouillard. En avant-plan à gauche, un quai en bois flottant s'avance sur l'eau. Deux randonneurs s'y trouvent, un homme et une femme, avec des sacs à dos. Le soleil pas très loin derrière le brouillard crée un fort contraste dans le ciel, et quelques rayons font briller l'eau.

Anja
@Anja2@norden.social

Krzysztof Renes - Universale 4000x5
zum Thema "Körperlandschaften"

Schwarz-weiße Aufnahme von 15 großen Skulpturen aus Aluminium, die als Gruppe beieinander stehen. Die sehr abtrakten Formen wirken dennoch menschlich. Black and white shot of 15 large sculptures made of aluminum, which stand together as a group. The very abstract forms nevertheless appear human. NordArt 2026, Krzysztof Renes - Universale 4000x5
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Schwarz-weiße Aufnahme von 15 großen Skulpturen aus Aluminium, die als Gruppe beieinander stehen. Die sehr abtrakten Formen wirken dennoch menschlich. Black and white shot of 15 large sculptures made of aluminum, which stand together as a group. The very abstract forms nevertheless appear human. NordArt 2026, Krzysztof Renes - Universale 4000x5

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Abandoned Building with Steps Leading to a Forgotten Doorway

Photo GPS location: google.com/maps/place/37.93073

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f3.5, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black and white image of a set of weathered stone steps leading to an old building, surrounded by trees and natural foliage, conveying a sense of history and serene decay.
ALT text

A black and white image of a set of weathered stone steps leading to an old building, surrounded by trees and natural foliage, conveying a sense of history and serene decay.

Anja
@Anja2@norden.social

Krzysztof Renes - Universale 4000x5
zum Thema "Körperlandschaften"

Schwarz-weiße Aufnahme von 15 großen Skulpturen aus Aluminium, die als Gruppe beieinander stehen. Die sehr abtrakten Formen wirken dennoch menschlich. Black and white shot of 15 large sculptures made of aluminum, which stand together as a group. The very abstract forms nevertheless appear human. NordArt 2026, Krzysztof Renes - Universale 4000x5
ALT text

Schwarz-weiße Aufnahme von 15 großen Skulpturen aus Aluminium, die als Gruppe beieinander stehen. Die sehr abtrakten Formen wirken dennoch menschlich. Black and white shot of 15 large sculptures made of aluminum, which stand together as a group. The very abstract forms nevertheless appear human. NordArt 2026, Krzysztof Renes - Universale 4000x5

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Narrow Cobblestone Alleyway in Cazorla

Photo GPS location: google.com/maps/place/37.90971

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A narrow, cobblestone street lined with whitewashed buildings featuring balconies adorned with plants. The scene is set in a charming village, highlighted by a lantern and a distant rocky hill under a clear sky. The image is in black and white.
ALT text

A narrow, cobblestone street lined with whitewashed buildings featuring balconies adorned with plants. The scene is set in a charming village, highlighted by a lantern and a distant rocky hill under a clear sky. The image is in black and white.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
#FotoVorschlag
Jedes Schild hat seine Bewandtnis » There is a reason for every sign







#sign #plaque #history #onthisday #silly #funny #historicalmarker #monochrome #bnw #bw #blackandwhite #noiretblanc #blackandwhitephotography #photography #Fotografie #amateurphotography
A black metal plaque on a wooden shingled wall. The plaque has a silver border and lettering that reads "AT THIS VERY LOCATION ON APRIL 12, 1861 ABSOLUTELY NOTHING HAPPENED."
ALT text

A black metal plaque on a wooden shingled wall. The plaque has a silver border and lettering that reads "AT THIS VERY LOCATION ON APRIL 12, 1861 ABSOLUTELY NOTHING HAPPENED."

Salim Medjellekh
@smartmedj@pixelfed.social
©-Salim-Medjellekh
Ode à la vague.
Encore une fois
mon vers se tourne
vers la vague.

Je ne puis m’empêcher
de te chanter,
mille fois mille,
mille fois, ô vague,
fiancée fugitive de l’océan :
vénus verte,
élancée
tu hisses ta cloche,
et de là-haut,
tu laisses tomber
des lys.

Ô lame
Incessante
secouée
par
la
solitude
du vent,
érigée comme une
statue
transparente
mille fois mille
cristallisée, cristalline,
et puis
tout le sel à terre :
le mouvement
se fait écume
puis de l’écume la mer
se reconstruit
et de nouveau ressurgit la turgescence.

Et de nouveau,
cheval,
pure jument
cyclonique
et ailée
la crinière ardente de blancheur
dans l’ire de l’air
en mouvement,
tu glisses, tu bondis, tu cours,
conduisant le traineau
de la neige marine.

Vague, vague, vague,
mille fois mille
vaincue, mille
fois mille dressée
et déversée :
vive
la vague
mille fois immortelle
la vague.
Pablo Neruda, Tercer libro de las odas, 1957.
https://salimmedjellekh.com/fr/accueil
#SalimMedjellekh #Photography #blackandwhitephotography #monochrome #blackandwhite #photographienoiretblanc #noiretblanc #bw #bwphotography #bnw #moodyphotography #pixelfed #fineart #fineartphotography #poetry #poem #poesie
Photographie en noir et blanc de deux surfeurs qui observent l'océan, attendant la vague. A black-and-white photograph of two surfers gazing out at the ocean, waiting for a wave.
ALT text

Photographie en noir et blanc de deux surfeurs qui observent l'océan, attendant la vague. A black-and-white photograph of two surfers gazing out at the ocean, waiting for a wave.

Bob Tregilus
@elaterite@mastoart.social · Reply to Bob Tregilus

Here's another angle on Tsé Bitʼaʼí, "rock with wings" (Shiprock, NM) from today.
2/2

A black and white landscape photo of a volcanic neck. It's a roundish feature that juts straight out of a high desert plain. The top is very jagged. Dark clouds fill the sky in the background. Sunlight hits the left face of the feature while the right side is quite dark.
ALT text

A black and white landscape photo of a volcanic neck. It's a roundish feature that juts straight out of a high desert plain. The top is very jagged. Dark clouds fill the sky in the background. Sunlight hits the left face of the feature while the right side is quite dark.

Bob Tregilus
@elaterite@mastoart.social

Tsé Bitʼaʼí, "rock with wings" (Shiprock, NM) is a 27 million year old volcanic neck in the northeast portion of the Navajo volcanic field.
1/2

A black and white landscape photo of a tall sheer clump of jagged rock. It might resemble somebody holding a clump of toothpicks in their hand but with the toothpicks all at different levels. The feature has very jagged on top. Sunlight hits the top half of it and it's dark at the base. Dark clouds fill the sky behind the feature.
ALT text

A black and white landscape photo of a tall sheer clump of jagged rock. It might resemble somebody holding a clump of toothpicks in their hand but with the toothpicks all at different levels. The feature has very jagged on top. Sunlight hits the top half of it and it's dark at the base. Dark clouds fill the sky behind the feature.

Gica
@gica19@mastoart.social

📍 Cuenca.

Descripción en

La fotografía en blanco y negro capta el lateral de la Catedral de Santa María y San Julián de Cuenca, con su fachada de sillería de piedra caliza cortada en grandes bloques irregulares que revelan el paso del tiempo sobre la construcción gótica. En la parte superior destaca el gran rosetón, elemento que domina visualmente toda la composición. Presenta un diseño radial con pétalos lobulados dispuestos en torno a un núcleo circular central, encerrado en un marco de piedra labrada de forma ligeramente ovalada por el ángulo de la toma. Su tracería calada, típica del gótico, contrasta por la profundidad de sus huecos oscuros frente a la superficie más clara de la piedra que lo rodea, y corona de forma casi ceremonial el resto de la fachada. Justo debajo se adivinan los arranques de un triforio o galería de arcos ciegos, y algo más abajo un segundo óculo circular de menor tamaño, más sencillo en su decoración, que repite el motivo circular a escala reducida. A la izquierda se eleva una torre robusta y austera, con muros lisos interrumpidos solo por estrechas aberturas verticales tipo saetera, que reflejan la función defensiva y de contrafuerte propia de estas construcciones medievales. El tejado a dos aguas, con su hilera de tejas y cornisa de canecillos, se recorta contra un cielo cargado de nubes que, en blanco y negro, aporta dramatismo y textura a la escena. En uno de los muros laterales se distingue una gran cruz de metal oscuro anclada directamente sobre la piedra, un elemento devocional sobrio que refuerza el carácter religioso del edificio. A la derecha, la escena se abre hacia un edificio civil de fachada encalada y estilo barroco, probablemente vinculado al antiguo Ayuntamiento o Palacio Episcopal de la plaza Mayor conquense, reconocible por su gran portada de arco de medio punto con puerta de madera claveteada, balcones con barandillas de forja, escudo heráldico labrado sobre el dintel y banderas asomando en las ventanas superiores. Este contraste entre la piedra desnuda y añeja de la catedral y la fachada blanca y ornamentada del edificio contiguo estructura visualmente la imagen en dos mitades bien diferenciadas. En primer plano, a pie de calle, camina un grupo de cuatro personas —dos en primer término, vestidas con ropa de verano informal, y otras dos algo más rezagadas hacia la puerta— que aportan escala humana y vida cotidiana a la monumentalidad del entorno. La luz de tarde, aunque difusa por la nubosidad, genera un suave modelado de sombras en los relieves de la piedra, acentuando la textura rugosa de los sillares y aportando ese aspecto atemporal tan característico del revelado en blanco y negro.
ALT text

La fotografía en blanco y negro capta el lateral de la Catedral de Santa María y San Julián de Cuenca, con su fachada de sillería de piedra caliza cortada en grandes bloques irregulares que revelan el paso del tiempo sobre la construcción gótica. En la parte superior destaca el gran rosetón, elemento que domina visualmente toda la composición. Presenta un diseño radial con pétalos lobulados dispuestos en torno a un núcleo circular central, encerrado en un marco de piedra labrada de forma ligeramente ovalada por el ángulo de la toma. Su tracería calada, típica del gótico, contrasta por la profundidad de sus huecos oscuros frente a la superficie más clara de la piedra que lo rodea, y corona de forma casi ceremonial el resto de la fachada. Justo debajo se adivinan los arranques de un triforio o galería de arcos ciegos, y algo más abajo un segundo óculo circular de menor tamaño, más sencillo en su decoración, que repite el motivo circular a escala reducida. A la izquierda se eleva una torre robusta y austera, con muros lisos interrumpidos solo por estrechas aberturas verticales tipo saetera, que reflejan la función defensiva y de contrafuerte propia de estas construcciones medievales. El tejado a dos aguas, con su hilera de tejas y cornisa de canecillos, se recorta contra un cielo cargado de nubes que, en blanco y negro, aporta dramatismo y textura a la escena. En uno de los muros laterales se distingue una gran cruz de metal oscuro anclada directamente sobre la piedra, un elemento devocional sobrio que refuerza el carácter religioso del edificio. A la derecha, la escena se abre hacia un edificio civil de fachada encalada y estilo barroco, probablemente vinculado al antiguo Ayuntamiento o Palacio Episcopal de la plaza Mayor conquense, reconocible por su gran portada de arco de medio punto con puerta de madera claveteada, balcones con barandillas de forja, escudo heráldico labrado sobre el dintel y banderas asomando en las ventanas superiores. Este contraste entre la piedra desnuda y añeja de la catedral y la fachada blanca y ornamentada del edificio contiguo estructura visualmente la imagen en dos mitades bien diferenciadas. En primer plano, a pie de calle, camina un grupo de cuatro personas —dos en primer término, vestidas con ropa de verano informal, y otras dos algo más rezagadas hacia la puerta— que aportan escala humana y vida cotidiana a la monumentalidad del entorno. La luz de tarde, aunque difusa por la nubosidad, genera un suave modelado de sombras en los relieves de la piedra, acentuando la textura rugosa de los sillares y aportando ese aspecto atemporal tan característico del revelado en blanco y negro.

Gica
@gica19@mastoart.social

📍 Cuenca.

Descripción en

La fotografía en blanco y negro capta el lateral de la Catedral de Santa María y San Julián de Cuenca, con su fachada de sillería de piedra caliza cortada en grandes bloques irregulares que revelan el paso del tiempo sobre la construcción gótica. En la parte superior destaca el gran rosetón, elemento que domina visualmente toda la composición. Presenta un diseño radial con pétalos lobulados dispuestos en torno a un núcleo circular central, encerrado en un marco de piedra labrada de forma ligeramente ovalada por el ángulo de la toma. Su tracería calada, típica del gótico, contrasta por la profundidad de sus huecos oscuros frente a la superficie más clara de la piedra que lo rodea, y corona de forma casi ceremonial el resto de la fachada. Justo debajo se adivinan los arranques de un triforio o galería de arcos ciegos, y algo más abajo un segundo óculo circular de menor tamaño, más sencillo en su decoración, que repite el motivo circular a escala reducida. A la izquierda se eleva una torre robusta y austera, con muros lisos interrumpidos solo por estrechas aberturas verticales tipo saetera, que reflejan la función defensiva y de contrafuerte propia de estas construcciones medievales. El tejado a dos aguas, con su hilera de tejas y cornisa de canecillos, se recorta contra un cielo cargado de nubes que, en blanco y negro, aporta dramatismo y textura a la escena. En uno de los muros laterales se distingue una gran cruz de metal oscuro anclada directamente sobre la piedra, un elemento devocional sobrio que refuerza el carácter religioso del edificio. A la derecha, la escena se abre hacia un edificio civil de fachada encalada y estilo barroco, probablemente vinculado al antiguo Ayuntamiento o Palacio Episcopal de la plaza Mayor conquense, reconocible por su gran portada de arco de medio punto con puerta de madera claveteada, balcones con barandillas de forja, escudo heráldico labrado sobre el dintel y banderas asomando en las ventanas superiores. Este contraste entre la piedra desnuda y añeja de la catedral y la fachada blanca y ornamentada del edificio contiguo estructura visualmente la imagen en dos mitades bien diferenciadas. En primer plano, a pie de calle, camina un grupo de cuatro personas —dos en primer término, vestidas con ropa de verano informal, y otras dos algo más rezagadas hacia la puerta— que aportan escala humana y vida cotidiana a la monumentalidad del entorno. La luz de tarde, aunque difusa por la nubosidad, genera un suave modelado de sombras en los relieves de la piedra, acentuando la textura rugosa de los sillares y aportando ese aspecto atemporal tan característico del revelado en blanco y negro.
ALT text

La fotografía en blanco y negro capta el lateral de la Catedral de Santa María y San Julián de Cuenca, con su fachada de sillería de piedra caliza cortada en grandes bloques irregulares que revelan el paso del tiempo sobre la construcción gótica. En la parte superior destaca el gran rosetón, elemento que domina visualmente toda la composición. Presenta un diseño radial con pétalos lobulados dispuestos en torno a un núcleo circular central, encerrado en un marco de piedra labrada de forma ligeramente ovalada por el ángulo de la toma. Su tracería calada, típica del gótico, contrasta por la profundidad de sus huecos oscuros frente a la superficie más clara de la piedra que lo rodea, y corona de forma casi ceremonial el resto de la fachada. Justo debajo se adivinan los arranques de un triforio o galería de arcos ciegos, y algo más abajo un segundo óculo circular de menor tamaño, más sencillo en su decoración, que repite el motivo circular a escala reducida. A la izquierda se eleva una torre robusta y austera, con muros lisos interrumpidos solo por estrechas aberturas verticales tipo saetera, que reflejan la función defensiva y de contrafuerte propia de estas construcciones medievales. El tejado a dos aguas, con su hilera de tejas y cornisa de canecillos, se recorta contra un cielo cargado de nubes que, en blanco y negro, aporta dramatismo y textura a la escena. En uno de los muros laterales se distingue una gran cruz de metal oscuro anclada directamente sobre la piedra, un elemento devocional sobrio que refuerza el carácter religioso del edificio. A la derecha, la escena se abre hacia un edificio civil de fachada encalada y estilo barroco, probablemente vinculado al antiguo Ayuntamiento o Palacio Episcopal de la plaza Mayor conquense, reconocible por su gran portada de arco de medio punto con puerta de madera claveteada, balcones con barandillas de forja, escudo heráldico labrado sobre el dintel y banderas asomando en las ventanas superiores. Este contraste entre la piedra desnuda y añeja de la catedral y la fachada blanca y ornamentada del edificio contiguo estructura visualmente la imagen en dos mitades bien diferenciadas. En primer plano, a pie de calle, camina un grupo de cuatro personas —dos en primer término, vestidas con ropa de verano informal, y otras dos algo más rezagadas hacia la puerta— que aportan escala humana y vida cotidiana a la monumentalidad del entorno. La luz de tarde, aunque difusa por la nubosidad, genera un suave modelado de sombras en los relieves de la piedra, acentuando la textura rugosa de los sillares y aportando ese aspecto atemporal tan característico del revelado en blanco y negro.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Narrow Street in Cazorla

Photo GPS location: google.com/maps/place/37.90976

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A narrow, winding street lined with whitewashed houses featuring balconies adorned with plants. The scene is captured in black and white, with a hillside visible in the background, showcasing traditional architecture and a tranquil atmosphere.A narrow, winding street lined with whitewashed houses featuring balconies adorned with plants. The scene is captured in black and white, with a hillside visible in the background, showcasing traditional architecture and a tranquil atmosphere.
ALT text

A narrow, winding street lined with whitewashed houses featuring balconies adorned with plants. The scene is captured in black and white, with a hillside visible in the background, showcasing traditional architecture and a tranquil atmosphere.A narrow, winding street lined with whitewashed houses featuring balconies adorned with plants. The scene is captured in black and white, with a hillside visible in the background, showcasing traditional architecture and a tranquil atmosphere.

Bob Tregilus
@elaterite@mastoart.social · Reply to Bob Tregilus

Here's another angle on Tsé Bitʼaʼí, "rock with wings" (Shiprock, NM) from today.
2/2

A black and white landscape photo of a volcanic neck. It's a roundish feature that juts straight out of a high desert plain. The top is very jagged. Dark clouds fill the sky in the background. Sunlight hits the left face of the feature while the right side is quite dark.
ALT text

A black and white landscape photo of a volcanic neck. It's a roundish feature that juts straight out of a high desert plain. The top is very jagged. Dark clouds fill the sky in the background. Sunlight hits the left face of the feature while the right side is quite dark.

Bob Tregilus
@elaterite@mastoart.social

Tsé Bitʼaʼí, "rock with wings" (Shiprock, NM) is a 27 million year old volcanic neck in the northeast portion of the Navajo volcanic field.
1/2

A black and white landscape photo of a tall sheer clump of jagged rock. It might resemble somebody holding a clump of toothpicks in their hand but with the toothpicks all at different levels. The feature has very jagged on top. Sunlight hits the top half of it and it's dark at the base. Dark clouds fill the sky behind the feature.
ALT text

A black and white landscape photo of a tall sheer clump of jagged rock. It might resemble somebody holding a clump of toothpicks in their hand but with the toothpicks all at different levels. The feature has very jagged on top. Sunlight hits the top half of it and it's dark at the base. Dark clouds fill the sky behind the feature.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of the forest floor, showing a carpet of Canada dogwood, each with four leaves, growing through sphagnum moss and small creeping plants, at the foot of a large cluster of bare branches and roots. Photographie noir et blanc du sol de la forêt, montrant un tapis de cornouiller du Canada, chacun avec quatre feuilles, poussant à travers la mousse de sphaigne et de petites plantes rampantes, au pied d'une gros amas de branches et de racines dénudées.
ALT text

Black and white photograph of the forest floor, showing a carpet of Canada dogwood, each with four leaves, growing through sphagnum moss and small creeping plants, at the foot of a large cluster of bare branches and roots. Photographie noir et blanc du sol de la forêt, montrant un tapis de cornouiller du Canada, chacun avec quatre feuilles, poussant à travers la mousse de sphaigne et de petites plantes rampantes, au pied d'une gros amas de branches et de racines dénudées.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of the forest floor, showing a carpet of Canada dogwood, each with four leaves, growing through sphagnum moss and small creeping plants, at the foot of a large cluster of bare branches and roots. Photographie noir et blanc du sol de la forêt, montrant un tapis de cornouiller du Canada, chacun avec quatre feuilles, poussant à travers la mousse de sphaigne et de petites plantes rampantes, au pied d'une gros amas de branches et de racines dénudées.
ALT text

Black and white photograph of the forest floor, showing a carpet of Canada dogwood, each with four leaves, growing through sphagnum moss and small creeping plants, at the foot of a large cluster of bare branches and roots. Photographie noir et blanc du sol de la forêt, montrant un tapis de cornouiller du Canada, chacun avec quatre feuilles, poussant à travers la mousse de sphaigne et de petites plantes rampantes, au pied d'une gros amas de branches et de racines dénudées.

Salim Medjellekh
@smartmedj@pixelfed.social
©-Salim-Medjellekh
Ode à la vague.
Encore une fois
mon vers se tourne
vers la vague.

Je ne puis m’empêcher
de te chanter,
mille fois mille,
mille fois, ô vague,
fiancée fugitive de l’océan :
vénus verte,
élancée
tu hisses ta cloche,
et de là-haut,
tu laisses tomber
des lys.

Ô lame
Incessante
secouée
par
la
solitude
du vent,
érigée comme une
statue
transparente
mille fois mille
cristallisée, cristalline,
et puis
tout le sel à terre :
le mouvement
se fait écume
puis de l’écume la mer
se reconstruit
et de nouveau ressurgit la turgescence.

Et de nouveau,
cheval,
pure jument
cyclonique
et ailée
la crinière ardente de blancheur
dans l’ire de l’air
en mouvement,
tu glisses, tu bondis, tu cours,
conduisant le traineau
de la neige marine.

Vague, vague, vague,
mille fois mille
vaincue, mille
fois mille dressée
et déversée :
vive
la vague
mille fois immortelle
la vague.
Pablo Neruda, Tercer libro de las odas, 1957.
https://salimmedjellekh.com/fr/accueil
#SalimMedjellekh #Photography #blackandwhitephotography #monochrome #blackandwhite #photographienoiretblanc #noiretblanc #bw #bwphotography #bnw #moodyphotography #pixelfed #fineart #fineartphotography #poetry #poem #poesie
Photographie en noir et blanc de deux surfeurs qui observent l'océan, attendant la vague. A black-and-white photograph of two surfers gazing out at the ocean, waiting for a wave.
ALT text

Photographie en noir et blanc de deux surfeurs qui observent l'océan, attendant la vague. A black-and-white photograph of two surfers gazing out at the ocean, waiting for a wave.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: A view of the old part of Cazorla from a Mirador.

Photo GPS location: google.com/maps/place/37.90971

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A scenic black-and-white view the old part of Cazorla surrounded by mountains, featuring traditional whitewashed houses and a prominent castle tower overlooking the landscape.
ALT text

A scenic black-and-white view the old part of Cazorla surrounded by mountains, featuring traditional whitewashed houses and a prominent castle tower overlooking the landscape.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
#FotoVorschlag
Jedes Schild hat seine Bewandtnis » There is a reason for every sign







#sign #plaque #history #onthisday #silly #funny #historicalmarker #monochrome #bnw #bw #blackandwhite #noiretblanc #blackandwhitephotography #photography #Fotografie #amateurphotography
A black metal plaque on a wooden shingled wall. The plaque has a silver border and lettering that reads "AT THIS VERY LOCATION ON APRIL 12, 1861 ABSOLUTELY NOTHING HAPPENED."
ALT text

A black metal plaque on a wooden shingled wall. The plaque has a silver border and lettering that reads "AT THIS VERY LOCATION ON APRIL 12, 1861 ABSOLUTELY NOTHING HAPPENED."

Justin Farrimond
@justinfarrimond@mastodon.online

How She Left The Room

justin-farrimond.pixels.com/fe

You never know if this time will be the last time.
This is how she left the room.

Vintage looking black and white photograph of a bedroom from the early mid 20th century; with a crochet blanket covered single bed and a wooden dressing table.
ALT text

Vintage looking black and white photograph of a bedroom from the early mid 20th century; with a crochet blanket covered single bed and a wooden dressing table.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Quiet Cobblestone Alleyway with Mountain View

Photo GPS location: google.com/maps/place/37.90986

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

Narrow cobblestone street in Cazorla, lined with traditional buildings. Balconies overlook the alley, and a mountain is visible in the background. The scene captures a tranquil, historic atmosphere in monochrome tones.
ALT text

Narrow cobblestone street in Cazorla, lined with traditional buildings. Balconies overlook the alley, and a mountain is visible in the background. The scene captures a tranquil, historic atmosphere in monochrome tones.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Plaza in Cazorla

Photo GPS location: google.com/maps/place/37.91095

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A sunny day in a quiet plaza, showcasing a mix of modern and historic architecture. The scene features trees, sustainable outdoor seating areas, and a notable clock tower in the background, evoking a serene atmosphere.
ALT text

A sunny day in a quiet plaza, showcasing a mix of modern and historic architecture. The scene features trees, sustainable outdoor seating areas, and a notable clock tower in the background, evoking a serene atmosphere.

Cyril B
@Cirillux@pixelfed.social
Kolumba Museum, Köln (Germany) 2026
#StreetPhotography #Photography #BnwPhotography #Luxembourg #Monochrome #BlackAndWhite #FotoVorschlag
Black and white photography taken in a room of the Kolumba museum, showing a woman standing in the light of the opening created to exit a rather dark exhibition room, on the walls of which a few pictures are displayed. The silhouette of the woman and of the bright opening is reflected by the floor.
ALT text

Black and white photography taken in a room of the Kolumba museum, showing a woman standing in the light of the opening created to exit a rather dark exhibition room, on the walls of which a few pictures are displayed. The silhouette of the woman and of the bright opening is reflected by the floor.

Cyril B
@Cirillux@pixelfed.social
Kolumba Museum, Köln (Germany) 2026
#StreetPhotography #Photography #BnwPhotography #Luxembourg #Monochrome #BlackAndWhite #FotoVorschlag
Black and white photography taken in a room of the Kolumba museum, showing a woman standing in the light of the opening created to exit a rather dark exhibition room, on the walls of which a few pictures are displayed. The silhouette of the woman and of the bright opening is reflected by the floor.
ALT text

Black and white photography taken in a room of the Kolumba museum, showing a woman standing in the light of the opening created to exit a rather dark exhibition room, on the walls of which a few pictures are displayed. The silhouette of the woman and of the bright opening is reflected by the floor.

Gica
@gica19@mastoart.social

📍 Valencia.


Im Museum
En el museo

Descripción en

La fotografía en blanco y negro capta, desde un ángulo contrapicado, el interior del Museo de las Ciencias Príncipe Felipe de Valencia, obra del arquitecto Santiago Calatrava, integrada en la Ciutat de les Arts i les Ciències. La composición se centra en la mirada hacia arriba, hacia la gigantesca cubierta acristalada que corona el edificio, formada por una retícula de vigas metálicas triangulares y rómbicas que se extienden en diagonal por todo el encuadre, dejando pasar la luz del cielo entre los paneles de vidrio. En el centro de la imagen destaca un elemento escultórico circular, una estructura tubular curva con esferas metálicas de gran tamaño engarzadas a intervalos regulares a lo largo de su perímetro, formando un anillo o espiral que recuerda a una hélice de ADN o a un átomo estilizado. Este anillo escultórico se repite y multiplica en varias capas concéntricas, generando un efecto de profundidad y vértigo, como si la cámara se asomara al interior de un mecanismo o engranaje gigante. El contraste entre blancos y negros acentúa las líneas y sombras de las vigas, mientras que en la parte derecha de la imagen se filtra un destello de luz solar (un lens flare), que aporta un punto de brillo intenso y rompe la simetría casi obsesiva de la composición. El resultado es una imagen abstracta y arquitectónica, en la que la repetición de triángulos, rombos y círculos convierte la estructura en un patrón casi hipnótico, típico del estilo futurista y orgánico que caracteriza las obras de Calatrava en la Ciudad de las Artes y las Ciencias.
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La fotografía en blanco y negro capta, desde un ángulo contrapicado, el interior del Museo de las Ciencias Príncipe Felipe de Valencia, obra del arquitecto Santiago Calatrava, integrada en la Ciutat de les Arts i les Ciències. La composición se centra en la mirada hacia arriba, hacia la gigantesca cubierta acristalada que corona el edificio, formada por una retícula de vigas metálicas triangulares y rómbicas que se extienden en diagonal por todo el encuadre, dejando pasar la luz del cielo entre los paneles de vidrio. En el centro de la imagen destaca un elemento escultórico circular, una estructura tubular curva con esferas metálicas de gran tamaño engarzadas a intervalos regulares a lo largo de su perímetro, formando un anillo o espiral que recuerda a una hélice de ADN o a un átomo estilizado. Este anillo escultórico se repite y multiplica en varias capas concéntricas, generando un efecto de profundidad y vértigo, como si la cámara se asomara al interior de un mecanismo o engranaje gigante. El contraste entre blancos y negros acentúa las líneas y sombras de las vigas, mientras que en la parte derecha de la imagen se filtra un destello de luz solar (un lens flare), que aporta un punto de brillo intenso y rompe la simetría casi obsesiva de la composición. El resultado es una imagen abstracta y arquitectónica, en la que la repetición de triángulos, rombos y círculos convierte la estructura en un patrón casi hipnótico, típico del estilo futurista y orgánico que caracteriza las obras de Calatrava en la Ciudad de las Artes y las Ciencias.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Belfry Against a Clear Sky

Photo GPS location: google.com/maps/place/37.91145

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black and white image of a church belfry featuring a cross atop the steeple and decorative balconies, highlighting its architectural details against a clear sky.
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A black and white image of a church belfry featuring a cross atop the steeple and decorative balconies, highlighting its architectural details against a clear sky.

Gica
@gica19@mastoart.social

📍 Valencia.


Im Museum
En el museo

Descripción en

La fotografía en blanco y negro capta, desde un ángulo contrapicado, el interior del Museo de las Ciencias Príncipe Felipe de Valencia, obra del arquitecto Santiago Calatrava, integrada en la Ciutat de les Arts i les Ciències. La composición se centra en la mirada hacia arriba, hacia la gigantesca cubierta acristalada que corona el edificio, formada por una retícula de vigas metálicas triangulares y rómbicas que se extienden en diagonal por todo el encuadre, dejando pasar la luz del cielo entre los paneles de vidrio. En el centro de la imagen destaca un elemento escultórico circular, una estructura tubular curva con esferas metálicas de gran tamaño engarzadas a intervalos regulares a lo largo de su perímetro, formando un anillo o espiral que recuerda a una hélice de ADN o a un átomo estilizado. Este anillo escultórico se repite y multiplica en varias capas concéntricas, generando un efecto de profundidad y vértigo, como si la cámara se asomara al interior de un mecanismo o engranaje gigante. El contraste entre blancos y negros acentúa las líneas y sombras de las vigas, mientras que en la parte derecha de la imagen se filtra un destello de luz solar (un lens flare), que aporta un punto de brillo intenso y rompe la simetría casi obsesiva de la composición. El resultado es una imagen abstracta y arquitectónica, en la que la repetición de triángulos, rombos y círculos convierte la estructura en un patrón casi hipnótico, típico del estilo futurista y orgánico que caracteriza las obras de Calatrava en la Ciudad de las Artes y las Ciencias.
ALT text

La fotografía en blanco y negro capta, desde un ángulo contrapicado, el interior del Museo de las Ciencias Príncipe Felipe de Valencia, obra del arquitecto Santiago Calatrava, integrada en la Ciutat de les Arts i les Ciències. La composición se centra en la mirada hacia arriba, hacia la gigantesca cubierta acristalada que corona el edificio, formada por una retícula de vigas metálicas triangulares y rómbicas que se extienden en diagonal por todo el encuadre, dejando pasar la luz del cielo entre los paneles de vidrio. En el centro de la imagen destaca un elemento escultórico circular, una estructura tubular curva con esferas metálicas de gran tamaño engarzadas a intervalos regulares a lo largo de su perímetro, formando un anillo o espiral que recuerda a una hélice de ADN o a un átomo estilizado. Este anillo escultórico se repite y multiplica en varias capas concéntricas, generando un efecto de profundidad y vértigo, como si la cámara se asomara al interior de un mecanismo o engranaje gigante. El contraste entre blancos y negros acentúa las líneas y sombras de las vigas, mientras que en la parte derecha de la imagen se filtra un destello de luz solar (un lens flare), que aporta un punto de brillo intenso y rompe la simetría casi obsesiva de la composición. El resultado es una imagen abstracta y arquitectónica, en la que la repetición de triángulos, rombos y círculos convierte la estructura en un patrón casi hipnótico, típico del estilo futurista y orgánico que caracteriza las obras de Calatrava en la Ciudad de las Artes y las Ciencias.

Anemone Nemorosa
@SensitiveSyl@beige.party

Close-up photograph of a grey rock, taken from above, its flat surface in the sun and divided into plates by deep cracks, and its right side plunging into shadow. Photographie en gros plan d'un rocher gris, prise du dessus, sa surface plane au soleil et divisée en plaques par des fissures profondes, et son côté droit plongeant dans l'ombre.
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Close-up photograph of a grey rock, taken from above, its flat surface in the sun and divided into plates by deep cracks, and its right side plunging into shadow. Photographie en gros plan d'un rocher gris, prise du dessus, sa surface plane au soleil et divisée en plaques par des fissures profondes, et son côté droit plongeant dans l'ombre.

Anemone Nemorosa
@SensitiveSyl@beige.party

Close-up photograph of a grey rock, taken from above, its flat surface in the sun and divided into plates by deep cracks, and its right side plunging into shadow. Photographie en gros plan d'un rocher gris, prise du dessus, sa surface plane au soleil et divisée en plaques par des fissures profondes, et son côté droit plongeant dans l'ombre.
ALT text

Close-up photograph of a grey rock, taken from above, its flat surface in the sun and divided into plates by deep cracks, and its right side plunging into shadow. Photographie en gros plan d'un rocher gris, prise du dessus, sa surface plane au soleil et divisée en plaques par des fissures profondes, et son côté droit plongeant dans l'ombre.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Cobblestone Street in Cazorla

Photo GPS location: google.com/maps/place/37.9112,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A picturesque, narrow street in a Cazorla features traditional buildings, outdoor seating at cafés, and lush greenery on a sunny day, all set against a backdrop of hills. The scene conveys a charming, relaxed atmosphere.
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A picturesque, narrow street in a Cazorla features traditional buildings, outdoor seating at cafés, and lush greenery on a sunny day, all set against a backdrop of hills. The scene conveys a charming, relaxed atmosphere.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a very large maple tree, with a trunk subdivided into four, spreading its abundant foliage towards the sky, in all its summer splendor. The photo is taken from a distance, showing the tree as a whole, in the middle of a lawn in a park, with a hedge of much smaller trees behind. Photographie noir et blanc d'un très grand érable, avec un tronc se subdivisant en quatre, déployant son abondant feuillage vers le ciel, dans toute sa splendeur d'été. La photo est prise de loin, montrant l'arbre dans son ensemble, au milieu d'une pelouse dans un parc, avec une haie d'arbres beaucoup plus petits derrière.
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Black and white photograph of a very large maple tree, with a trunk subdivided into four, spreading its abundant foliage towards the sky, in all its summer splendor. The photo is taken from a distance, showing the tree as a whole, in the middle of a lawn in a park, with a hedge of much smaller trees behind. Photographie noir et blanc d'un très grand érable, avec un tronc se subdivisant en quatre, déployant son abondant feuillage vers le ciel, dans toute sa splendeur d'été. La photo est prise de loin, montrant l'arbre dans son ensemble, au milieu d'une pelouse dans un parc, avec une haie d'arbres beaucoup plus petits derrière.

Anemone Nemorosa
@SensitiveSyl@beige.party

Macro photograph in black and a carpet of sphagnum moss, with a small shoot of cranberry with small leaves, rising above the mosses on the left side. Photographie macro en noir et d’un tapis de sphaigne, avec une petite pousse de canneberge avec de petites feuilles, s’élevant au-dessus des mousses, du côté gauche.
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Macro photograph in black and a carpet of sphagnum moss, with a small shoot of cranberry with small leaves, rising above the mosses on the left side. Photographie macro en noir et d’un tapis de sphaigne, avec une petite pousse de canneberge avec de petites feuilles, s’élevant au-dessus des mousses, du côté gauche.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a very large maple tree, with a trunk subdivided into four, spreading its abundant foliage towards the sky, in all its summer splendor. The photo is taken from a distance, showing the tree as a whole, in the middle of a lawn in a park, with a hedge of much smaller trees behind. Photographie noir et blanc d'un très grand érable, avec un tronc se subdivisant en quatre, déployant son abondant feuillage vers le ciel, dans toute sa splendeur d'été. La photo est prise de loin, montrant l'arbre dans son ensemble, au milieu d'une pelouse dans un parc, avec une haie d'arbres beaucoup plus petits derrière.
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Black and white photograph of a very large maple tree, with a trunk subdivided into four, spreading its abundant foliage towards the sky, in all its summer splendor. The photo is taken from a distance, showing the tree as a whole, in the middle of a lawn in a park, with a hedge of much smaller trees behind. Photographie noir et blanc d'un très grand érable, avec un tronc se subdivisant en quatre, déployant son abondant feuillage vers le ciel, dans toute sa splendeur d'été. La photo est prise de loin, montrant l'arbre dans son ensemble, au milieu d'une pelouse dans un parc, avec une haie d'arbres beaucoup plus petits derrière.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a very large maple tree, with a trunk subdivided into four, spreading its abundant foliage towards the sky, in all its summer splendor. The photo is taken from a distance, showing the tree as a whole, in the middle of a lawn in a park, with a hedge of much smaller trees behind. Photographie noir et blanc d'un très grand érable, avec un tronc se subdivisant en quatre, déployant son abondant feuillage vers le ciel, dans toute sa splendeur d'été. La photo est prise de loin, montrant l'arbre dans son ensemble, au milieu d'une pelouse dans un parc, avec une haie d'arbres beaucoup plus petits derrière.
ALT text

Black and white photograph of a very large maple tree, with a trunk subdivided into four, spreading its abundant foliage towards the sky, in all its summer splendor. The photo is taken from a distance, showing the tree as a whole, in the middle of a lawn in a park, with a hedge of much smaller trees behind. Photographie noir et blanc d'un très grand érable, avec un tronc se subdivisant en quatre, déployant son abondant feuillage vers le ciel, dans toute sa splendeur d'été. La photo est prise de loin, montrant l'arbre dans son ensemble, au milieu d'une pelouse dans un parc, avec une haie d'arbres beaucoup plus petits derrière.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Charming Street Scene with Balconies and Vintage Signage

Photo GPS location: google.com/maps/place/37.911,-

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A historic building facade featuring two wrought iron balconies and a vintage Coca-Cola sign. In the foreground, an outdoor seating area with empty chairs and vibrant umbrellas adds to the inviting ambiance of this quaint locale.
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A historic building facade featuring two wrought iron balconies and a vintage Coca-Cola sign. In the foreground, an outdoor seating area with empty chairs and vibrant umbrellas adds to the inviting ambiance of this quaint locale.

Anemone Nemorosa
@SensitiveSyl@beige.party

Macro photograph in black and a carpet of sphagnum moss, with a small shoot of cranberry with small leaves, rising above the mosses on the left side. Photographie macro en noir et d’un tapis de sphaigne, avec une petite pousse de canneberge avec de petites feuilles, s’élevant au-dessus des mousses, du côté gauche.
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Macro photograph in black and a carpet of sphagnum moss, with a small shoot of cranberry with small leaves, rising above the mosses on the left side. Photographie macro en noir et d’un tapis de sphaigne, avec une petite pousse de canneberge avec de petites feuilles, s’élevant au-dessus des mousses, du côté gauche.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
Birds on a wire for #MonochromeMonday + #MinimalismMonday





#birdsonawire #moody #moodysky #birds #crow #crows #Krähe #Krähen #silhouette #silhouettes #Silhouetten #monochrome #bnw #bw #blackandwhite #minimalistic #minimalism #minimalistisch #Minimalismus #minimal #minimalist #photography #Fotografie #amateurphotography
A high-contrast, monochrome photo looking up at two silhouetted jackdaws sitting on overhead wires. The sky above them is heavily overcast with moody clouds.
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A high-contrast, monochrome photo looking up at two silhouetted jackdaws sitting on overhead wires. The sky above them is heavily overcast with moody clouds.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
Birds on a wire for #MonochromeMonday + #MinimalismMonday





#birdsonawire #moody #moodysky #birds #crow #crows #Krähe #Krähen #silhouette #silhouettes #Silhouetten #monochrome #bnw #bw #blackandwhite #minimalistic #minimalism #minimalistisch #Minimalismus #minimal #minimalist #photography #Fotografie #amateurphotography
A high-contrast, monochrome photo looking up at two silhouetted jackdaws sitting on overhead wires. The sky above them is heavily overcast with moody clouds.
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A high-contrast, monochrome photo looking up at two silhouetted jackdaws sitting on overhead wires. The sky above them is heavily overcast with moody clouds.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
Birds on a wire for #MonochromeMonday + #MinimalismMonday





#birdsonawire #moody #moodysky #birds #crow #crows #Krähe #Krähen #silhouette #silhouettes #Silhouetten #monochrome #bnw #bw #blackandwhite #minimalistic #minimalism #minimalistisch #Minimalismus #minimal #minimalist #photography #Fotografie #amateurphotography
A high-contrast, monochrome photo looking up at two silhouetted jackdaws sitting on overhead wires. The sky above them is heavily overcast with moody clouds.
ALT text

A high-contrast, monochrome photo looking up at two silhouetted jackdaws sitting on overhead wires. The sky above them is heavily overcast with moody clouds.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
Birds on a wire for #MonochromeMonday + #MinimalismMonday





#birdsonawire #moody #moodysky #birds #crow #crows #Krähe #Krähen #silhouette #silhouettes #Silhouetten #monochrome #bnw #bw #blackandwhite #minimalistic #minimalism #minimalistisch #Minimalismus #minimal #minimalist #photography #Fotografie #amateurphotography
A high-contrast, monochrome photo looking up at two silhouetted jackdaws sitting on overhead wires. The sky above them is heavily overcast with moody clouds.
ALT text

A high-contrast, monochrome photo looking up at two silhouetted jackdaws sitting on overhead wires. The sky above them is heavily overcast with moody clouds.

Bluejay
@bluejay@ohai.social

I took this photo on the 9/11 anniversary, during an interval when the Tribute in Light was briefly shut off. Even without those bright beams, Manhattan’s regular light pollution washes out the stars — so it was impressive to see a few stubbornly shine through, including the constellation of Ursa Major (the Big Dipper). No matter how much we blind ourselves, the cosmos is there, waiting.

High-contrast black and white photo of the Manhattan skyline at night, its millions of windows illuminated, with the East River in front of it reflecting the city’s glow. Above is a completely black sky with a few faint stars: the constellation Ursa Major (the Great Bear or Big Dipper).
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High-contrast black and white photo of the Manhattan skyline at night, its millions of windows illuminated, with the East River in front of it reflecting the city’s glow. Above is a completely black sky with a few faint stars: the constellation Ursa Major (the Great Bear or Big Dipper).

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of bladder campion flowers on their stems, in focus in the foreground, growing against the rubber tyre of a vehicle that has not moved since at least early summer, blurred out and occupying the rest of the background image. Photographie noir et blanc de tiges de fleurs de silènes enflées, au focus à l'avant-plan, poussant contre le pneu en caoutchouc d'un véhicule qui n'a pas bougé depuis au moins le début de l'été, flou et occupant le reste de l'image en arrière-plan.
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Black and white photograph of bladder campion flowers on their stems, in focus in the foreground, growing against the rubber tyre of a vehicle that has not moved since at least early summer, blurred out and occupying the rest of the background image. Photographie noir et blanc de tiges de fleurs de silènes enflées, au focus à l'avant-plan, poussant contre le pneu en caoutchouc d'un véhicule qui n'a pas bougé depuis au moins le début de l'été, flou et occupant le reste de l'image en arrière-plan.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of bladder campion flowers on their stems, in focus in the foreground, growing against the rubber tyre of a vehicle that has not moved since at least early summer, blurred out and occupying the rest of the background image. Photographie noir et blanc de tiges de fleurs de silènes enflées, au focus à l'avant-plan, poussant contre le pneu en caoutchouc d'un véhicule qui n'a pas bougé depuis au moins le début de l'été, flou et occupant le reste de l'image en arrière-plan.
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Black and white photograph of bladder campion flowers on their stems, in focus in the foreground, growing against the rubber tyre of a vehicle that has not moved since at least early summer, blurred out and occupying the rest of the background image. Photographie noir et blanc de tiges de fleurs de silènes enflées, au focus à l'avant-plan, poussant contre le pneu en caoutchouc d'un véhicule qui n'a pas bougé depuis au moins le début de l'été, flou et occupant le reste de l'image en arrière-plan.

Fishing for Moments
@varnoshooter@pixelfed.de
Brunnen der Lebensfreude auf dem Universitätsplatz in #Rostock, Sep 2026
Fountain of Joy of Life on University Square in Rostock, Sep 2026

#PhotoMonday #FotoMontag #MonochromeMonday #photography #Fotografie #StreetPhotography #UrbanPhotography #BlackAndWhite #bnw #BnwStreet #monochrome #monochrom #FujifilmX #FujiXseries #FujifilmXseries #FujifilmX100VI #FujiLove #FujiFeed #ishootjpeg
Das Schwarzweißfoto zeigt eine Gruppe von Figuren des Brunnens der Lebensfreude auf dem Universitätsplatz in Rostock mit mehreren Wasserfontänen im Gegenlicht. The black-and-white photo shows a group of figures from the Fountain of Joy of Life on University Square in Rostock, with several water jets backlit.
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Das Schwarzweißfoto zeigt eine Gruppe von Figuren des Brunnens der Lebensfreude auf dem Universitätsplatz in Rostock mit mehreren Wasserfontänen im Gegenlicht. The black-and-white photo shows a group of figures from the Fountain of Joy of Life on University Square in Rostock, with several water jets backlit.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Plaza de la Corredera in Cazorla with Mountain Backdrop

Photo GPS location: google.com/maps/place/37.91096

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A charming plaza with outdoor seating and trees, framed by buildings and a hillside in the background. The scene is depicted in black and white, adding a timeless quality to the lively atmosphere.
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A charming plaza with outdoor seating and trees, framed by buildings and a hillside in the background. The scene is depicted in black and white, adding a timeless quality to the lively atmosphere.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of bladder campion flowers on their stems, in focus in the foreground, growing against the rubber tyre of a vehicle that has not moved since at least early summer, blurred out and occupying the rest of the background image. Photographie noir et blanc de tiges de fleurs de silènes enflées, au focus à l'avant-plan, poussant contre le pneu en caoutchouc d'un véhicule qui n'a pas bougé depuis au moins le début de l'été, flou et occupant le reste de l'image en arrière-plan.
ALT text

Black and white photograph of bladder campion flowers on their stems, in focus in the foreground, growing against the rubber tyre of a vehicle that has not moved since at least early summer, blurred out and occupying the rest of the background image. Photographie noir et blanc de tiges de fleurs de silènes enflées, au focus à l'avant-plan, poussant contre le pneu en caoutchouc d'un véhicule qui n'a pas bougé depuis au moins le début de l'été, flou et occupant le reste de l'image en arrière-plan.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: The Charming Plaza de la Corredera in Cazorla

Photo GPS location: google.com/maps/place/37.91101

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black-and-white image of a quaint street scene featuring a clock tower, outdoor cafes with umbrellas, and people enjoying the atmosphere. The architecture showcases historical buildings alongside a tree-lined pathway.
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A black-and-white image of a quaint street scene featuring a clock tower, outdoor cafes with umbrellas, and people enjoying the atmosphere. The architecture showcases historical buildings alongside a tree-lined pathway.

Fishing for Moments
@varnoshooter@pixelfed.de
Brunnen der Lebensfreude auf dem Universitätsplatz in #Rostock, Sep 2026
Fountain of Joy of Life on University Square in Rostock, Sep 2026

#PhotoMonday #FotoMontag #MonochromeMonday #photography #Fotografie #StreetPhotography #UrbanPhotography #BlackAndWhite #bnw #BnwStreet #monochrome #monochrom #FujifilmX #FujiXseries #FujifilmXseries #FujifilmX100VI #FujiLove #FujiFeed #ishootjpeg
Das Schwarzweißfoto zeigt eine Gruppe von Figuren des Brunnens der Lebensfreude auf dem Universitätsplatz in Rostock mit mehreren Wasserfontänen im Gegenlicht. The black-and-white photo shows a group of figures from the Fountain of Joy of Life on University Square in Rostock, with several water jets backlit.
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Das Schwarzweißfoto zeigt eine Gruppe von Figuren des Brunnens der Lebensfreude auf dem Universitätsplatz in Rostock mit mehreren Wasserfontänen im Gegenlicht. The black-and-white photo shows a group of figures from the Fountain of Joy of Life on University Square in Rostock, with several water jets backlit.

Bluejay
@bluejay@ohai.social

“Ecken und Kanten” (Corners and edges)

Black and white photo looking up at the marquee sign of Radio City Music Hall in Manhattan. The perspective is from almost directly underneath the sign so that the lines and angles of the scene all recede from the viewer at an extreme angle. Closest to camera is the large horizontal marquee that reads “RADIO CITY MUSIC HALL” extending over the sidewalk from the building facade, with some rectangular lighting panels visible underneath. Above it, a vertically oriented sign with the same words is mounted on the side of the building. In the background are the surrounding skyscrapers, all steel and glass and window grids, jutting into a blank white sky.
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Black and white photo looking up at the marquee sign of Radio City Music Hall in Manhattan. The perspective is from almost directly underneath the sign so that the lines and angles of the scene all recede from the viewer at an extreme angle. Closest to camera is the large horizontal marquee that reads “RADIO CITY MUSIC HALL” extending over the sidewalk from the building facade, with some rectangular lighting panels visible underneath. Above it, a vertically oriented sign with the same words is mounted on the side of the building. In the background are the surrounding skyscrapers, all steel and glass and window grids, jutting into a blank white sky.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Plaza de la Corredera in Cazorla with Clock Tower

Photo GPS location: google.com/maps/place/37.91103

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A scenic black and white view of Plaza de la Corredera in Cazorla featuring a clock tower, historic buildings, and a pergola with benches, framed by a mountainous backdrop.
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A scenic black and white view of Plaza de la Corredera in Cazorla featuring a clock tower, historic buildings, and a pergola with benches, framed by a mountainous backdrop.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Plaza de la Corredera in Cazorla

Photo GPS location: google.com/maps/place/37.91098

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black and white photo of a historic town square featuring a clock tower, surrounded by traditional architecture and a mountainous backdrop. The foreground includes wooden benches and trellises with greenery, creating a serene atmosphere.
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A black and white photo of a historic town square featuring a clock tower, surrounded by traditional architecture and a mountainous backdrop. The foreground includes wooden benches and trellises with greenery, creating a serene atmosphere.

Anemone Nemorosa
@SensitiveSyl@beige.party

Villa Estevan, Grand-Métis. August 2026. Black and white photograph of a gravel road lined with trees on each side, leading to a 19th-century house half hidden by vegetation. A 1940s pick up is parked in the driveway. Photographie en noir et blanc d'une allée de gravillons bordée d'arbres de chaque côté, menant à une maison du XIXe siècle à demi cachée par la végétation. Une camionnette des années 1940 est garé dans l'allée.
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Villa Estevan, Grand-Métis. August 2026. Black and white photograph of a gravel road lined with trees on each side, leading to a 19th-century house half hidden by vegetation. A 1940s pick up is parked in the driveway. Photographie en noir et blanc d'une allée de gravillons bordée d'arbres de chaque côté, menant à une maison du XIXe siècle à demi cachée par la végétation. Une camionnette des années 1940 est garé dans l'allée.

Anemone Nemorosa
@SensitiveSyl@beige.party

Villa Estevan, Grand-Métis. August 2026. Black and white photograph of a gravel road lined with trees on each side, leading to a 19th-century house half hidden by vegetation. A 1940s pick up is parked in the driveway. Photographie en noir et blanc d'une allée de gravillons bordée d'arbres de chaque côté, menant à une maison du XIXe siècle à demi cachée par la végétation. Une camionnette des années 1940 est garé dans l'allée.
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Villa Estevan, Grand-Métis. August 2026. Black and white photograph of a gravel road lined with trees on each side, leading to a 19th-century house half hidden by vegetation. A 1940s pick up is parked in the driveway. Photographie en noir et blanc d'une allée de gravillons bordée d'arbres de chaque côté, menant à une maison du XIXe siècle à demi cachée par la végétation. Une camionnette des années 1940 est garé dans l'allée.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Plaza de la Corredera in Cazorla with Mountain Backdrop

Photo GPS location: google.com/maps/place/37.91116

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/60 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A black and white view of one of the three squares in Cazorla, lined with trees and benches, featuring historic buildings and a mountainous backdrop, showcasing a blend of culture and nature.
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A black and white view of one of the three squares in Cazorla, lined with trees and benches, featuring historic buildings and a mountainous backdrop, showcasing a blend of culture and nature.

Justin Farrimond
@justinfarrimond@mastodon.online

Two Towers

justin-farrimond.pixels.com/fe

The darkside of the Exchequergate Arch at Lincoln Cathedral, England, with the two towers looming behind.
You have to hope that you never see it like this.

Darkly modified black and white photograph of a medieval arched entranceway to a cathedral.
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Darkly modified black and white photograph of a medieval arched entranceway to a cathedral.

Christian Thomas
@slowphotography@pixelfed.de
The Reader

#analog #analogfilm #analogphotography #art #believeinfilm #blackandwhite #bnw #bnwphotography #film #filmisnotdead #filmphotography #germany #ishootfilm #kodak #landscapephotography #nature #naturephotography #photography #35mm #35mmfilm
The black-and-white photograph shows a statue, carved from wood and painted in natural colors, of a seated woman on a wooden bench in a natural setting. The woman is wearing a simple, knee-length dress and has her legs crossed. In her hands, she holds a book or a notebook, which she is looking at intently. Her hair is short and wavy. She is wearing flat shoes with a small heel. The wooden bench on which the statue sits has a classic, rustic design with visible wood grain and is placed in front of a gravel path. In the background is a gently rolling landscape with trees and shrubs. The sky is clear with a few clouds.
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The black-and-white photograph shows a statue, carved from wood and painted in natural colors, of a seated woman on a wooden bench in a natural setting. The woman is wearing a simple, knee-length dress and has her legs crossed. In her hands, she holds a book or a notebook, which she is looking at intently. Her hair is short and wavy. She is wearing flat shoes with a small heel. The wooden bench on which the statue sits has a classic, rustic design with visible wood grain and is placed in front of a gravel path. In the background is a gently rolling landscape with trees and shrubs. The sky is clear with a few clouds.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: We start a new series of photos from Cazorla. The first photo of a charming narrow street in the town centre.

Photo GPS location: google.com/maps/place/37.91198

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford FP4 Plus, Developer: 510-Pyro

A narrow, sunlit street in Cazorla featuring traditional architecture, balconies, and pedestrians. Black-and-white photo captures a sense of timeless charm with people walking and exploring the vibrant urban atmosphere.
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A narrow, sunlit street in Cazorla featuring traditional architecture, balconies, and pedestrians. Black-and-white photo captures a sense of timeless charm with people walking and exploring the vibrant urban atmosphere.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Black and White Floral Serenity

Photo GPS location: google.com/maps/place/37.63938

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f5.6, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A monochrome image featuring delicate flowers with white and pale petals amidst lush green leaves, showcasing the beauty of nature in intricate detail. The focus is on the soft textures and natural forms, creating a serene botanical scene.
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A monochrome image featuring delicate flowers with white and pale petals amidst lush green leaves, showcasing the beauty of nature in intricate detail. The focus is on the soft textures and natural forms, creating a serene botanical scene.

Kraksen
@kraks@pixelfed.de
📷 Minolta α-7
🔎 A 50/1.4
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #AnalogPhotography
Black-and-white photograph of a white grave lantern sitting on a stone ledge. In the blurry background lie several bouquets of flowers, barely recognisable.
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Black-and-white photograph of a white grave lantern sitting on a stone ledge. In the blurry background lie several bouquets of flowers, barely recognisable.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Black and White Floral Serenity

Photo GPS location: google.com/maps/place/37.63938

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f5.6, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A monochrome image featuring delicate flowers with white and pale petals amidst lush green leaves, showcasing the beauty of nature in intricate detail. The focus is on the soft textures and natural forms, creating a serene botanical scene.
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A monochrome image featuring delicate flowers with white and pale petals amidst lush green leaves, showcasing the beauty of nature in intricate detail. The focus is on the soft textures and natural forms, creating a serene botanical scene.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Abandoned Petrol Station with Graffiti Art

Photo GPS location: google.com/maps/place/37.40563

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

Abandoned petrol station with a weathered structure, featuring large signs and walls covered in graffiti. The surrounding landscape includes mountains in the background and an empty parking area, depicted in black and white.
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Abandoned petrol station with a weathered structure, featuring large signs and walls covered in graffiti. The surrounding landscape includes mountains in the background and an empty parking area, depicted in black and white.

Kraksen
@kraks@pixelfed.de
‘The people's love – my reward’.

📷 Minolta α-7
🔎 A 50/1.4
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #AnalogPhotography
Black-and-white photograph of a sea of flowers and tiny Norwegian flags laid by the foot of a statue's pedestal. The statue itself is not visible, but on the pedestal is engraved ‘The people's love – my reward’.
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Black-and-white photograph of a sea of flowers and tiny Norwegian flags laid by the foot of a statue's pedestal. The statue itself is not visible, but on the pedestal is engraved ‘The people's love – my reward’.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Abandoned Petrol Station
Photo GPS location: google.com/maps/place/37.40563

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

Abandoned petrol station with graffiti on the building and forecourt, surrounded by mountains and sparse landscape in a black and white setting.
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Abandoned petrol station with graffiti on the building and forecourt, surrounded by mountains and sparse landscape in a black and white setting.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Coastal Pathway Through Agave Plants

Photo GPS location: google.com/maps/place/36.7306,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A sandy path winds through a coastal landscape, framed by sparse vegetation and tall, agave plants. In the background, hills rise under a cloudy sky, creating a serene and monochromatic scenery.
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A sandy path winds through a coastal landscape, framed by sparse vegetation and tall, agave plants. In the background, hills rise under a cloudy sky, creating a serene and monochromatic scenery.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Pathway Through a Coastal Landscape

Photo GPS location: google.com/maps/place/36.73105

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A sandy path winds through a coastal landscape, flanked by tall, agave plants and scattered vegetation, with gentle hills in the background. The scene is captured in black and white, emphasizing the textures and contrasts of the environment.
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A sandy path winds through a coastal landscape, flanked by tall, agave plants and scattered vegetation, with gentle hills in the background. The scene is captured in black and white, emphasizing the textures and contrasts of the environment.

Kraksen
@kraks@pixelfed.de
The entire country has been flying flags at half-mast these past two weeks. Here from Oslo City Hall, with Anne Grimdalen's statue of King Harald III Hardrada, who fell at Stamford Bridge in 1066.

📷 Minolta α-7
🔎 A 70–210/4
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #AnalogPhotography
Black-and-white analogue photograph of Oslo City Hall, showing the West wall, a flag pole with the Norwegian flag at half-mast, and part of the city hall's clock tower opposite it. Flush against the large brick wall is a stone statue of King Harald III Hardrada sitting on a horse, sculpted by Anne Grimdalen in 1950. The dark brick building with its square shapes and geometric brickwork stands in contrast to the heavy but bright clouds above.
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Black-and-white analogue photograph of Oslo City Hall, showing the West wall, a flag pole with the Norwegian flag at half-mast, and part of the city hall's clock tower opposite it. Flush against the large brick wall is a stone statue of King Harald III Hardrada sitting on a horse, sculpted by Anne Grimdalen in 1950. The dark brick building with its square shapes and geometric brickwork stands in contrast to the heavy but bright clouds above.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Abandoned Graffiti Covered Structure in a Coastal Landscape

Photo GPS location: google.com/maps/place/36.73423

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A weathered concrete structure with graffiti stands in a lush, grassy area beside a dusty trail, against a backdrop of rolling sand dunes and sparse vegetation. The scene is captured in black and white, evoking a sense of urban decay in a natural setting.
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A weathered concrete structure with graffiti stands in a lush, grassy area beside a dusty trail, against a backdrop of rolling sand dunes and sparse vegetation. The scene is captured in black and white, evoking a sense of urban decay in a natural setting.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Abandoned Graffiti Covered Structure in a Coastal Landscape

Photo GPS location: google.com/maps/place/36.73423

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A weathered concrete structure with graffiti stands in a lush, grassy area beside a dusty trail, against a backdrop of rolling sand dunes and sparse vegetation. The scene is captured in black and white, evoking a sense of urban decay in a natural setting.
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A weathered concrete structure with graffiti stands in a lush, grassy area beside a dusty trail, against a backdrop of rolling sand dunes and sparse vegetation. The scene is captured in black and white, evoking a sense of urban decay in a natural setting.

John Unwin
@junwin@pixelfed.social
seen on a walk

a beautiful flower seen walking our neighbour hood - joy in the moment

#photography #photo #mood #joy #mindfull #nature #flowers #bnw #bw #monochrome #blackandwhite #flower #petals #close-up #beauty #details
A close-up view of a flower with numerous petals arranged in a circular pattern. The image is in black and white, highlighting the textures and shapes of the petals. The background is dark, providing contrast to the light-colored petals.
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A close-up view of a flower with numerous petals arranged in a circular pattern. The image is in black and white, highlighting the textures and shapes of the petals. The background is dark, providing contrast to the light-colored petals.

Kraksen
@kraks@pixelfed.de
The entire country has been flying flags at half-mast these past two weeks. Here from Oslo City Hall, with Anne Grimdalen's statue of King Harald III Hardrada, who fell at Stamford Bridge in 1066.

📷 Minolta α-7
🔎 A 70–210/4
🎞 Frontier 250X (Kodak Double-X)

#BlackAndWhite #AnalogPhotography
Black-and-white analogue photograph of Oslo City Hall, showing the West wall, a flag pole with the Norwegian flag at half-mast, and part of the city hall's clock tower opposite it. Flush against the large brick wall is a stone statue of King Harald III Hardrada sitting on a horse, sculpted by Anne Grimdalen in 1950. The dark brick building with its square shapes and geometric brickwork stands in contrast to the heavy but bright clouds above.
ALT text

Black-and-white analogue photograph of Oslo City Hall, showing the West wall, a flag pole with the Norwegian flag at half-mast, and part of the city hall's clock tower opposite it. Flush against the large brick wall is a stone statue of King Harald III Hardrada sitting on a horse, sculpted by Anne Grimdalen in 1950. The dark brick building with its square shapes and geometric brickwork stands in contrast to the heavy but bright clouds above.

John Unwin
@junwin@pixelfed.social
seen on a walk

a beautiful flower seen walking our neighbour hood - joy in the moment

#photography #photo #mood #joy #mindfull #nature #flowers #bnw #bw #monochrome #blackandwhite #flower #petals #close-up #beauty #details
A close-up view of a flower with numerous petals arranged in a circular pattern. The image is in black and white, highlighting the textures and shapes of the petals. The background is dark, providing contrast to the light-colored petals.
ALT text

A close-up view of a flower with numerous petals arranged in a circular pattern. The image is in black and white, highlighting the textures and shapes of the petals. The background is dark, providing contrast to the light-colored petals.

NB
@NotAHopeInHades@pixelfed.social
La Cappella 🕍for #fotovorschlag "Architektur in Schwarzweiß" / "Architecture in Black and White"

This is the ceiling of the Cappella, (the Chapel), inside of La Rocchetta Mattei. Inspired by the Alhambra/Moorish/North African/Islamic art and architecture. ✨
(I tried to fix the perspective in post because I'm going to be honest - I was rushed while on the tour and the angle was horrendous 😂)

#photography #amateurphotography #blackandwhite #bnw #blackandwhitephotography #monochrome #building #architecture #urbanarchitecture #maximalist #alhambra #islamicart #shadows #pattern #graphic #art #rioladivergato #light #shadows #detail #atmospheric #italy #europe #canon #canonphotography
This is a black-and-white photograph of the ceiling inside the Capella of Rochetta Mattei. The Chapel is filled with black an white hoirzontally-striped columns. On the ceiling itself is fabric that is painted with really elaborate and intricate motifs to resemble cut stone. The columns are also arched and make unusual and pretty striking patterns when looked at from a certain angle. It is pretty disorienting and so worth the visit!
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This is a black-and-white photograph of the ceiling inside the Capella of Rochetta Mattei. The Chapel is filled with black an white hoirzontally-striped columns. On the ceiling itself is fabric that is painted with really elaborate and intricate motifs to resemble cut stone. The columns are also arched and make unusual and pretty striking patterns when looked at from a certain angle. It is pretty disorienting and so worth the visit!

NB
@NotAHopeInHades@pixelfed.social
La Cappella 🕍for #fotovorschlag "Architektur in Schwarzweiß" / "Architecture in Black and White"

This is the ceiling of the Cappella, (the Chapel), inside of La Rocchetta Mattei. Inspired by the Alhambra/Moorish/North African/Islamic art and architecture. ✨
(I tried to fix the perspective in post because I'm going to be honest - I was rushed while on the tour and the angle was horrendous 😂)

#photography #amateurphotography #blackandwhite #bnw #blackandwhitephotography #monochrome #building #architecture #urbanarchitecture #maximalist #alhambra #islamicart #shadows #pattern #graphic #art #rioladivergato #light #shadows #detail #atmospheric #italy #europe #canon #canonphotography
This is a black-and-white photograph of the ceiling inside the Capella of Rochetta Mattei. The Chapel is filled with black an white hoirzontally-striped columns. On the ceiling itself is fabric that is painted with really elaborate and intricate motifs to resemble cut stone. The columns are also arched and make unusual and pretty striking patterns when looked at from a certain angle. It is pretty disorienting and so worth the visit!
ALT text

This is a black-and-white photograph of the ceiling inside the Capella of Rochetta Mattei. The Chapel is filled with black an white hoirzontally-striped columns. On the ceiling itself is fabric that is painted with really elaborate and intricate motifs to resemble cut stone. The columns are also arched and make unusual and pretty striking patterns when looked at from a certain angle. It is pretty disorienting and so worth the visit!

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Pathway Through a Coastal Landscape

Photo GPS location: google.com/maps/place/36.73105

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A sandy path winds through a coastal landscape, flanked by tall, agave plants and scattered vegetation, with gentle hills in the background. The scene is captured in black and white, emphasizing the textures and contrasts of the environment.
ALT text

A sandy path winds through a coastal landscape, flanked by tall, agave plants and scattered vegetation, with gentle hills in the background. The scene is captured in black and white, emphasizing the textures and contrasts of the environment.

Steven Lawson Photography
@StevenLawsonPhotography@mastoart.social

The final one of my Manhattan skyline images, taken from the top of the Rockefeller Centre and showing the Empire State Building, the Freedom tower and, at the right edge, the Statue of Liberty.

View of Manhattan from the top of the Rockerfeller Centre, showing the iconic Empire State Building on the left, the sun glinting off the Freedom tower downtown and centre right, Liberty Island and the famous statue of Lady Liberty.
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View of Manhattan from the top of the Rockerfeller Centre, showing the iconic Empire State Building on the left, the sun glinting off the Freedom tower downtown and centre right, Liberty Island and the famous statue of Lady Liberty.

Steven Lawson Photography
@StevenLawsonPhotography@mastoart.social

The final one of my Manhattan skyline images, taken from the top of the Rockefeller Centre and showing the Empire State Building, the Freedom tower and, at the right edge, the Statue of Liberty.

View of Manhattan from the top of the Rockerfeller Centre, showing the iconic Empire State Building on the left, the sun glinting off the Freedom tower downtown and centre right, Liberty Island and the famous statue of Lady Liberty.
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View of Manhattan from the top of the Rockerfeller Centre, showing the iconic Empire State Building on the left, the sun glinting off the Freedom tower downtown and centre right, Liberty Island and the famous statue of Lady Liberty.

B59R 🦈
@b59r@federation.network

@FotoVorschlag@mastodon.social
'Architektur in Schwarzweiß'

Blimp Garage

Im Vordergrund steht ein kleines Flugzeug auf dem Rollfeld, daneben ein Verkehrskegel. Im Hintergrund erhebt sich der Luftschiffhangar am Flughafen Mülheim/R., dessen gewölbte, metallisch wirkende Außenhaut die Szene dominiert. Die Aufnahme ist in schwarz-weiß gehalten, wodurch die Wolken am Himmel und die Struktur des Hangars besonders betont werden. Die Abmessungen des Hangars betragen L 92 m, W 42 m, H 26 m, Weight 557 t wood
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Im Vordergrund steht ein kleines Flugzeug auf dem Rollfeld, daneben ein Verkehrskegel. Im Hintergrund erhebt sich der Luftschiffhangar am Flughafen Mülheim/R., dessen gewölbte, metallisch wirkende Außenhaut die Szene dominiert. Die Aufnahme ist in schwarz-weiß gehalten, wodurch die Wolken am Himmel und die Struktur des Hangars besonders betont werden. Die Abmessungen des Hangars betragen L 92 m, W 42 m, H 26 m, Weight 557 t wood

Schwarz-weißes Foto eines Luftschiffhangars mit gewölbter, gerippter Metallfassade im Vordergrund. Im Hintergrund sind große, dramatische Wolkenformationen zu sehen. Die Bildkomposition betont die Rundung und Struktur des Hangars im Kontrast zu den weichen Wolken.
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Schwarz-weißes Foto eines Luftschiffhangars mit gewölbter, gerippter Metallfassade im Vordergrund. Im Hintergrund sind große, dramatische Wolkenformationen zu sehen. Die Bildkomposition betont die Rundung und Struktur des Hangars im Kontrast zu den weichen Wolken.

Wildbird
@webidebi@mastodon.social

Architecture in Black and White /
Architektur in Schwarzweiß

Tradeston Footbridge AKA Squiggly Bridge

Built 2009 to aid the regeneration of Tradeston & connect it to Glasgow's city centre, across the Clyde. The S shape gives the bridge the extra length it needs to allow enough clearance for boats to pass under, without making the bridge too steep. It uses a balanced cantilever design with steel fins, for structural support, & I 😍 it.

Black and white photo of Tradeston Bridge, Glasgow, an S shaped pedestrian bridge. A walkway with metal railings curves across the river, supported by a heavy concrete pier fixed into the riverbed. There's a prominent white triangular arch structure (a fin) in the middle, and a second matching arch in the distance, on the far side of the bridge. On the riverbank in the distance, modern multi-storey buildings can be seen under a moody, cloud-filled sky.
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Black and white photo of Tradeston Bridge, Glasgow, an S shaped pedestrian bridge. A walkway with metal railings curves across the river, supported by a heavy concrete pier fixed into the riverbed. There's a prominent white triangular arch structure (a fin) in the middle, and a second matching arch in the distance, on the far side of the bridge. On the riverbank in the distance, modern multi-storey buildings can be seen under a moody, cloud-filled sky.

Steven Lawson Photography
@StevenLawsonPhotography@mastoart.social

Stream of consciousness.
Each day, thousands of thoughts form in the mind, bounce around like bubbles in a stream after heavy rain and then, in a moment, they are gone.

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.
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Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.
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Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.
ALT text

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.
ALT text

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Coastal Pathway Through Agave Plants

Photo GPS location: google.com/maps/place/36.7306,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A sandy path winds through a coastal landscape, framed by sparse vegetation and tall, agave plants. In the background, hills rise under a cloudy sky, creating a serene and monochromatic scenery.
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A sandy path winds through a coastal landscape, framed by sparse vegetation and tall, agave plants. In the background, hills rise under a cloudy sky, creating a serene and monochromatic scenery.

Roger
@RuhrpottAndBeyond@pixelfed.de
Exzenterhochhaus in Bochum. #Fotovorschlag "Architektur in SW"

#bochum #exzenterhochhaus #Architektur #Fotografie #Photography #bnw #BlackAndWhite #SchwarzWeißFotografie #SchwarzWeiß #Monochrome #StreetPhotography #UrbanPhotography #NoirEtBlanc #Ruhrgebiet #Ruhrpott #NRW #StreetPhotographyBW #meinruhrgebiet #blackandwhitephotography #amateurphotography #monochromemonday
SW Foto. Blick auf eine Hochhaus, das auf einem ehemaligen Bunker errichtet wurde. Die einzelnen Elemente des Hauses sind versetzt angeordnet. Erinnert an eine Kurbelwelle.
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SW Foto. Blick auf eine Hochhaus, das auf einem ehemaligen Bunker errichtet wurde. Die einzelnen Elemente des Hauses sind versetzt angeordnet. Erinnert an eine Kurbelwelle.

ABellingrodt
@ABellingrodt@pfalz.social

'Architektur in Schwarzweiß'

Eine Schwarz-Weiß-Fotografie zeigt eine markante, moderne Betonarchitektur bei bewölktem Himmel, die sich detailreich in einer großen Pfütze im Vordergrund spiegelt. Auf der rechten Seite erstreckt sich ein langes, erhöhtes Betondach, das von mehreren hohen, sich nach oben hin kelchförmig verbreiternden Säulen getragen wird. Links daneben steht ein massiver, zylindrischer Turm aus Sichtbeton, an dessen oberem Teil ein kleines, Fenster zu erkennen ist. Im Hintergrund schließen sich flache, verglaste Gebäudeteile an, in denen Licht brennt. Der Boden im Vordergrund ist nass, und die perfekt glatte Wasseroberfläche wirft ein scharfes Spiegelbild der gesamten Szenerie nach unten, wodurch eine Symmetrie zwischen der realen Architektur und ihrer Reflexion entsteht.
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Eine Schwarz-Weiß-Fotografie zeigt eine markante, moderne Betonarchitektur bei bewölktem Himmel, die sich detailreich in einer großen Pfütze im Vordergrund spiegelt. Auf der rechten Seite erstreckt sich ein langes, erhöhtes Betondach, das von mehreren hohen, sich nach oben hin kelchförmig verbreiternden Säulen getragen wird. Links daneben steht ein massiver, zylindrischer Turm aus Sichtbeton, an dessen oberem Teil ein kleines, Fenster zu erkennen ist. Im Hintergrund schließen sich flache, verglaste Gebäudeteile an, in denen Licht brennt. Der Boden im Vordergrund ist nass, und die perfekt glatte Wasseroberfläche wirft ein scharfes Spiegelbild der gesamten Szenerie nach unten, wodurch eine Symmetrie zwischen der realen Architektur und ihrer Reflexion entsteht.

Steven Lawson Photography
@StevenLawsonPhotography@mastoart.social

Stream of consciousness.
Each day, thousands of thoughts form in the mind, bounce around like bubbles in a stream after heavy rain and then, in a moment, they are gone.

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.
ALT text

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.
ALT text

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.
ALT text

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.
ALT text

Shiny silver air bubbles, formed where water has poured into a pool over rocks after heavy rain, look like shape-shifting blobs of mercury. Within moments of forming, they are gone, like a fleeting thought. This photograph is proof that they existed, however briefly.

Kay
@Vulpy@pixelfed.de
Through darkness, we come to understand what light means to us. I would even go so far as to say: without darkness, there is no light. In physical terms, of course, that makes no sense: darkness is the absence of light. In photography, though, an image takes shape through contrast, sometimes subtle, sometimes stark. Without contrast, there is no image. Even Malevich’s “Black Square” needs something to stand against: its frame, its surroundings, the context in which we view it.

Here, I darkened the foreground and sky more than I normally would. In doing so, I worked against the grain of the image, something I usually try to avoid. But this time I wanted to do as the Stones say: “Paint It Black”.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A nearly black sky fills most of the upper frame, fading to a narrow band of light along the distant horizon. Several small wind turbines stand on a pale ridge left of centre. Overlapping hills become progressively lighter and less distinct in the distance, while a nearly black foreground slope descends from left to right across the lower portion. The light is strongest near the left horizon, where a few bright cloud edges are visible.
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Square black-and-white photograph. A nearly black sky fills most of the upper frame, fading to a narrow band of light along the distant horizon. Several small wind turbines stand on a pale ridge left of centre. Overlapping hills become progressively lighter and less distinct in the distance, while a nearly black foreground slope descends from left to right across the lower portion. The light is strongest near the left horizon, where a few bright cloud edges are visible.

𝙹𝚞𝚜𝚝 𝙹𝚎𝚜𝚜
@Jess.Stetson@pixelfed.social
It's been a while since we've played 20 questions for #TextureTuesday so here ya go! I did several crops for this and decided on the middle ground.

Heads up (mainly so that @NotAHopeInHades doesn't go bananas with me): I'm going to be watching Star Trek IV: The Voyage Home in the theatre shortly, so I will answer all questions later on!

Have at it!








#texture #abstract #guesswhatitis #geometric #pattern #patterns #macro #macrophotography #makro #makrofotografie #closeup #closeupshot #extrememacro #monochrome #bnw #bw #blackandwhite #noiretblanc #blackandwhitephotography #minimalistic #minimalism #minimalistisch #Minimalismus #minimal #minimalist #photography #Fotografie #amateurphotography
Monochrome, macro abstract photograph of a textured, silver-colored woven mesh with a tight herringbone pattern.
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Monochrome, macro abstract photograph of a textured, silver-colored woven mesh with a tight herringbone pattern.

Kay
@Vulpy@pixelfed.de
Through darkness, we come to understand what light means to us. I would even go so far as to say: without darkness, there is no light. In physical terms, of course, that makes no sense: darkness is the absence of light. In photography, though, an image takes shape through contrast, sometimes subtle, sometimes stark. Without contrast, there is no image. Even Malevich’s “Black Square” needs something to stand against: its frame, its surroundings, the context in which we view it.

Here, I darkened the foreground and sky more than I normally would. In doing so, I worked against the grain of the image, something I usually try to avoid. But this time I wanted to do as the Stones say: “Paint It Black”.

#Photography #BlackAndWhite #Squared
Square black-and-white photograph. A nearly black sky fills most of the upper frame, fading to a narrow band of light along the distant horizon. Several small wind turbines stand on a pale ridge left of centre. Overlapping hills become progressively lighter and less distinct in the distance, while a nearly black foreground slope descends from left to right across the lower portion. The light is strongest near the left horizon, where a few bright cloud edges are visible.
ALT text

Square black-and-white photograph. A nearly black sky fills most of the upper frame, fading to a narrow band of light along the distant horizon. Several small wind turbines stand on a pale ridge left of centre. Overlapping hills become progressively lighter and less distinct in the distance, while a nearly black foreground slope descends from left to right across the lower portion. The light is strongest near the left horizon, where a few bright cloud edges are visible.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Sand and Sticks

Photo GPS location: google.com/maps/place/36.72975

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A close-up view of a sandy dune featuring several sticks and wooden pieces partially embedded in the sand, with gentle ripples creating a textured background in a monochromatic setting.
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A close-up view of a sandy dune featuring several sticks and wooden pieces partially embedded in the sand, with gentle ripples creating a textured background in a monochromatic setting.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Sand and Sticks

Photo GPS location: google.com/maps/place/36.72975

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A close-up view of a sandy dune featuring several sticks and wooden pieces partially embedded in the sand, with gentle ripples creating a textured background in a monochromatic setting.
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A close-up view of a sandy dune featuring several sticks and wooden pieces partially embedded in the sand, with gentle ripples creating a textured background in a monochromatic setting.

Jean François Huguel 🇨🇵
@jeffhug@mastodon.social

Verticalités..London, septembre 2026. Nikon F90x, Kentmere 400, ID11.

Vue d'une rue de Londres, bordée d'immeubles modernes, un cycliste au premier plan
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Vue d'une rue de Londres, bordée d'immeubles modernes, un cycliste au premier plan

Vue d'une rue de Londres, bordée d'immeubles modernes
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Vue d'une rue de Londres, bordée d'immeubles modernes

Vue d'un ancien reservoir avec un pont au premier plan
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Vue d'un ancien reservoir avec un pont au premier plan

Vue d'une rue de Londres, bordée d'immeubles modernes, une voituer au premier plan
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Vue d'une rue de Londres, bordée d'immeubles modernes, une voituer au premier plan

Jean François Huguel 🇨🇵
@jeffhug@mastodon.social

Verticalités..London, septembre 2026. Nikon F90x, Kentmere 400, ID11.

Vue d'une rue de Londres, bordée d'immeubles modernes, un cycliste au premier plan
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Vue d'une rue de Londres, bordée d'immeubles modernes, un cycliste au premier plan

Vue d'une rue de Londres, bordée d'immeubles modernes
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Vue d'une rue de Londres, bordée d'immeubles modernes

Vue d'un ancien reservoir avec un pont au premier plan
ALT text

Vue d'un ancien reservoir avec un pont au premier plan

Vue d'une rue de Londres, bordée d'immeubles modernes, une voituer au premier plan
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Vue d'une rue de Londres, bordée d'immeubles modernes, une voituer au premier plan

Kraksen
@kraks@pixelfed.de
Gratitudes.

📷 Minolta α-7
🔎 A 50/1.4 | A 100/2.8 macro
🎞 Frontier 250X (Kodak Double-X)

#HaraldV #BlackAndWhite #AnalogPhotography
A black-and-white analogue close-up photograph of a sea of flowers and bouquets, dotted with small Norwegian flags. In the foreground lies a piece of paper in a rain-covered plastic pocket. The paper has a drawing of a Norwegian flag, a heart, and the text ‘Thank you King Harald for being so nice’ in a young child's handwriting.
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A black-and-white analogue close-up photograph of a sea of flowers and bouquets, dotted with small Norwegian flags. In the foreground lies a piece of paper in a rain-covered plastic pocket. The paper has a drawing of a Norwegian flag, a heart, and the text ‘Thank you King Harald for being so nice’ in a young child's handwriting.

A black-and-white analogue close-up photograph of several grave lanterns. One has a card tied to it with a ribbon. The card is addressed ‘To everyone's grandfather’ in neat handwriting.
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A black-and-white analogue close-up photograph of several grave lanterns. One has a card tied to it with a ribbon. The card is addressed ‘To everyone's grandfather’ in neat handwriting.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Rippling Sands with a Single Shell

Photo GPS location: google.com/maps/place/36.72983

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A close-up image of textured sand displaying wavy patterns, with a small white shell contrasting against the dark background. The image captures the natural lines and forms created by the wind on the sand surface.
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A close-up image of textured sand displaying wavy patterns, with a small white shell contrasting against the dark background. The image captures the natural lines and forms created by the wind on the sand surface.

Anna Meurer 🌈(she/her) 🏳️‍⚧️
@AnnaMeurer@troet.cafe

„Zahlen: 4“

„Numbers: 4“

Ein Schwarz-Weiß-Foto zeigt die Silhouetten von vier Personen in einem Tunnel. Die Personen befinden sich in der Bildmitte und bewegen sich auf eine helle, weiße Öffnung am Ende eines dunklen, kreisförmigen Tunnels zu. Die Wände des Tunnels weisen eine gerippte Textur auf. Die Personen erscheinen als dunkle Umrisse vor dem starken Gegenlicht. Am unteren Bildrand befindet sich ein kleines, weißes kreisförmiges Logo mit einem stilisierten Symbol.
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Ein Schwarz-Weiß-Foto zeigt die Silhouetten von vier Personen in einem Tunnel. Die Personen befinden sich in der Bildmitte und bewegen sich auf eine helle, weiße Öffnung am Ende eines dunklen, kreisförmigen Tunnels zu. Die Wände des Tunnels weisen eine gerippte Textur auf. Die Personen erscheinen als dunkle Umrisse vor dem starken Gegenlicht. Am unteren Bildrand befindet sich ein kleines, weißes kreisförmiges Logo mit einem stilisierten Symbol.

Kraksen
@kraks@pixelfed.de
In the words of one taxi driver, even the clouds were crying on the day of the king's death. No one seemed to mind the weather, though.

📷 Minolta α-7
🔎 A 50/1.4
🎞 Frontier 250X (Kodak Double-X)

#HaraldV #BlackAndWhite #AnalogPhotography #MonochromeMonday
Black-and-white analogue photograph of the Norwegian Royal Palace. A crowd is gathered outside, carrying umbrellas and wearing raincoats. A long flag pole juts out from the balcony, with the royal standard flying at half mast, topped with a black mourning veil.
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Black-and-white analogue photograph of the Norwegian Royal Palace. A crowd is gathered outside, carrying umbrellas and wearing raincoats. A long flag pole juts out from the balcony, with the royal standard flying at half mast, topped with a black mourning veil.

Das
@SRDas@mastodon.online

Puente de Hierro (bridge of iron) over the Ebro river in Logroño, Rioja


Black and white picture looking down the pavement portion on the right side of the road and bridge. Large iron beams and rivets are to the left and iron railing with pattern is to the right. The pavement between the beams and railing are filled with the shadows of the railing design.
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Black and white picture looking down the pavement portion on the right side of the road and bridge. Large iron beams and rivets are to the left and iron railing with pattern is to the right. The pavement between the beams and railing are filled with the shadows of the railing design.

Rose LaCroix
@RoseHLacroix@pixelfed.social
A school in Leverkusen-Manfort.
I like when modern architecture has some character and doesn't take itself too seriously.

📷Pentax K1000
🎞️Ilford XP2 Super
#photography #filmphotography #blackandwhite #architecture #modernarchitecture #Germany #Leverkusen
A modern building that is mostly plain boxes but there is a center section with large windows, a curved roof, and smaller round windows at varying sizes and intervals on the side.
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A modern building that is mostly plain boxes but there is a center section with large windows, a curved roof, and smaller round windows at varying sizes and intervals on the side.

Rose LaCroix
@RoseHLacroix@pixelfed.social
A school in Leverkusen-Manfort.
I like when modern architecture has some character and doesn't take itself too seriously.

📷Pentax K1000
🎞️Ilford XP2 Super
#photography #filmphotography #blackandwhite #architecture #modernarchitecture #Germany #Leverkusen
A modern building that is mostly plain boxes but there is a center section with large windows, a curved roof, and smaller round windows at varying sizes and intervals on the side.
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A modern building that is mostly plain boxes but there is a center section with large windows, a curved roof, and smaller round windows at varying sizes and intervals on the side.

Das
@SRDas@mastodon.online

Puente de Hierro (bridge of iron) over the Ebro river in Logroño, Rioja


Black and white picture looking down the pavement portion on the right side of the road and bridge. Large iron beams and rivets are to the left and iron railing with pattern is to the right. The pavement between the beams and railing are filled with the shadows of the railing design.
ALT text

Black and white picture looking down the pavement portion on the right side of the road and bridge. Large iron beams and rivets are to the left and iron railing with pattern is to the right. The pavement between the beams and railing are filled with the shadows of the railing design.

B59R 🦈
@b59r@federation.network


Ich will doch einfach nur hier sitzen!

Eine schwarz-weiße Fotografie zeigt ein altes Ledersofa, das vor einer hellen Hauswand steht. Links befindet sich ein Fenster mit geöffnetem Fensterladen, rechts ein weiteres Fenster mit geschlossenem Fensterladen. Das Sofa wirft einen deutlichen Schatten auf den Boden, und Sonnenlicht fällt schräg auf die Szene.
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Eine schwarz-weiße Fotografie zeigt ein altes Ledersofa, das vor einer hellen Hauswand steht. Links befindet sich ein Fenster mit geöffnetem Fensterladen, rechts ein weiteres Fenster mit geschlossenem Fensterladen. Das Sofa wirft einen deutlichen Schatten auf den Boden, und Sonnenlicht fällt schräg auf die Szene.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Goat amongst Agave Plants

Photo GPS location: google.com/maps/place/36.73141

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A white goat stands among coastal vegetation, featuring agave plants and sparse grass in a monochrome landscape. The goat appears alert, surrounded by a natural setting of arid soil and low shrubs.
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A white goat stands among coastal vegetation, featuring agave plants and sparse grass in a monochrome landscape. The goat appears alert, surrounded by a natural setting of arid soil and low shrubs.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Coastal Landscape with Grazing Goats and Agave Plants in Black and White

Photo GPS location: google.com/maps/place/36.73148

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A serene black and white landscape featuring a hillside with sparse vegetation, agave plants, and a herd of goats grazing near the sea. The scene evokes a tranquil, natural environment.
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A serene black and white landscape featuring a hillside with sparse vegetation, agave plants, and a herd of goats grazing near the sea. The scene evokes a tranquil, natural environment.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a scene in a marina, on a very sunny day with high contrasts. The photo shows the black silhouette of a great blue heron, with its long legs and long neck, standing fishing, just at the boundary between the water and a sandbank. On the water, behind the heron and higher up in the photo, the front of a small sailboat. The sun is shining in the left part of the photo, making the water and the sandbanks shiny, contrasting with the dark parts, such as the bird, the shadow of the boat and the opposite shore in the penumbra, completely at the top. Photographie noir et blanc d'une scène dans une marina, par une journée très ensoleillée où les contrastes sont élevés. La photo montre la silhouette noire d'un grand héron, avec ses longues pattes et son long cou, debout en train de pêcher, juste à la limite entre l'eau et un banc de sable. Sur l'eau, derrière le héron et plus haut sur la photo, le devant d'un petit voilier. Le soleil plombe dans la partie gauche de la photo, rendant l'eau et les bancs de sable brillants, contrastant avec les parties sombres, comme l'oiseau, l'ombre du bateau et la rive opposée dans la pénombre, complètement en haut.
ALT text

Black and white photograph of a scene in a marina, on a very sunny day with high contrasts. The photo shows the black silhouette of a great blue heron, with its long legs and long neck, standing fishing, just at the boundary between the water and a sandbank. On the water, behind the heron and higher up in the photo, the front of a small sailboat. The sun is shining in the left part of the photo, making the water and the sandbanks shiny, contrasting with the dark parts, such as the bird, the shadow of the boat and the opposite shore in the penumbra, completely at the top. Photographie noir et blanc d'une scène dans une marina, par une journée très ensoleillée où les contrastes sont élevés. La photo montre la silhouette noire d'un grand héron, avec ses longues pattes et son long cou, debout en train de pêcher, juste à la limite entre l'eau et un banc de sable. Sur l'eau, derrière le héron et plus haut sur la photo, le devant d'un petit voilier. Le soleil plombe dans la partie gauche de la photo, rendant l'eau et les bancs de sable brillants, contrastant avec les parties sombres, comme l'oiseau, l'ombre du bateau et la rive opposée dans la pénombre, complètement en haut.

Anthony
@FlashF1R3@pixelfed.social
#MonochromeMonday Inside Union Station in #KansasCity . I was impressed by the #extravagant #architecture.

#Blackandwhite #bnw #monochrome #photography #fotografie #interior #ceilings #landmarks #urban #urbanspaces
Symmetrical Black and White shot of a corner of Union Station’s ceiling in Kansas City. A large chandelier hangs down by chains and has its lights on. The ceiling has geometrical shapes and patterns across it.
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Symmetrical Black and White shot of a corner of Union Station’s ceiling in Kansas City. A large chandelier hangs down by chains and has its lights on. The ceiling has geometrical shapes and patterns across it.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a scene in a marina, on a very sunny day with high contrasts. The photo shows the black silhouette of a great blue heron, with its long legs and long neck, standing fishing, just at the boundary between the water and a sandbank. On the water, behind the heron and higher up in the photo, the front of a small sailboat. The sun is shining in the left part of the photo, making the water and the sandbanks shiny, contrasting with the dark parts, such as the bird, the shadow of the boat and the opposite shore in the penumbra, completely at the top. Photographie noir et blanc d'une scène dans une marina, par une journée très ensoleillée où les contrastes sont élevés. La photo montre la silhouette noire d'un grand héron, avec ses longues pattes et son long cou, debout en train de pêcher, juste à la limite entre l'eau et un banc de sable. Sur l'eau, derrière le héron et plus haut sur la photo, le devant d'un petit voilier. Le soleil plombe dans la partie gauche de la photo, rendant l'eau et les bancs de sable brillants, contrastant avec les parties sombres, comme l'oiseau, l'ombre du bateau et la rive opposée dans la pénombre, complètement en haut.
ALT text

Black and white photograph of a scene in a marina, on a very sunny day with high contrasts. The photo shows the black silhouette of a great blue heron, with its long legs and long neck, standing fishing, just at the boundary between the water and a sandbank. On the water, behind the heron and higher up in the photo, the front of a small sailboat. The sun is shining in the left part of the photo, making the water and the sandbanks shiny, contrasting with the dark parts, such as the bird, the shadow of the boat and the opposite shore in the penumbra, completely at the top. Photographie noir et blanc d'une scène dans une marina, par une journée très ensoleillée où les contrastes sont élevés. La photo montre la silhouette noire d'un grand héron, avec ses longues pattes et son long cou, debout en train de pêcher, juste à la limite entre l'eau et un banc de sable. Sur l'eau, derrière le héron et plus haut sur la photo, le devant d'un petit voilier. Le soleil plombe dans la partie gauche de la photo, rendant l'eau et les bancs de sable brillants, contrastant avec les parties sombres, comme l'oiseau, l'ombre du bateau et la rive opposée dans la pénombre, complètement en haut.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Secluded sandy path through coastal vegetation

Photo GPS location: google.com/maps/place/36.73278

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A winding sandy path leads through a coastal landscape, bordered by wooden fencing and surrounded by shrubs and plants, under a hazy sky. The image captures a tranquil, natural setting in black and white.
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A winding sandy path leads through a coastal landscape, bordered by wooden fencing and surrounded by shrubs and plants, under a hazy sky. The image captures a tranquil, natural setting in black and white.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Desolate Landscape with Agave and Sub-Station Structure

Photo GPS location: google.com/maps/place/36.73736

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

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Google Maps

Find local businesses, view maps and get driving directions in Google Maps.

Andreas L. Berg
@Triggertrix@chaos.social

Vestment • Ich war zuletzt im Fridericianum in der Ausstellung von Charles Ray. Bis heute klingen die Eindrücke der Ausstellung in mir nach und haben noch viele Fragen offen gelassen, die ich gar nicht mal beantwortet haben m andreas-l-berg.com/blog/vestme

Andreas L. Berg
@Triggertrix@chaos.social

Vestment • Ich war zuletzt im Fridericianum in der Ausstellung von Charles Ray. Bis heute klingen die Eindrücke der Ausstellung in mir nach und haben noch viele Fragen offen gelassen, die ich gar nicht mal beantwortet haben m andreas-l-berg.com/blog/vestme

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Desolate Landscape with Agaves and Mountain Background

Photo GPS location: google.com/maps/place/36.7376,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A monochrome landscape featuring dry terrain with sparse vegetation, including tall, leafless plants and clusters of spiky foliage. Rolling mountains are visible in the background under a hazy sky.
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A monochrome landscape featuring dry terrain with sparse vegetation, including tall, leafless plants and clusters of spiky foliage. Rolling mountains are visible in the background under a hazy sky.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Cabo de Gata Landscape

Photo GPS location: google.com/maps/place/36.73876

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A black and white landscape featuring rolling hills and mountains in the background, with sparse vegetation including agave plants in the foreground. The scene evokes a serene, natural setting.
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A black and white landscape featuring rolling hills and mountains in the background, with sparse vegetation including agave plants in the foreground. The scene evokes a serene, natural setting.

Anemone Nemorosa
@SensitiveSyl@beige.party

Villa Estevan, Grand-Métis. August 2026.

Black and white photograph of a dark dining room in an old house, lit by a circular chandelier of electric candles hanging from the ceiling of wooden slats, and natural light coming from a large window. Natural light is reflected on the wooden surface of three tables and their two chairs each, and on the wooden floor. Two cutlery sets with glasses and cups are placed on one of the tables. A landscape of tall trees with a pavilion on the lawn is visible through the window. Photographie noir et blanc d'une salle à manger sombre dans une maison ancienne, éclairée d'un lustre circulaire de chandelles électriques accroché au plafond de lattes en bois, et de la lumière naturelle venant d'une grande fenêtre. La lumière naturelle se reflète sur la surface en bois de trois tables et de leurs deux chaises chacune, et sur le plancher de bois. Deux couverts avec des verres et des coupes sont placés sur une des tables. Un paysage de grands arbres avec un pavillon sur la pelouse est visible par la fenêtre.
ALT text

Black and white photograph of a dark dining room in an old house, lit by a circular chandelier of electric candles hanging from the ceiling of wooden slats, and natural light coming from a large window. Natural light is reflected on the wooden surface of three tables and their two chairs each, and on the wooden floor. Two cutlery sets with glasses and cups are placed on one of the tables. A landscape of tall trees with a pavilion on the lawn is visible through the window. Photographie noir et blanc d'une salle à manger sombre dans une maison ancienne, éclairée d'un lustre circulaire de chandelles électriques accroché au plafond de lattes en bois, et de la lumière naturelle venant d'une grande fenêtre. La lumière naturelle se reflète sur la surface en bois de trois tables et de leurs deux chaises chacune, et sur le plancher de bois. Deux couverts avec des verres et des coupes sont placés sur une des tables. Un paysage de grands arbres avec un pavillon sur la pelouse est visible par la fenêtre.

Anemone Nemorosa
@SensitiveSyl@beige.party

Villa Estevan, Grand-Métis. August 2026.

Black and white photograph of a dark dining room in an old house, lit by a circular chandelier of electric candles hanging from the ceiling of wooden slats, and natural light coming from a large window. Natural light is reflected on the wooden surface of three tables and their two chairs each, and on the wooden floor. Two cutlery sets with glasses and cups are placed on one of the tables. A landscape of tall trees with a pavilion on the lawn is visible through the window. Photographie noir et blanc d'une salle à manger sombre dans une maison ancienne, éclairée d'un lustre circulaire de chandelles électriques accroché au plafond de lattes en bois, et de la lumière naturelle venant d'une grande fenêtre. La lumière naturelle se reflète sur la surface en bois de trois tables et de leurs deux chaises chacune, et sur le plancher de bois. Deux couverts avec des verres et des coupes sont placés sur une des tables. Un paysage de grands arbres avec un pavillon sur la pelouse est visible par la fenêtre.
ALT text

Black and white photograph of a dark dining room in an old house, lit by a circular chandelier of electric candles hanging from the ceiling of wooden slats, and natural light coming from a large window. Natural light is reflected on the wooden surface of three tables and their two chairs each, and on the wooden floor. Two cutlery sets with glasses and cups are placed on one of the tables. A landscape of tall trees with a pavilion on the lawn is visible through the window. Photographie noir et blanc d'une salle à manger sombre dans une maison ancienne, éclairée d'un lustre circulaire de chandelles électriques accroché au plafond de lattes en bois, et de la lumière naturelle venant d'une grande fenêtre. La lumière naturelle se reflète sur la surface en bois de trois tables et de leurs deux chaises chacune, et sur le plancher de bois. Deux couverts avec des verres et des coupes sont placés sur une des tables. Un paysage de grands arbres avec un pavillon sur la pelouse est visible par la fenêtre.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Cabo de Gata Coastal Landscape

Photo GPS location: google.com/maps/place/36.73875

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A monochrome landscape featuring a winding path through lush vegetation, including palms and grasses, overlooking an ocean vista. The scene is surrounded by hills, contributing to a serene and natural atmosphere.
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A monochrome landscape featuring a winding path through lush vegetation, including palms and grasses, overlooking an ocean vista. The scene is surrounded by hills, contributing to a serene and natural atmosphere.

🍉 wimi
@wimi@social.spejset.org

från Botaniska trädgården i Helsingfors/Helsinki.

En liggande, svartvit bild på ett stort hus i äldre stil bestående av bara fönster och stål. Fönstren är delade i små fönster och täcker även de rundade taken. I förgrunden en rund bassäng med en liten fontän. Träd och buskar omger byggnaden. Himmelen är molnfri.
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En liggande, svartvit bild på ett stort hus i äldre stil bestående av bara fönster och stål. Fönstren är delade i små fönster och täcker även de rundade taken. I förgrunden en rund bassäng med en liten fontän. Träd och buskar omger byggnaden. Himmelen är molnfri.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Landscape of Rolling Hills and Rocky Terrain

Photo GPS location: google.com/maps/place/36.74136

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

google.com

Google Maps

Find local businesses, view maps and get driving directions in Google Maps.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Coastal Valley

Photo GPS location: google.com/maps/place/36.73778

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A monochrome landscape featuring a valley between rocky hills that leads to a calm sea in the distance, with a hazy sky above and sparse vegetation on the slopes.
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A monochrome landscape featuring a valley between rocky hills that leads to a calm sea in the distance, with a hazy sky above and sparse vegetation on the slopes.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Winding Trail Through Lush Coastal Hills

Photo GPS location: google.com/maps/place/36.7576,

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A winding dirt path leads through grassy hills, bordered by rocky terrain and distant mountains under a gray sky. The landscape has a serene, monochromatic feel, showcasing the natural beauty of the surrounding area.
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A winding dirt path leads through grassy hills, bordered by rocky terrain and distant mountains under a gray sky. The landscape has a serene, monochromatic feel, showcasing the natural beauty of the surrounding area.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Seaside Peninsula in Cabo de Gata

Photo GPS location: google.com/maps/place/36.75865

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A rocky coastline with rugged cliffs and a winding path leads to a distant mountain range. The scene is captured in black and white, highlighting the dramatic landscape and tranquil sea on a cloudy day.
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A rocky coastline with rugged cliffs and a winding path leads to a distant mountain range. The scene is captured in black and white, highlighting the dramatic landscape and tranquil sea on a cloudy day.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Coastal Cliffs and Beach in Cabo de Gata

Photo GPS location: google.com/maps/place/36.73681

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/125 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A dramatic black-and-white scene showcasing a rugged coastal cliff overlooking a calm sea, with rocky formations and a curved sandy beach. The landscape captures the serene beauty of nature, emphasizing textures and contrasts.
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A dramatic black-and-white scene showcasing a rugged coastal cliff overlooking a calm sea, with rocky formations and a curved sandy beach. The landscape captures the serene beauty of nature, emphasizing textures and contrasts.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Coastal Cliffs

Photo GPS location: google.com/maps/place/36.73691

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A black and white coastal scene featuring rugged cliffs beside a calm sea, with scattered rocks along the shoreline and a serene horizon.
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A black and white coastal scene featuring rugged cliffs beside a calm sea, with scattered rocks along the shoreline and a serene horizon.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Textured Rock Formation

Photo GPS location: google.com/maps/place/36.74036

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f11, 1/250 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

Close-up of textured rock surface, featuring intricate patterns and layers. The image is in black and white, highlighting the natural contours and lines of the stone, with sandy elements surrounding it.
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Close-up of textured rock surface, featuring intricate patterns and layers. The image is in black and white, highlighting the natural contours and lines of the stone, with sandy elements surrounding it.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a patch of fleurs-de-lys, most of them open, with their six pointed petals and sepals curled backwards, a long pistil in the center surrounded by dark stamens. The flowers are illuminated by soft, white daylight. The background is dark. Photographie noir et blanc d'une talle de fleurs de lys, la plupart ouvertes, avec leurs six pétales et sépales pointus recourbés vers l'arrière, un long pistil au centre entouré d'étamines foncés. Les fleurs sont éclairées par une lumière du jour blanche et douce. L'arrière-plan est foncé.
ALT text

Black and white photograph of a patch of fleurs-de-lys, most of them open, with their six pointed petals and sepals curled backwards, a long pistil in the center surrounded by dark stamens. The flowers are illuminated by soft, white daylight. The background is dark. Photographie noir et blanc d'une talle de fleurs de lys, la plupart ouvertes, avec leurs six pétales et sépales pointus recourbés vers l'arrière, un long pistil au centre entouré d'étamines foncés. Les fleurs sont éclairées par une lumière du jour blanche et douce. L'arrière-plan est foncé.

Anemone Nemorosa
@SensitiveSyl@beige.party

Black and white photograph of a patch of fleurs-de-lys, most of them open, with their six pointed petals and sepals curled backwards, a long pistil in the center surrounded by dark stamens. The flowers are illuminated by soft, white daylight. The background is dark. Photographie noir et blanc d'une talle de fleurs de lys, la plupart ouvertes, avec leurs six pétales et sépales pointus recourbés vers l'arrière, un long pistil au centre entouré d'étamines foncés. Les fleurs sont éclairées par une lumière du jour blanche et douce. L'arrière-plan est foncé.
ALT text

Black and white photograph of a patch of fleurs-de-lys, most of them open, with their six pointed petals and sepals curled backwards, a long pistil in the center surrounded by dark stamens. The flowers are illuminated by soft, white daylight. The background is dark. Photographie noir et blanc d'une talle de fleurs de lys, la plupart ouvertes, avec leurs six pétales et sépales pointus recourbés vers l'arrière, un long pistil au centre entouré d'étamines foncés. Les fleurs sont éclairées par une lumière du jour blanche et douce. L'arrière-plan est foncé.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Coastal Dunes and Grasslands

Photo GPS location: google.com/maps/place/36.74373

Photo technical info:
- Camera: Nikon F3, Lens: Nikkor f3.5 35-105mm zoom, f8, 1/80 s
- Film: Ilford Delta 100, Developer: 510-Pyro 1+100

A black and white image of wind-swept sand dunes with patches of tall grass. The texture of the sand and the movement of the grass create a serene and natural landscape.
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A black and white image of wind-swept sand dunes with patches of tall grass. The texture of the sand and the movement of the grass create a serene and natural landscape.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: A row of white workers' cottakes in Las Salinas

Photo GPS location: google.com/maps/place/36.7508,

Photo technical info:
- Camera: Mamiya M645 1000S, Lens: Mamiya Sekor f2.8 80mm, f5.6, 1/125 s
- Film: Bergger Pancro 400, Developer: 510-Pyro 1+100

A rustic, white building with a gravel foreground, featuring multiple doors and windows. Several benches are placed in front, creating a simple, tranquil ambiance against a backdrop of distant hills. The image is in black and white, enhancing its nostalgic feel.
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A rustic, white building with a gravel foreground, featuring multiple doors and windows. Several benches are placed in front, creating a simple, tranquil ambiance against a backdrop of distant hills. The image is in black and white, enhancing its nostalgic feel.

Lise
@undertheivy@mastoart.social

A black and white photo of a monarch butterfly perched just to the right of centre of the image on one of a cluster of late summer rudbeckia blooms. The monarch and the bloom are in focus, but most of the other blooms and their long stems are slightly blurred. In the background, hazy black shapes suggesting trees in the distance, and a light sky.
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A black and white photo of a monarch butterfly perched just to the right of centre of the image on one of a cluster of late summer rudbeckia blooms. The monarch and the bloom are in focus, but most of the other blooms and their long stems are slightly blurred. In the background, hazy black shapes suggesting trees in the distance, and a light sky.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: The Lonely Las Salinas Coastal Church at dusk

Photo GPS location: google.com/maps/place/36.75091

Photo technical info:
- Camera: Mamiya M645 1000S, Lens: Mamiya Sekor f2.8 80mm, f11, 1/125 s
- Film: Bergger Pancro 400, Developer: 510-Pyro 1+100

The solitary tower of Las Salinas church stands on a sandy landscape, surrounded by sparse vegetation. The church features a peaked roof on the bell tower and multiple windows, with calm waters visible in the background under a hazy sky.
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The solitary tower of Las Salinas church stands on a sandy landscape, surrounded by sparse vegetation. The church features a peaked roof on the bell tower and multiple windows, with calm waters visible in the background under a hazy sky.

Lise
@undertheivy@mastoart.social

A black and white photo of a monarch butterfly perched just to the right of centre of the image on one of a cluster of late summer rudbeckia blooms. The monarch and the bloom are in focus, but most of the other blooms and their long stems are slightly blurred. In the background, hazy black shapes suggesting trees in the distance, and a light sky.
ALT text

A black and white photo of a monarch butterfly perched just to the right of centre of the image on one of a cluster of late summer rudbeckia blooms. The monarch and the bloom are in focus, but most of the other blooms and their long stems are slightly blurred. In the background, hazy black shapes suggesting trees in the distance, and a light sky.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Abandoned Coastal Shack in the Las Salinas Workers' village

Photo GPS location: google.com/maps/place/36.75083

Photo technical info:
- Camera: Mamiya M645 1000S, Lens: Mamiya Sekor f2.8 80mm, f11, 1/125 s
- Film: Bergger Pancro 400, Developer: 510-Pyro 1+100

Black and white photograph of weathered wooden structures along a sandy path, with a serene sea view in the distance. The buildings display rustic charm, featuring various textures and details from years of exposure to the elements.
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Black and white photograph of weathered wooden structures along a sandy path, with a serene sea view in the distance. The buildings display rustic charm, featuring various textures and details from years of exposure to the elements.

zuricum.photography
@zuricum@mastodon.social

germaniastrasse

zuricum.photography/2026/08/ge

zuricum.photography

germaniastrasse

zürich,zuricum,schweiz,photography,black and white,color,monochrome,streetphotography,fujifilm,x100,x100s,x100f,finepix,canonf1,pentax,japan

zuricum.photography
@zuricum@mastodon.social

germaniastrasse

zuricum.photography/2026/08/ge

zuricum.photography

germaniastrasse

zürich,zuricum,schweiz,photography,black and white,color,monochrome,streetphotography,fujifilm,x100,x100s,x100f,finepix,canonf1,pentax,japan

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Weathered Wooden Shack in the Las Salinas Workers' village

Photo GPS location: google.com/maps/place/36.75071

Photo technical info:
- Camera: Mamiya M645 1000S, Lens: Mamiya Sekor f2.8 80mm, f11, 1/500 s
- Film: Bergger Pancro 400, Developer: 510-Pyro 1+100

A weathered wooden house with a peaked roof, featuring two front doors and multiple windows. The structure shows signs of wear and is set against a barren landscape, captured in black and white.
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A weathered wooden house with a peaked roof, featuring two front doors and multiple windows. The structure shows signs of wear and is set against a barren landscape, captured in black and white.

Streets of Roland
@Roland@social.streetcollective-leipzig.de
Hands

Leipzig 08/26

#photography #street #streetphotography #people #leipzig #urban #monochrome #blackandwhite #candid #hands
The image is a close-up, black and white photograph focusing on a person's hands clasped behind their back. The subject is wearing a light-colored jacket with visible stitching and buttons. The hands appear to belong to an elderly individual, as evidenced by the wrinkled skin and prominent veins. One hand wears a ring on the ring finger. The texture of the hands is detailed, highlighting the signs of age. The composition is tight, with the hands and jacket filling most of the frame. The background is blurred, with a speckled texture on the left, possibly concrete, and a dark, indistinct area on the right that might be furniture or clothing. The lighting creates strong shadows and highlights, emphasizing the contours of the hands and the folds of the jacket.
ALT text

The image is a close-up, black and white photograph focusing on a person's hands clasped behind their back. The subject is wearing a light-colored jacket with visible stitching and buttons. The hands appear to belong to an elderly individual, as evidenced by the wrinkled skin and prominent veins. One hand wears a ring on the ring finger. The texture of the hands is detailed, highlighting the signs of age. The composition is tight, with the hands and jacket filling most of the frame. The background is blurred, with a speckled texture on the left, possibly concrete, and a dark, indistinct area on the right that might be furniture or clothing. The lighting creates strong shadows and highlights, emphasizing the contours of the hands and the folds of the jacket.

Streets of Roland
@Roland@social.streetcollective-leipzig.de
Hands

Leipzig 08/26

#photography #street #streetphotography #people #leipzig #urban #monochrome #blackandwhite #candid #hands
The image is a close-up, black and white photograph focusing on a person's hands clasped behind their back. The subject is wearing a light-colored jacket with visible stitching and buttons. The hands appear to belong to an elderly individual, as evidenced by the wrinkled skin and prominent veins. One hand wears a ring on the ring finger. The texture of the hands is detailed, highlighting the signs of age. The composition is tight, with the hands and jacket filling most of the frame. The background is blurred, with a speckled texture on the left, possibly concrete, and a dark, indistinct area on the right that might be furniture or clothing. The lighting creates strong shadows and highlights, emphasizing the contours of the hands and the folds of the jacket.
ALT text

The image is a close-up, black and white photograph focusing on a person's hands clasped behind their back. The subject is wearing a light-colored jacket with visible stitching and buttons. The hands appear to belong to an elderly individual, as evidenced by the wrinkled skin and prominent veins. One hand wears a ring on the ring finger. The texture of the hands is detailed, highlighting the signs of age. The composition is tight, with the hands and jacket filling most of the frame. The background is blurred, with a speckled texture on the left, possibly concrete, and a dark, indistinct area on the right that might be furniture or clothing. The lighting creates strong shadows and highlights, emphasizing the contours of the hands and the folds of the jacket.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Serene Seascape at Sunset

Photo GPS location: google.com/maps/place/36.75063

Photo technical info:
- Camera: Mamiya M645 1000S, Lens: Mamiya Sekor f2.8 80mm, f11, 1/1000 s
- Film: Bergger Pancro 400, Developer: 510-Pyro 1+100

A serene black and white beach scene, featuring rocky formations in the foreground, with the shimmering sun reflecting on a calm sea. The distant shoreline fades into soft haze, creating a tranquil atmosphere.
ALT text

A serene black and white beach scene, featuring rocky formations in the foreground, with the shimmering sun reflecting on a calm sea. The distant shoreline fades into soft haze, creating a tranquil atmosphere.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Serene Coastal Twilight

Photo GPS location: google.com/maps/place/36.75045

Photo technical info:
- Camera: Mamiya M645 1000S, Lens: Mamiya Sekor f2.8 80mm, f11, 1/1000 s
- Film: Bergger Pancro 400, Developer: 510-Pyro 1+100

A serene beach scene in black and white, featuring a small boat resting on the sand alongside a weathered wooden structure, with soft waves and distant mountains illuminated by the sunlight reflecting on the calm Mediteranean sea.
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A serene beach scene in black and white, featuring a small boat resting on the sand alongside a weathered wooden structure, with soft waves and distant mountains illuminated by the sunlight reflecting on the calm Mediteranean sea.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Bringing you daily(ish) film photos: Deserted Residential Street featuring Workers' cottages at Las Salinas Salt Works

Photo GPS location: google.com/maps/place/36.75078

Photo technical info:
- Camera: Mamiya M645 1000S, Lens: Mamiya Sekor f2.8 80mm, f11, 1/250 s
- Film: Bergger Pancro 400, Developer: 510-Pyro 1+100

Black and white photo of a row of simple, flat-roofed houses along a dirt road. The scene includes a low wall, plants, and utility poles, conveying a quiet, rural atmosphere.
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Black and white photo of a row of simple, flat-roofed houses along a dirt road. The scene includes a low wall, plants, and utility poles, conveying a quiet, rural atmosphere.

geoffrey ×͜×
@geoffrey_taiwan@mastodon.social

有趣的地方

People sitting at outdoor tables under a modern, geometric building structure.
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People sitting at outdoor tables under a modern, geometric building structure.

A person sitting inside a Louis Vuitton store, looking at their phone, with store signage visible in the background.
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A person sitting inside a Louis Vuitton store, looking at their phone, with store signage visible in the background.

A woman and a child in a shopping mall, standing near a cartoon lion statue with a helmet, surrounded by display cases and signs.
ALT text

A woman and a child in a shopping mall, standing near a cartoon lion statue with a helmet, surrounded by display cases and signs.

People waiting in line at an airport terminal with a "Winter Exclusive" sign, some using their phones and cameras.
ALT text

People waiting in line at an airport terminal with a "Winter Exclusive" sign, some using their phones and cameras.

geoffrey ×͜×
@geoffrey_taiwan@mastodon.social

有趣的地方

People sitting at outdoor tables under a modern, geometric building structure.
ALT text

People sitting at outdoor tables under a modern, geometric building structure.

A person sitting inside a Louis Vuitton store, looking at their phone, with store signage visible in the background.
ALT text

A person sitting inside a Louis Vuitton store, looking at their phone, with store signage visible in the background.

A woman and a child in a shopping mall, standing near a cartoon lion statue with a helmet, surrounded by display cases and signs.
ALT text

A woman and a child in a shopping mall, standing near a cartoon lion statue with a helmet, surrounded by display cases and signs.

People waiting in line at an airport terminal with a "Winter Exclusive" sign, some using their phones and cameras.
ALT text

People waiting in line at an airport terminal with a "Winter Exclusive" sign, some using their phones and cameras.

Johan Noldal
@noldal@pixelfed.noldal.net
Dag 265 / Day 265

Ljuset bryter igenom fjällen. / Light breaking through the mountains.

iPhone 17 Pro, 17mm
f/2.8, 1/200s, ISO 40.

#fjäll #svartvitt #ljus #vidd #natur #photography #365project #mountains #blackandwhite #light #vastness #nature #iphone17pro #monochrome #jämtland #sunrays #dramaticlight #wilderness #landscapephotography #mistymountains #scandinavianmountains
A black and white landscape image of layered mountain ridges fading into the distance under a dramatic sky, with sunbeams breaking through heavy clouds and illuminating patches of the terrain below, including a winding river or lake.
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A black and white landscape image of layered mountain ridges fading into the distance under a dramatic sky, with sunbeams breaking through heavy clouds and illuminating patches of the terrain below, including a winding river or lake.

Roger
@RuhrpottAndBeyond@pixelfed.de
Die Kokerei steht Kopf. Blick auf einen Teil der Zeche Zollverein in Essen.

#zechezollverein #essen #industiekultur #Fotografie #Photography #bnw #BlackAndWhite #SchwarzWeißFotografie #SchwarzWeiß #Monochrome #StreetPhotography #UrbanPhotography #NoirEtBlanc #Ruhrgebiet #Ruhrpott #NRW #StreetPhotographyBW #meinruhrgebiet #blackandwhitephotography #amateurphotography #monochromemonday
Blick auf einen Teil der Zeche Zollverein in Essen. Hier handelt es sich um die Kokerei mit all ihren diversen Zu- und Ableitungen die sich in einem Kühlwasserbecken spiegeln. das SW Foto habe ich um 180 Grad gedreht, so daß die Spiegelung oben im Bild ist.
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Blick auf einen Teil der Zeche Zollverein in Essen. Hier handelt es sich um die Kokerei mit all ihren diversen Zu- und Ableitungen die sich in einem Kühlwasserbecken spiegeln. das SW Foto habe ich um 180 Grad gedreht, so daß die Spiegelung oben im Bild ist.

Christian Thomas
@slowphotography@pixelfed.de
The Reader

#analog #analogfilm #analogphotography #art #believeinfilm #blackandwhite #bnw #bnwphotography #film #filmisnotdead #filmphotography #germany #ishootfilm #kodak #landscapephotography #nature #naturephotography #photography #35mm #35mmfilm
The black-and-white photograph shows a statue, carved from wood and painted in natural colors, of a seated woman on a wooden bench in a natural setting. The woman is wearing a simple, knee-length dress and has her legs crossed. In her hands, she holds a book or a notebook, which she is looking at intently. Her hair is short and wavy. She is wearing flat shoes with a small heel. The wooden bench on which the statue sits has a classic, rustic design with visible wood grain and is placed in front of a gravel path. In the background is a gently rolling landscape with trees and shrubs. The sky is clear with a few clouds.
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The black-and-white photograph shows a statue, carved from wood and painted in natural colors, of a seated woman on a wooden bench in a natural setting. The woman is wearing a simple, knee-length dress and has her legs crossed. In her hands, she holds a book or a notebook, which she is looking at intently. Her hair is short and wavy. She is wearing flat shoes with a small heel. The wooden bench on which the statue sits has a classic, rustic design with visible wood grain and is placed in front of a gravel path. In the background is a gently rolling landscape with trees and shrubs. The sky is clear with a few clouds.

Thomas Lendt
@tholen61@mastodon.social

Besucher

mitten auf der Blüte























Schwarzweiss-Foto einer Blüte, die von einem Marienkäfer mit vielen dunklen Punkten besucht wird. Der Hintergrund ist unscharf und zeigt weitere Blüten.
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Schwarzweiss-Foto einer Blüte, die von einem Marienkäfer mit vielen dunklen Punkten besucht wird. Der Hintergrund ist unscharf und zeigt weitere Blüten.

Tomasz Susuł
@TomaszSusul@mastodon.social

I took this photo of the Aletsch Glacier about 10 years ago. I’m going back there next week to see what’s changed.

This monochrome photograph captures the vast expanse of the Aletsch Glacier winding through a rugged mountain range. Deep longitudinal ridges are carved into the frozen surface, tracing the glacier's path towards the valley floor. In the foreground, a field of coarse rocks provides a contrasting texture to the glacier's smooth flow. Beyond the snow, craggy peaks and snow-dusted summits rise sharply into the sky. The interplay of light and shadow defines every fissure and ridge within the frozen terrain. This scene captures the enduring scale of a landscape shaped by time.
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This monochrome photograph captures the vast expanse of the Aletsch Glacier winding through a rugged mountain range. Deep longitudinal ridges are carved into the frozen surface, tracing the glacier's path towards the valley floor. In the foreground, a field of coarse rocks provides a contrasting texture to the glacier's smooth flow. Beyond the snow, craggy peaks and snow-dusted summits rise sharply into the sky. The interplay of light and shadow defines every fissure and ridge within the frozen terrain. This scene captures the enduring scale of a landscape shaped by time.

Anna Meurer Photography
@blog@annameurer.com
nude
The Power of Self-Portraits and how they changed my Life

This is my journey, the story of my life. Photography is my passion for over 35 years and it helped me finding myself. It helped me healing and falling in love with my body.

To get a better understanding of the whole concept of self-portraits let me explain the difference between a selfie and a self-portrait, at least the way how I define it.

Selfie

A selfie is in general a photo of yourself […]



annameurer.com/2026/06/07/the-

Self-Portrait in black and white. My upper body with my hands holding my breasts.
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Self-Portrait in black and white. My upper body with my hands holding my breasts.

Gica
@gica19@mastoart.social

Calle Prior.
📍 Salamanca.


Regen / Regentag
Lluvia / Día lluvioso

Esta es una evocadora fotografía en blanco y negro capturada en la Calle Prior de Salamanca. La imagen transmite una atmósfera melancólica y serena propia de un día lluvioso en una ciudad histórica. • Composición Central: En el primer plano, vemos a una familia caminando de espaldas. Una mujer a la izquierda y un hombre a la derecha llevan paraguas, mientras que una niña pequeña camina en medio, de la mano de la mujer, vistiendo un abrigo oscuro y una bufanda estampada. • Texturas y Reflejos: El suelo de pavimento de piedra mojado es el gran protagonista técnico de la foto. El agua crea reflejos verticales que alargan las siluetas de los peatones, aportando profundidad y brillo a la escena. • Entorno Urbano: Los edificios de piedra de Villamayor, típicos de Salamanca, flanquean la calle estrecha. Se pueden apreciar carteles comerciales (como el de "Bambú"), farolas clásicas de pared y balcones con herrajes metálicos. El uso del alto contraste resalta los detalles de las piedras y el brillo del agua, creando una sensación de atemporalidad. La perspectiva conduce la mirada hacia el fondo de la calle, donde se vislumbran más figuras bajo paraguas y la arquitectura característica de la zona monumental. Es una estampa clásica que captura un momento cotidiano cargado de nostalgia.
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Esta es una evocadora fotografía en blanco y negro capturada en la Calle Prior de Salamanca. La imagen transmite una atmósfera melancólica y serena propia de un día lluvioso en una ciudad histórica. • Composición Central: En el primer plano, vemos a una familia caminando de espaldas. Una mujer a la izquierda y un hombre a la derecha llevan paraguas, mientras que una niña pequeña camina en medio, de la mano de la mujer, vistiendo un abrigo oscuro y una bufanda estampada. • Texturas y Reflejos: El suelo de pavimento de piedra mojado es el gran protagonista técnico de la foto. El agua crea reflejos verticales que alargan las siluetas de los peatones, aportando profundidad y brillo a la escena. • Entorno Urbano: Los edificios de piedra de Villamayor, típicos de Salamanca, flanquean la calle estrecha. Se pueden apreciar carteles comerciales (como el de "Bambú"), farolas clásicas de pared y balcones con herrajes metálicos. El uso del alto contraste resalta los detalles de las piedras y el brillo del agua, creando una sensación de atemporalidad. La perspectiva conduce la mirada hacia el fondo de la calle, donde se vislumbran más figuras bajo paraguas y la arquitectura característica de la zona monumental. Es una estampa clásica que captura un momento cotidiano cargado de nostalgia.

Justin Pletzfeld
@jpletzfeld@mastodon.social

"I've seen things you people wouldn't believe..."

This is a dramatic black-and-white close-up photograph of a Maine Coon cat’s face. The cat is lying down and looking straight at the camera with a calm, slightly curious expression. Its large, almond-shaped eyes are wide open and catch the light, giving them a bright, reflective glow. The cat has the classic Maine Coon features: very long, thick fur with distinct dark tabby stripes running down the forehead and across the cheeks, prominent white tufts of fur inside the ears, and long, pointed ear tips with extra tufts of fur sticking out. Long, thin white whiskers fan out from its muzzle. One large, furry paw is resting in the foreground on a dark, soft surface, showing the thick pads and fluffy fur around it. The background is a smooth, gradient gray, keeping all attention on the cat’s expressive face. The overall mood is intimate and majestic, perfectly capturing the gentle giant personality of a Maine Coon.
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This is a dramatic black-and-white close-up photograph of a Maine Coon cat’s face. The cat is lying down and looking straight at the camera with a calm, slightly curious expression. Its large, almond-shaped eyes are wide open and catch the light, giving them a bright, reflective glow. The cat has the classic Maine Coon features: very long, thick fur with distinct dark tabby stripes running down the forehead and across the cheeks, prominent white tufts of fur inside the ears, and long, pointed ear tips with extra tufts of fur sticking out. Long, thin white whiskers fan out from its muzzle. One large, furry paw is resting in the foreground on a dark, soft surface, showing the thick pads and fluffy fur around it. The background is a smooth, gradient gray, keeping all attention on the cat’s expressive face. The overall mood is intimate and majestic, perfectly capturing the gentle giant personality of a Maine Coon.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

My efforts from my last darkroom session.

It’s incredible, but I didn’t create any traditional test strips. These are mostly a second attempt at the print, usually to refine the dodging and burning.

So how did I manage that? Last year, I bought the Zone Master II from RH Design; this was the first time I used it. It works well, though I do need to adjust the calibration.

Black and w.hite darroon prints scattered on a worktop
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Black and w.hite darroon prints scattered on a worktop

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

- Agava plants, Playa de los Genoveses

- Camera: Mamiya C220, Lens: Mamiya Sekor f3.5 65mm
- Film: Kentmere 100, Developer: Spur Acurol-N

This is a high resolution scan using

A black and white landscape featuring tall agava plants on the shoreline against the sea, with a distant hill in the background. Four rocks lie in the foreground. The scene evokes a tranquil, natural setting under a clear sky.
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A black and white landscape featuring tall agava plants on the shoreline against the sea, with a distant hill in the background. Four rocks lie in the foreground. The scene evokes a tranquil, natural setting under a clear sky.

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Another film photo from a road trip last year: ⁨ The Cloisters - Monastery of San Salvador de Celanova, Celanova⁩, ⁨Ourense⁩, ⁨Spain⁩

The once-wealthy abbey of Benedictines was founded by St. Rudesind in 936.

Photo GPS location: google.com/maps/place/42.15194

Photo info:
- Camera: Olympus XA, Lens: Olympus Zuiko
- Film: Ilford Delta 100, Developer: Acurol-N

A black-and-white film photo of the cloisters, Monastery of San Salvador de Celanova
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A black-and-white film photo of the cloisters, Monastery of San Salvador de Celanova

Rom | Tapas in the sun
@tapasinthesun@mastoart.social

Another film photo from a road trip last year: We move on to Ávila, with historic walls surrounding the city.

These medieval fortifications are the most complete and best preserved in Spain.

Photo GPS location: google.com/maps/place/40.65994

Photo info:
- Camera: Mamiya M645, Lens: Mamiya Sekor 80mm, f11, 1/Infinity s
- Film: Ilford FP4, Developer: Acurol-N

A black-and-white film photo of the wall around the city. The wall is reinforced by a series of round turrets.
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A black-and-white film photo of the wall around the city. The wall is reinforced by a series of round turrets.

Dave Bowman
@dabowphoto@mastodon.social

'THIRLMERE'
.
Looking out over Thirlmere in the Lake District, Cumbria, England, as heavy rain clouds move overhead, covering the tops of nearby hills
.
dave-bowman.pixels.com/feature
.


A photograph of Thirlmere in the Lake District, Cumbria, England, taken with a long exposure. The heavy rain clouds move overhead, partially obscuring the tops of nearby hills. In the foreground, a rock juts out from the lake's surface, while distant trees are silhouetted against the cloudy sky. The image captures a quiet, atmospheric moment, emphasising the serene yet dramatic mood of the landscape.
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A photograph of Thirlmere in the Lake District, Cumbria, England, taken with a long exposure. The heavy rain clouds move overhead, partially obscuring the tops of nearby hills. In the foreground, a rock juts out from the lake's surface, while distant trees are silhouetted against the cloudy sky. The image captures a quiet, atmospheric moment, emphasising the serene yet dramatic mood of the landscape.

Pau Guerrero
@pyrenaicus@mastodon.social

Black and white photograph depicting cliffs shrouded in fog in Sant Llorenç del Munt i l'Obac Natural Park, close to Barcelona. The rugged cliffs are crowned with vegetation, bushes and low trees. The point of view is from above the cliffs, the fog hiding the cliff walls below, the silhouette of a rock spire is half-hidden amidst the fog.
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Black and white photograph depicting cliffs shrouded in fog in Sant Llorenç del Munt i l'Obac Natural Park, close to Barcelona. The rugged cliffs are crowned with vegetation, bushes and low trees. The point of view is from above the cliffs, the fog hiding the cliff walls below, the silhouette of a rock spire is half-hidden amidst the fog.

rfg
@rfg@bark.lgbt

Let's put a few old automatics back up on here. Might make this a long-term thread.
I was too concerned of having to move again, this past year.

Abstract drawing: Lines radiation from a dark, tightly rendered centre, may look like petals to some.
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Abstract drawing: Lines radiation from a dark, tightly rendered centre, may look like petals to some.

Abstract drawing: Very chaotic, animated, partly cloudy looking shapes against a dark background. Parts of the foreground shapes have structure, and parts of it look like an explosion.
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Abstract drawing: Very chaotic, animated, partly cloudy looking shapes against a dark background. Parts of the foreground shapes have structure, and parts of it look like an explosion.

@tapasinthesun has moved...
@tapasinthesun@photog.social

Your daily(ish) evening film photo.

Three pines - These three gorgeous pines were situated near an abandoned cortijo, absolutely dwarfing the olive trees! I'll post a few photos of the cortijo starting tomorrow.

Camera: Horseman VH-R
Film: Ilford FP4 Plus 125
Developer: Rodinal
Film ISO: 125 | Shutter speed: 0.008" | Aperture: f16

...

More film photos: tapasinthesun.com/daily-film-p

A black-and-white photo of three enormous pine trees in an olive grove. A clear blue sky with a few fluffy clouds.
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A black-and-white photo of three enormous pine trees in an olive grove. A clear blue sky with a few fluffy clouds.